Episode 154: Contractually Obligated to be Family Friendly

At face value, there is nothing impressive or exciting about crossovers between DC Comics and Looney Tunes or Hanna Barbara. We didn’t pay a ton of attention to these books when they started dropping last year, until we finally picked a couple of them up out of a combination of seeking relief from the impending invasion of Watchmen characters into the DC Universe, and the kind of base rubbernecking instinct that makes people slow down to look at car wrecks, or non-Mission Impossible Tom Cruise starring vehicles.

Man, were we wrong, Almost to a one, these crossovers have been some of the most fun comics on the shelves when they appear. A pile of these crossovers came out this week, and a bunch of interesting and unexpected, yet entertaining, pairings happened! Along with the expected, somewhat disturbing, pairing between Batman and Catwoman!

So we’re talking a pile of books this week, including:

• Batman #25, written by Tom King with art by Mikel Janin,
• Peter Parker: The Spectacular Spider-Man #1, written by Chip Zdarsky with art by Adam Kubert,
• WMD: Weapons of Mutant Destruction #1, written by Greg Pak with art by Mahmud Asrar,
• Wonder Woman / Tasmanian Devil #1, Written by Tony Bedard with art by Barry Kitson and Ben Caldwell,
• Lobo / Road Runner #1, written by Bill Morrison with art by Morrison and Kelley Jones, and:
• Nick Fury #3, written by James Robinson with art by Aco!

Alas, cartoon books or no, the disclaimers:

• This show contains spoilers. If you don’t want to know whether or not the coyote gets the road runner, it’s because you’ve seen as many Saturday morning cartoons as we have and you know damn well what the answer is.
• This show contains adult, profane language, and is therefore not safe for work. We know the title says “Family Friendly.” Charles Manson also had a family. Listen with headphones.

Podcast: Play in new window | Download (Duration: 1:25:39 — 69.4MB)

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Thanks for listening, suckers!

Episode 152: Are You A Kandorian or A Kant-dorian?

We are in a genre entertainment lull. A week after Wonder Woman debuted in theaters, three weeks before Spider-Man: Homecoming opens, and with all the geek TV shows on summer hiatus, there’s not a lot to talk about except the comic books.

So we stick with comics this week, and we are thankful that we don’t have to deal with a week of DC Comics trying to shoehorn classic comics from the 80s into modern continuity. Instead, we weep that we have to deal with DC Comics trying to shoehorn classic comics from the 80s into some weird Elseworlds continuity they probably hope they can sell to people who remember Frank Miller without thinking of Holy Terror.

So we discuss:

• DK III: The Master Race #9, written by Frank Miller and Brian Azzarello, with art by Andy Kubert and Klaus Janson,
• Wonder Woman Steve Trevor Special #1, written by Tim Seeley with art by Christian Duce,
• Batman #24, written by Tom King with art by David Finch, and:
• The Walking Dead #168, written by Robert Kirkman with art by Charlie Adlard!

And, the normal disclaimers:

• This show contains spoilers. If you don’t want to know who Steve Trevor is sleeping with, you are clearly not thinking things through. But don’t pretend we didn’t warn you.
• This show contains adult, profane language, and is therefore not safe for work. We don’t talk about Batman’s dance belt because of his waistline. Listen with some headphones.

Podcast: Play in new window | Download (Duration: 1:17:19 — 78.2MB)

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Thanks for listening, suckers!

Episode 151: It’s Method. I Have To Do This.

While Patty Jenkins’s Wonder Woman was certainly the big comics movie of the week, we start off talking about, of all things, M. Night Shyamalan’s five month old movie Split. We talk about it because, well, we weren’t expecting it to be a comic book style story, and were extremely surprised to find it so. Mostly we were surprised because we spend a lot more time paying attention to comic book news Web sites than we do movie Web sites.

But we do spend an extended period of time discussing Wonder Woman, a movie that only had to pass the bar of, “Please God, don’t be terrible” to satisfy us, and wound up being one hell of a lot better than that. We talk about Gal Godot’s performance, why the World War I setting worked out far better than its probable “Let’s not be too close to Captain America” origins, whether or not Ares really had a place in the movie, and Rebel Wilson. For some reason.

We also discuss:

• Secret Empire #3, written by Nick Spencer with art by Andrea Sorrentino (No, we can’t seem to stop talking about Secret Empire), and:
• Redneck #2, written by Donny Cates with art by Lisandro Estherren!

And, as usual, the disclaimers:

• This show contains spoilers. If you don’t want to know the big secret behind Split, then skip to about 20 minutes in, and for the love of God, don’t click that link about five paragraphs up. You know, the one you probably already clicked.
• This show contains adult, profane language, and is therefore not safe for work. We talk about Lex Luthor’s method acting in this episode. Sounds benign, doesn’t it? You, and your employer, would be very surprised. Listen with headphones.

Podcast: Play in new window | Download (Duration: 1:43:44 — 83.9MB)

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Thanks for listening, suckers!

Episode 145: Stick Figures With Boobs

Yes, we’re a day late again, but after a weekend of pulling, cleaning and replacing every connection on the board, at least, unlike last week, this episode doesn’t sound like we’re talking through a bowl of Rice Krispies.

This weekend, the first full trailer for DC Films’ Wonder Woman dropped, and as big DC Comics fans, we desperately want this one to be known forever as “The First Really Good DC Comics Flick.” So we spend a little time talking about the trailer and the movie. We specifically talk about how by using World War I they’re simultaneously covering historical ground that existed before even comic books, while also forcing comics fans to say, “Yeah: Captain America: The First Avenger, only older and crustier.” We also touch on the fact that the average American public school graduate would could only identify a major “bad guy” of WWI if spotted an hour, Google, and their family members as hostage in the event they failed.

We also discuss:

• Man-Thing #1, written by R. L. Stine with art by German Peralta and Daniel Johnson,
• Nancy Drew and The Hardy Boys: The Big Lie #1, written by Anthony Del Col with art by Werther Dell’ Edera, and:
• Action Comics #975, written by Dan Jurgens and Paul Dini with art by Doug Mahnke and Ian Churchill!

And, the usual disclaimers:

• This show contains spoilers. If you don’t want to know Clark Kent’s secret identity (this actually is a trick question), then get consider yourself warned.
• This show contains adult, profane language, and is therefore not safe for work. You think your significant other wants to hear jokes about Squirrel Girl pulling nuts out of the Giant-Sized Man-Thing? Get some ear buds.

Podcast: Play in new window | Download (Duration: 1:16:46 — 76.5MB)

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Thanks for listening, suckers!

Episode 136: I Am The One Who Yubs

“That’s what I love about these [Spider-Men], man… I get older, they stay the same age.” -Michael Keaton (unconfirmed) (probably made up) (I totally made this up)

So we’re on our third person playing Spider-Man since the last time we had a Glutton Bowl, which seems not only unfair, but kinda wasteful. However, this time we have a Spider-Man working within the Marvel Cinematic Universe, played by an actual (almost) teenager, and who seems able to tell a joke better than, “Hi! I am Tobey Maguire, and I am seventeen years old! Why are you looking at me like that?”

And since the first trailers for Spider-Man: Homecoming were released last week, we spend a few minutes talking about some of the details, how some elements of Brian Michael Bendis’s Mile Morales seem to have been integrated into Peter Parker’s story, how cool it is to see Michael Keaton in a real superhero movie again, and how none of this gets around the truth about how hard it is to get excited about our third Peter Parker less than ten years.

But talking about a trailer does not a podcast make. So we also discuss:

• Spider-Man: The Clone Conspiracy #3, written by Dan Slott with art by Jim Cheung,
• Wonder Woman ’77 and The Bionic Woman, written by Andy Mangels with art by Judit Tondora,
• Batman #12, written by Tom King with art by Mikel Janin, and:
• Star Wars: Doctor Aphra #1, written by Kieron Gillen with art by Kev Walker and Salvador Larroca!

And, as always, the disclaimers:

• This show contains spoilers. If you don’t want to know who The Jackal offers to resurrect for Spider-Man, then you’re clearly not thinking about The Clone Conspiracy even a little bit, but still: consider yourself warned.
• This show contains adult, profane language, and is therefore not safe for work. If you think your mom might be disturbed to hear what its like to “pull a trailer for Lyle Waggoner,” then get yourself some earbuds.

Podcast: Play in new window | Download (Duration: 1:38:10 — 83.2MB)

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Thanks for listening, suckers!

Episode 121: Underground Gozer Society

The new Ghostbusters movie opened this week, after a long production period marked by a non-stop screeching hate frenzy from Bill Murray fans, enthusiasts of old-school J. Michael Straczynski Saturday morning cartoons, and people who think that comedy has been redundant since Rick Moranis donned a track suit to dry hump the windows at Tavern on The Green.

We here at Crisis On Infinite Midlives have long and storied histories with the original Ghostbusters, from Amanda’s devotion to its scientific approach to the paranormal that led to her being interested in applying to Duke University’s Parapsychology Laboratory, to Rob’s appreciation of the flick as an teen-safe entryway to early Saturday Night Live and the National Lampoon. And even with that long and beloved history, we have long been looking forward to the more modern interpretation of the franchise.

So we discuss our feelings about the franchise at large, how we liked (and didn’t like) the new movie, what we’re hoping for from any possible sequel, and Amanda’s theory about how this movie not only doesn’t turn its back on the original movie, but actually makes the concept that it’s a sequel as likely as not.

Regardless, we have no sympathy for those who say that the new Ghostbusters has destroyed their childhood. And we’re not alone.

We also discuss:

• Nightwing: Rebirth #1, written by Tim Seeley with art by Yanick Paquette,
• Wonder Woman #2, written by Greg Rucka with art by Nicola Scott, and:
• Civil War II #3, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

• This show contains spoilers. If you want to avoid knowing whether every molecule in Melissa McCarthy’s body explodes at the speed of light in a total protonic reversal, consider yourself forewarned and forearmed.
• This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn a whole new definition of “hard but fair”? Then buy some earbuds.

Podcast: Play in new window | Download (Duration: 2:05:29 — 125.8MB)

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Thanks for listening, suckers!

Episode 117: You Grok What I’m Saying, Fat Bieber?

This week, The Walking Dead creator Robert Kirkman had an interview published in Rolling Stone where he chided George R. R. Martin for revealing the ending to A Song of Ice And Fire to the producers of HBO’s Game of Thrones. And it caused the predictable Internet uproar, but it also got us to thinking: we had six out of seven Fear The Walking Dead episodes unwatched on our TiVo. We’d been complaining for years that The Walking Dead comic’s pacing had been untenably slow. We’d been getting Kirkman’s Outcast in our pulls since it started, but we actually hadn’t been reading it, so we had no intention of checking out the comic’s new adaptation on Cinemax.

So we asked ourselves: have we reached peak Robert Kirkman? Has his work lost its mojo, at least for us? And we decided to test the question by burning through the remainder of Fear The Walking Dead season 2, re-reading the first issue of Outcast, and checking out the first two episodes of the adaptation. And having spent the weekend binging on Kirkman (eww!), the answer might surprise you!

We also discuss:

• Wonder Woman: Rebirth #1, written by Greg Rucka with art by Matthew Clark, Liam Sharp and Sean Parsons,
• The Flash: Rebirth #1, written by Joshua Williamson with art by Carmine Di Giandomencio, and:
• Daredevil #8, written by Charles Soule with art by Goran Sudzuka!

And, the disclaimers:

• This show contains spoilers. If you listen, you will learn how many Fear The Walking Dead characters Rob wants to hit with a chair (Hint: It’s a non-zero value).
• The show contains adult, profane language, and is therefore not safe for work. We talk about Superman’s dickie. Get some headphones.

Podcast: Play in new window | Download (Duration: 2:19:31 — 138.4MB)

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Thanks for listening, suckers!

Episode 59: The Adventures of Midget Gordon

DC’s Convergence event is almost upon us, so news about the soft reboot is coming fast and furious. And this week, that news included pictures of new costumes destined to be worn by Superman, Wonder Woman and Batman. And there’s just something about a costume redesign that drives comics fans into screeching frenzies of either hate or excitement, isn’t there?

So we discuss not only the new costumes (and speculate on the circumstances that make them necessary), but superhero costume changes in general, including when they have and haven’t worked, and which ones have spun us up the most in our 40 years of reading comics (hi, Fall From Grace armored Daredevil!)

We also discuss:

• Howard The Duck #1, written by Chip Zdarsky with art by Joe Quinones, and:
• Southern Cross #1, written by Becky Cloonan and drawn by Andy Belanger!

And now the disclaimers:

• We record this show live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like learning the definition of “Batman’s Old Fashioned Texas Love Tubes.”
• This show has a lot of spoilers. While we make an effort to shout out warnings ahead of time, be aware that we could ruin certain plot points. Like whether or not Howard is, in fact, a duck.
• This show contains adult, profane language, and is therefore not safe for work. You want your employer to hear speculation about where Wi-Fi Barbie keeps her antenna? of course not. Get some headphones.

Podcast: Play in new window | Download (Duration: 1:46:58 — 97.0MB)

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Enjoy the show, suckers!

Episode 20: Ally McBealing Around The City

In this week’s episode, Amanda and I discuss:

• DC Entertainment’s / Warner Bros.’s rumored slate of movie released, from Batman V Superman: Dawn of Justice in 2016 to a rumored new Batman movie in 2019, whether DC is overextending, which ones we’re most looking forward to, how Sandman could work as a movie, and who should play Shazam,
• The recently announced Quentin Tarantino / Matt Wagner crossover of Django Unchained and Zorro, why we’re not as excited as we might have been 15 years ago, and what Django crossovers we’d rather see,
• Sex Criminals #6, written by Matt Fraction with art by Chip Zdarsky,
• Thunderbolts #27, written by Ben Acker and Ben Blacker, with art by Carlo Barberi, and:
• How World Cup soccer is enough to put an American – even a baseball-loving American – right to sleep.

But some disclaimers:

• This show is recorded live to tape, like a live radio show. While this might mean some dead air and dead ends, it also means that anything can happen.
• This show contains spoilers. We try to drop a warning ahead of time, but tread lightly.
• This show contains profanity and adult language, and is not safe for work. If it was translated into sign language, it would be only a middle finger. Wear headphones.

Podcast: Play in new window | Download (Duration: 1:26:33 — 79.3MB)

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Enjoy the show, suckers!

New Teasers And Clips From Upcoming DC Justice League And Batman Projects

For those of you bummed about the decision to delay the upcoming Superman/Batman sequel until 2016, Warner Brothers has released a new clip today from the upcoming Justice League: War animated film. Bonus – this film has a fully fleshed out Wonder Woman with no weird, forced Kryptonian origins, so that’s nice. Take a moment a be grateful that Zach Snyder and company may be taking this opportunity to actually get their shit together, and enjoy this animated clip.

Via io9.