I would like to start off my review of Kiss Me, Satan by asking a question: why is every urban fantasy hero named like an urban fantasy hero?
Seriously: other than schlub-sounding Harry Dresden (and even his last name brings images of a massive firestorm to mind) and Anita Blake (who sounds like the female lead of a 70s Norman Lear sitcom), every urban fantasy hero sounds like Mom and Dad named them in a fashion that would make them unemployable in profession that didn’t end with a hyphenated “hunter.” There’s Anton Strout’s Simon Canderous, Mark Del Franco’s Connor Grey, and even Matt Wagner’s Kevin Matchstick all sound like the kind of English language music one normally only hears in the roll of 20-sided dice. Seriously: if someone handed you a job application with the name Calliope Reaper-Jones on it, you’d thank her for her interest and call the local bunco squad as soon as she cleared the front door.
Which brings us back to Kiss Me, Satan, and its protagonist: Barnabus Black. Seriously. I mean, that’s the kind of name that you come up with after you settle on an alignment of Chaotic Neutral. Just once I’d like to see a fearless vampire hunter with a stupid sounding name, you know what I mean?
What’s that? Buffy who? Oh. Okay, nevermind.