tom_hiddleston_loki

It was a long night in Boston last night; between the cops putting the arm on the surviving Boston Massacre bomber right around the time they lifted the lockdown, and the cancellation of the Boston Comic Con (meaning we suddenly didn’t need to get up early this morning), well, much liquor was consumed.

So our energy levels are low today – and I swear, this will be the last time that we use the weirdness of the past six days to plead for anemic levels of content here (although we might come up with something else) – but we found this interesting item that is either really promising news for the movie, or a wretched and ill-advised portent of doom for the actor: apparently Tom Hiddleston, the guy who played Loki in Thor and The Avengers, is going out for a role in another superhero movie.

Problem is, that role is of The Crow, in the remake of the 1994 Brandon Lee movie of the same name.

Hoo, boy.

Having read the first two issues in the latest in a 20-plus year long line of comic books with the title The Crow, I find it ironic that the original book was about a soul that could not rest until he found justice… or at least revenge.

The original Crow miniseries by James O’Barr is a personal favorite, and the 1992 Tundra Publishing reprints of the original Caliber Press printings are prized possessions in my collection. It is a personal favorite because it is simple, and it is self-contained: a dude in the wrong place at the wrong time gets killed along with his girlfriend for no reason at all, and he somehow returns from the grave to kill the gang who killed them. That’s it. Who is the guy? Doesn’t matter, to the point where O’Barr doesn’t even tell us his last name (“Draven” only came about in the 1994 movie, that felt it needed to shoehorn in unnecessary backstory for the straights in the theaters). Why is he killed? Just some random violence from some random junkies; could’ve been anyone, anywhere. Why does he come back? His love for his girl is just that strong, brother. It was simple, and it was emotional, it was powerful… and then it was done.

It was everything that this new comic version of The Crow is not.