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batman_13_jokerHappy New Year! Well, almost.

This year in comics has been pretty uneven for the Big Two. Marvel finally dragged its ass across the finish line to end the pain and suffering that was Avengers Vs. X-Men, leading to a reboot relaunch of most of its major titles under the imprint of something called Marvel Now! Whatever its actual intentions (sales!), Marvel Now!’s primary functions have to have an excuse to bring Jean Grey back as a teenager (hot!) and kill off Peter Parker (cold!). The jury is out with me on the whole concept right now. Meanwhile, DC has killed off many of its New 52 titles before they even made it to middle school (oh, O.M.A.C., we barely knew ye!). On the other hand, Scott Snyder has emerged as an architect of some vision with his “Death Of The Family” concept, which is currently impacting the Bat Family of books. I’m digging this story almost enough to forgive him for taking a break from Vertigo’s American Vampire…and Vertigo’s got enough problems right now.

So, where were the bright spots? Check out my picks, after the jump.

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EDITOR’S NOTE – This review is on issues #1-4 of Sanctuary, by Stephen Coughlin and is based on preview copies forwarded to the Crisis Home Office by Mr. Coughlin. Also, there will be spoilers. Mystery solved!

When I examine my pull list, I have to admit that deep down I’m kind of a Capes and Cowls sort of girl. As someone who got back into reading comics by way of Transmetropolitan and Preacher, I didn’t think I was. But, lately, my weekly take skews heavy to The Big Two and The Big Two are mostly Flights and Tights. After that, I have a healthy chunk of Vertigo books, which tend to not be super powers books, but still generally have magic and weirdness. Following that are Image books, which could be about anything, but often deal with super powers though. Rounding out the pack are books from Boom Studios and small press (which, I guess you could say would include Boom, if only because it’s not Marvel or DC). Small press books tend towards the quirky and are less likely to be “traditional”, at least the ones I get. Maybe the protagonist is a talking teddy bear whose mortal enemy is the family cat. Or maybe the protagonist thinks he’s a superhero, but he’s really an oddly nigh invulnerable nut job who runs around in blue spandex doing more damage than good. Either way, for good or bad, my pull list tends toward the big established guys with their big established, practically heirloom, hero properties. Furthermore, my weekly take is also, entirely, physical paper copy.

Enter Slave Labor Graphics.