Bullseye: Francesco Francavilla To Pencil Hawkeye

This is about the best news from Marvel Comics in a while: artist Francesco Francavilla, who did such good, pulp-inspired work on 2011’s Black Panther: The Most Dangerous Man Alive (which came about a week too early to make my list of the best of 2012) and on this week’s Dark Horse The Black Beetle (which is really pretty good, and which we will be reviewing sometime in the next few days), will be taking over art duties on Matt Fraction’s Hawkeye for two issues.

“On Hawkeye, we’ve been blessed with not only one of the biggest writers in comics with Matt Fraction, but also some of the best artists like David Aja, Javier Pulido and now Francesco Francavilla,” said the book’s editor Stephen Wacker in a statement accompanying Marvel’s announcement of Francavilla’s addition to the team. “Though he’s only on the series for issues #10 and #12, Francesco is going to leave his mark on Clint with some of the most beautiful art you’ll see all year!”

Hawkeye is about the best match for Francavilla’s art style that I can currently think of at Marvel. The book has a healthy mix of street level crime and weird, S.H.I.E.L.D. superspy action that are pulpy and grimy, with enough big, overblown action, to really pop under Francavilla’s pencils. The dude gives solid, old-school action-adventure illustrations, and is probably my favorite artist discovery since we started Crisis On Infinite Midlives in 2011. Francavilla will be drawing Hawkeye #10 and #12, and you can check out his cover to issue 10 after the jump.

Major Distractions: Captain Marvel #9 Review

I generally read superhero comics for a momentary escape from the horrific tedium of work and errands and appointments and the horror – the absolute savage and crippling fucking horror – of having to talk to people. After a day of interacting with humans in unpleasant scenarios, there’s nothing more fun than watching people with otherworldly powers stomp the living shit out of super villains, giant monsters, and during summer crossover event season, each other.

I’ve always found it relaxing and empowering, after a long day, to turn off the phone, turn off the brain with some strong drink, and imagine that I could be one of those people in costume, flying around and kicking ass – no one else wishes this of me, due to how my bloated, middle-aged ass would look in one of those costumes, but to hell with them – because generally those superheroes don’t have to slog through the same repetitive, boring shit that the rest of us do.

Unless you’re Captain Marvel. Who spends a surprising amount of Captain Marvel #9 having to put up with exactly the kind of rotten, irritating, day-to-day shit that we do, only with some distractions thrown in… provided you consider an unexpected dinosaur attack to be distracting. I probably wouldn’t, thanks to my previously-mentioned propensity for strong drink, but that’s not the point. The point is that we spend a lot of Captain Marvel #9 watching Carol Danvers keeping appointments… and yet it is actually a fairly compelling and entertaining book to read.

Not to look at, but we’ll get to that.

Mashup: Savage Wolverine #1 Review

Editor’s Note: “Cyclops”? “Storm”? What do they call you? “Spoilers”?

Yesterday, I recommended that the best way to read Batman #16 was to not think about the plot too much, because it gets in the way of what the story is really delivering to the reader. I’m gonna have to recommend the same thing for writer / artist Frank Cho’s Savage Wolverine #1, but unfortunately without anywhere near the enthusiasm I had for Batman.

Look, if you’re a fan of the berserker Wolverine, and like the Frank Miller / Chris Claremont miniseries from the 80s because of the graphic violence as opposed to the nuanced characterization, there’s a lot to like in Savage Wolverine #1. Cho captures the character visually, along with the attendant violence that would, in a just and true comics world, be a major part of any comic book about a guy whose primary visible power involves six machetes. It’s a good-looking book. It’s violent and exciting. And if that’s what you want from a comic, just enjoy it and turn off your frontal lobes using whatever method or chemicals you prefer.

Because if you don’t, it’s gonna be really hard for you to not notice that this book is Lost with Wolverine, has plot holes you could drive a bus through, and leaps in logic that would make Batroc weep in frustrated shame.

When Raccoons Fly: Marvel’s Guardians of The Galaxy Liveblog

Here’s the problem with having been six years old when Star Wars was released in theaters: I’ve never really given that much of a damn about Guardians of The Galaxy. Yeah sure, Guardians of The Galaxy debuted in 1969, but that was before my time, and by the time Marvel really started to whip them up was in Marvel Presents right around the origina Star Wars release, and if you’re six, who’re you gonna pay attention to? The guy with the full color lightsaber? Or the talking raccoon with a gun (and before you ask, no, even at six or seven, I didn’t buy into Jaxxon, either)?

But regardless, Marvel Studios in its infinite wisdom has decided to make Guardians of The Galaxy into their next big tentpole property, which means that Marvel is releasing a new book starring the team, written by Brian Michael Bendis with pencils by Steve McNiven. And Marvel just hosted a liveblog with those guys to talk about what they have planned for the property. And I tried to get myself excited about the prospect, even though it features a guy who calls himself Starlord without a whiff of irony, and a creature that calls itself Rocket Raccoon, which is roughly analogous to me calling myself Lumbering Whiteguy.

And I’ll be damned if it doesn’t sound like they have some cool stuff planned for the project.

XX-Men: Marvel Gives Details on Wood’s and Coipel’s All-Female Book

Y’know, for a guy that had his DC exclusive contract politely allowed to expire about a month before the New 52 relaunch (and after DC announced, and then unannounced, that he would be the writer on the Supergirl relaunch in September, 2011), Brian Wood has had one hell of a busy – and big – year. Between the launches of Mara for Image, Conan and The Massive for Dark Horse – not to mention the big success of Star Wars for that publisher just last week –  the guy has a lot going on… including that new book for Marvel that they teased last week with a one-word poster reading only “XX”.

These’s been a lot of speculation about what “XX” means, from the idea Amanda floated to me that it was an X-Treme X-Men relaunch, to the one I insisted upon to my bartender that it was about Dos Equis. Actually, I was just ordering a Dos Equis, but that’s not important right now.

What is important is that Marvel has revealed what it’s all about. It’s an X-Men book. Titled X-Men. With no, you know, men in it.

A Couple of Major League Yobbos: The Secret Service #5 Review

Editor’s Note: Spoilers Galore? I must be dreaming.

When I reviewed Mark Millar’s and Dave Gibbon’s The Secret Service #1 back in April, well, let’s say that I wasn’t impressed. I was unimpressed enough to put the issue, and the series, on my list of biggest comics disappointments of last year. And that first issue was even more disappointing in retrospect; in a year where Sam Mendes made Skyfall, which wasn’t just a good James Bond movie, but was simply a good movie, Millar’s snark-filled, ultra-violent re-envisioning of James Bond as some kind of dickish football hooligan with a mad-on for the chavs or twats or poofs or whatever the hell the English call douchebags became not only unnecessary, but also obviously small-minded and petty.

But hey: that first issue was nine months ago. And I suppose my initial impressions might have been a mistake; after all, I can think of at least one other mistake I could have made nine months ago that I would not only be regretting today, but doing my level best to pretend never happened and if it did, pretending that it in no way applied to me.

So while I did read The Secret Service #2, #3 and #4 and saw nothing there that would make me change my initial impression of the book, I figured I’d check in with the fifth and penultimate issue to really look to see if enough had turned around to recommend it in time for you to get up to speed for the big finale in a couple of months.

Short answer? Nah. While Millar seems to have veered away from the overt lifting his protagonist Gary from Grant Morrison’s character of Dane in The Invisibles, The Secret Service #5 is still a combination of the most adolescent of revenge fantasies, combined with what seems to be a scathing indictment of genre fans and their priorities in life. And when I say “genre fans,” well, if you’re reading a comics Web site and therefore probably have a stack of longboxes in your home? That’s you and me, chief.

The Superior Superior Spider-Man: Scarlet Spider #13 Review

I’ve kinda lost track of what’s been going on in Scarlet Spider over the past few months, but this week seemed like a good time to jump back in for a couple of reasons, the first being that, with the recent events in The Amazing Spider-Man and The Superior Spider-Man, I had a taste for a story about a Spider-powered hero who isn’t a reincarnated vainglorious blowhard… and it takes a lot to make a story about a spider-clone to seem like a palate-cleanser.

The second reason was that the book’s recent Minimum Carnage event is over. Don’t get me wrong: not having read the event, I really can’t address that there was anything particularly wrong with it per se, but once I heard the title of the event at last year’s San Diego Comic-Con, I had a problem with half of it. I’ll give you a hint: it wasn’t “minimum.” Suffice it to say that, when it comes to Carnage? Yeah, not a fan.

So Scarlet Spider #13 is my first jump back into the title in some time, and my first time back with the character since the closing events of The Amazing Spider-Man. And this is gonna be a strange review because of it, because, coming back into the book immediately after reading those events, I’ll tell you this: if there aren’t plans to cross the Doc Ock version of Spider-Man over, at least briefly, with Kaine? Either The Superior Spider-Man writer Dan Slott, or Scarlet Spider writer Christopher Yost, or both, aren’t thinking things through.

Robbing Peter: The Superior Spider-Man #1 Review

Editor’s Note: I’ve come to say goodbye to my old life. A life wasted on spoilers and ruined plot twists. A man whose sole victory was cheating comic readers… by switching – ah, screw it. This review contains spoilers. Many. many spoilers.

I’m done. Done accepting things the way we are. I swear to you… from now on… whenever I’m around, wherever I am… …No one dies!
– Peter Parker

Okay, that’s one way to end a comic book. But we’ll talk about that later.

So here we are: the first issue of a Spider-Man comic with Otto Octavius riding the peak seat, and our first chance to see how he handles the, well, power and responsibility. And coming out of the events of The Amazing Spider-Man #700, that was a serious question; sure, we’ve known what Doctor Octopus is like for the past fifty years, and it seems unlikely that an arrogant megalomaniac like that is likely to turn over a new leaf just because he can suddenly see his dick for the first time since Eisenhower was President. But still, we’ve seen that Ock obtained access to all of Peter’s memories and experiences, which could have an effect on Otto. So the question is: how does he behave as Spider-Man?

A lot like a supervillain, actually. But not in the way that you’d think.

Dropping The Hammer (At Least I Hope It’s The Hammer): Walt Simonson on Indestructible Hulk

Amanda reported earlier about Marvel’s new one-word teaser – part of what’s looking to be a new round for already-introduced comics from the Marvel Now relaunch (but not a reboot! Because Marvel doesn’t reboot! And Spider-Man has always had feet that looked like Mickey Mouse was crippled by polio!) – hinting that the Doc Ock version of Spider-Man is possibly going to lose his Avengers ID card and all associated rights, privileges, upgrade miles and punches toward a free six-inch sub.

That, however, wasn’t the only teaser up Marvel’s sleeve today. To wit: legendary The Mighty Thor artist Walt Simonson will be taking over art duties, at least temporarily, from Leinil Yu on Indestructible Hulk. And Marvel being Marvel, they had a teaser to go with the news…

Winning Friends And Influencing People – “Superior Spider-Man” Fired…Don’t Get Excited Yet.

Marvel is throwing another comic book teaser our way, this one somewhat less mysterious than yesterday’s XX promo, but still ambiguous enough to make us wonder…

…how can “that old Parker luck” (as Comic Book Resources called it) run out so fast when Peter Parker isn’t even driving the bus anymore? I mean, look at those faces teased up on that image: OctoSpidey seems to have pissed off the whole of The Avengers and gotten himself fired. That’s fast work, faster than my Uncle Louie can get himself drunk, disorderly and tasered at GED Prom Night Zumba at the Learning Annex.

In any event, the “Fired” teaser also points to a new arc that will see Ryan Stegman departure. Humberto Ramos will be joining writer Dan Slott, as penciler. Fans of big-eyed, lanky looking manga type characters, rejoice.

Superior Spider-Man drops at your LCS this Wednesday, January 9. Slott and Ramos’s new arc begins in April 2013.