Clark Gregg recently spoke with Collider at WonderCon about his Marvel Universe character, Agent Coulson, who has been a breakout fan favorite. Fans were crushed when Agent Coulson went to the great beyond during a blowout with Loki on the S.H.I.E.L.D. helicarrier, but the character’s death served the purpose of being the emotional focal point that rallied the heroes to the eventual defeat of Loki and the Chitauri. Coulson’s death also rallied fans into action, petitioning Marvel, Joss Whedon, and anyone else who would listen, for Coulson’s return. In this interview, Gregg discusses Coulson’s return with unabashed enthusiasm, along with how the S.H.I.E.L.D. television show fits into the larger Marvel Universe, and the overall weirdness of signing a multi-year television contract. He never quite spoils the actual mechanics of how Coulson returns, but I know I’m thinking Life Model Decoy. Who’s with me?

There’s no official drop date for the television pilot, but you can keep up with all news on the S.H.I.E.L.D tv show on its Facebook page.

guardians_of_the_galaxy_1_cover_2013Let’s stop for a second and remember that, back before the turn of the century, Guardians of The Galaxy writer Brian Michael Bendis got his start writing small-scale indie crime comics. There was Jinx, about a small-time bounty hunter, and Goldfish, about a small-time grifter, and Torso, about a real small-time serial killer (yeah, his victims would probably argue the “small-time” point, but let’s face it: “The Cleveland Torso Murderer” ain’t no Jack The Ripper. That name sounds dangerously close to “The San Diego Goofball”). When he moved into superheroes, it was Powers – more about a couple of street-level detectives than about superheroes – and then Alias and Daredevil for Marvel – again, street-level, crime-based superheroics.

It’s easy to forget now how nervous many of us were when Bendis took over Avengers back in 2004, because there was just no indication that the guy could really handle anything beyond street scumbags bullshitting each other, or maybe a mildly depressed former superhero taking it in the corn chute from a 70’s B-Lister. But if you take a step back and really look at Avengers Disasssembled, part of why it works is that, at it’s lowest level, it’s about a depressed woman who is lying to and betraying everyone in sight to hide her most personal shame. That’s a noir femme fatale story right there… sure, one that includes Hulks and exploding arrows, but a femme fatale story nonetheless. Bendis found the street-level story in the superhero epic, and made it pretty damned good.

So it has been a long ride for Bendis to go from giving us stories about no-hope dickheads running the Three Card Monty scheme in Portland to a story about the son of a planetary king and his alien buddies trying to defend the Earth from alien invasion. But the good news is, it generally works. If you’re a fan of Star Wars or the rebooted Battlestar Galactica, you’ll find some good stuff to like in Guardians of The Galaxy #1.

You’ll find those things because they are really damn reminiscent of those properties, but still: they are there.

avengers_8_cover_2013Editor’s Note: A White Event creates / alters heralds to spoil this ascension.

Since taking over Avengers back in December, writer Jonathan Hickman has clearly been pushing toward some kind of huge, extinction-level event that is meant to go down in legend – he all but comes out and says it in his movie trailer-like first issue. And since that time, Hickman has marched Avengers through ever-increasing threats, cosmic and not, moving inexorably to whatever massive event he has in mind. And all that has occurred in the series has been used in subservience of that plot, including little things like consistency of characterization or focus on anybody in particular.

Which means that, in Avengers #8, Hickman has given us an portrayal of The Avengers where Captain America is ignored by several members, three members of the team actively try to kill or demand that someone kill a teenaged boy, and all in all lead with their fists against a confused kid who doesn’t know what’s happened to him and in no way acts as an aggressor until several of The Avengers big guns take a poke at him. All to allow Hickman to put a bunch of power in front the Ex Nihilo guy he introduced back in the first issue.

In short: yeah, I’m pretty close to giving up on Avengers entirely.

wolverine_1_cover_2013Editor’s Note: Many years ago, a secret government organization abducted the man called Logan, a mutant possessing razor-sharp spoilers and the ability to heal from any bad comic…

I don’t know about you, but I really didn’t feel like I needed another Wolverine book. We got the debut of The Savage Wolverine just two months ago, we’ve had Wolverine & The X-Men going since the end of the Schism event about a year and a half ago, and then there’s that good old Wolverine comic that, until recently, had been running since Logan put on an eyepatch and started acting like it would make people without massive traumatic brain injuries think he was a completely different dude with fucked-up hair and adamantium claws back in 1988. Even forgetting the recent Wolverine: The Best There Is series, throw on top of those books Wolverine’s appearances in X-Men, Avengers, New Avengers, and even fucking X-Babies, I wasn’t exactly waiting with bated breath to bring my monthly Wolverine expenditures into the three figures.

But still, I picked up the first issue of writer Paul Cornell’s and artist Alan Davis’s new Wolverine, partially because I generally dug Cornell’s recent work on DC’s Demon Knights, partially because I’ve liked Davis’s work since Captain Britain and more importantly (to me, anyway) Miracleman, and partially because I co-run a comics Web site and part of my job is to read stuff that I don’t necessarily give a damn about and write about it.

And it turns out that that’s not a bad thing, because Wolverine #1 is good. Really fucking good. Better than the opening to about any solo Wolverine story in recent memory.

Particularly that first page, which is one hell of a cool shot across the bow.

all_new_x_men_8_cover_2013I have a recurring dream where I wander into a keg party at my college in 1991, grab a Natural Light, and wander around until I find myself, at 20 years old, in a corner somewhere. And I say, “Rob: for the love of God, don’t stick your dick in Lynn Mansfield. She will make you into a whinier, more irritating moron than usual for at least a couple of years. Now for Christ’s sake, give me a fucking cigarette. You don’t smoke yet? Well c’mon, let’s get you a pack. You like Marlboros… no, trust me: you like Marlboros.”

Because that’s the fantasy, isn’t it? If we could just go back in time and spend a few minutes with out younger selves, we could impart the wisdom that we wish we had when we were younger, and maybe avoid pain, heartache and perhaps an embarrassing social disease. And in this fantasy, we always assume that we will be grateful for these pronouncements from on high… even though, if you stop and think about it for a second, these pronouncements are largely the same as the ones that came from your father at the time. And not only did you ignore those bits of wisdom at the time, now you look like your father, meaning that the response to your benevolence would likely only be, “Um, when did we decide that lard was part of the food pyramid, fat man? And no, you can’t have any of my cigarettes! They’re, like, a buck-eighty a pack!” And then you will kill your younger self in a fit of rage, and then where will you be? But I digress.

The point is that All New X-Men has, for eight issues now, been an excuse to address that fantastical question: if you could talk to yourself 20 years ago, what would you say? And would it make any difference? Which is not particularly new ground for a science fiction story – hell, Van Damme did it in Timecop, and attempting to follow in the footsteps of Van Damme-age has never been a good long-term plan for anybody. But here, writer Brian Michael Bendis addresses the situation in s slightly different way: what if meeting yourself when you are older corrupts you? What if seeing that things didn’t turn out the way you planned when you were 20, rather than inspiring you to try harder to achieve your plan, instead hardens you, and makes you more cynical and ruthless? Or maybe it just fucking horrifies you, to the point where you’ll do anything to avoid whatever makes you into whatever you become?

It’s an interesting take on your standard Travel-Into-Your-Own-Past (or Future) story… but the question is: with five different original X-Men to follow, along with a bunch of new X-Men, is there enough of a focus to really make any particular point?

comxiologyWow, remember the good old days when Marvel announced their Marvel #1 initiative? And they they were offering around 700 different first issues as free downloads from their comic store and from Comixology until Tuesday? You know, those good old days that started, oh I don’t know, 30 or so hours ago?

Yeah, like most time periods we call “The Good Old Days,” those days are over, at least for now. It turns out that, once the word about the free downloads got out, Neither Comixology nor Marvel’s own digital comics store was able to handle the load from the demand. Marvel’s comic store is, as of this writing, completely down, and Comixology has announced that they need to suspend their part of the giveaway until they can figure out how to handle the demand.

Oops.

marvel_infinite_logoWe are not currently at South By Southwest, partly because we have already pissed our meager convention budget on preparations for San Diego Comic-Con in July, and partially because I learned during a visit in 1998 that Austin’s motto of “Keep Austin Weird” does not constitute a legal defense. Let’s just say that, somewhere in a computer in Austin Police Headquarters, there is an active arrest warrant for “Batroc Z. Leaper” that I wouldn’t want compared to my current driver’s license photo.

However, Marvel Comics is at SXSW, and earlier today that ran a panel that included a few announcements, including whatever the hell they were talking about last week with that whole “#1” teaser poster.Turns out they were talking about some free first issues.

Digitally, anyway.

For a little while.

powers_bureau_2_cover_2013This is a hell of a thing to say, but Brian Michael Bendis’s creator-owned books remind me of having herpes.

Hear me out.

To get herpes, you have to get laid (or really enjoy the taste of toilet seats, but I’m going to assume that if that’s your thing, this isn’t the Web site you’re likely to be visiting, what with the lack of the words, “girl” or “cup” in the URL). And that’s good. But then after a while, there is an itch. And that itch lasts for a good, long while, and while you’re waiting for it to pass, it is maddening. And then one day the itch is satiated, and that is awesome… until the itch comes back. And the itch stays for an indeterminate period of time, until the next respite. Which is great… but the whole time, you’re hesitant to get laid again, because as weird and satisfying as the agony-and-the-ecstacy cycle might be for you, it would be a hell of a thing to pass it on to someone else.

[ED. – Rob – this is STUPID. Bendis’s books have nothing to do with herpes. You just seem to want to write about herpes. Get to the Goddamned point… unless there’s something you want to tell me… Amanda]

Okay, here’s the point: Powers: Bureau #2 is the middle of a story in a book that is known as much for being delayed as it is for it’s general excellence. And this issue delivers the best of Bendis’s dialogue, with delightfully perverse imagery and some well-executed suspense and action, albeit with some leaps in logic and mildly confusing story points along the way. However, this issue was a week late from its last solicitation in November, and while the next issue is currently set for two weeks from now, I’ll believe it when I see it. So even though it’s a good issue, it’s like walking in mid-boink… and not knowing when the itching is likely to stop.

age_of_ultron_1_cover_2013Look, let’s get the obvious out of the way right out of the gate: Age of Ultron #1 is what happens when you take The Terminator and Escape From New York, throw in a dash of John Carpenter’s The Thing and mix in Alan Moore’s Captain Britain for comics flavor, and chuck in a couple of superheroes.

You have seen flying killer robots ruthlessly enforcing order over the ruins of New York City while the citizens scuttle under cover and sell each other out for the favor of authority. You have seen isolated and paranoid people willing to turn each other out because there is a chance that they have been possessed by an infiltrator wearing their faces. And you have seen superheroes working from the shadows against an incredibly powerful authority figure while the general populace either cowers or appeases the dictatorial force. Frankly, given artist Bryan Hitch’s penchant for photorealism in his faces, I kept expecting to turn the page and see Mel Gibson in the background, telling Hawkeye that he can drive that truck. Or maybe Linda Hamilton, circa 1984, getting soft-focused railed by some filthy animal from the far future. For which I am available for photo-reference, Bryan. But I digress.

The point is, Age of Ultron #1 is not the place to go is you’re looking for ground-breaking, perception-altering science fiction. But it also doesn’t make any bones about that fact; of any book I’ve read in the recent past, this is one that wears its influences on its sleeve. And the good news is, I like The Terminator, Escape From New York and The Thing, so a story that’s obviously influenced by them isn’t gonna be a deal breaker… provided the story is rock-solid and entertaining.

So therein lies the question: is it entertaining?

Iron Man 3 posterThe newest trailer for Iron Man 3 hit the internet today to hype the UK’s April 25th debut in theaters, while we sad Yanks must wait for our May opening. However, if you’re anything like me, repeated viewings may help stem the long tide between now and then. Or not.

Tony has everything to lose in this new movie: his home, his woman, and, possibly, his life. This trailer gives us some solid glimpses into Ben Kingsley’s villain, the Mandarin, who will attack from the shadows and spur Tony to a very personal revenge:

Mandarin-Kingsley

Does that robe say “Deepened through blood”? Christ. Remember when Kingsley used to be Ghandi? No? Me either at this point.

Take a look at the trailer, after the jump.