Episode 122: A Dick Grayson Pillow From Osaka

It is the final day of San Diego Comic-Con… which we were not able to attend. So, to make up for the fact that we were unable to report from the biggest comics event of the year, we distracted ourselves by catching up on some of the bigger recent announcements from the convention, and by seeing Star Trek Beyond, which is the third movie in the Bad Robot-produced reboot of the series, and not that fanfic movie that Universal Studios is suing like Rob thought it was until about three weeks ago.

It feels like the Star Trek franchise has lost some attention since J. J. Abrams left to direct a little indie film, and certainly our personal enthusiasms have been at different levels, as our relationships with the property have waxed and / or waned since our childhoods. And that differing excitement comes across as we discuss the movie: one of us finds it to be a fun popcorn flick with solid themes of making your own family, while the other thinks it has the crappiest Star Trek villain in 25 years and the worst film photography outside of an amusement park virtual reality attraction.

We also discuss:

• Justice League #1, written by Bryan Hitch with art by Tony S. Daniel, and:
• The Hellblazer #1, written by Simon Oliver with art by Moritat!

And the usual disclaimers:

• This show contains spoilers. Numerically not as many spoilers as the actual Star Trek Beyond trailer, but if you want to avoid knowing plot points smaller than the destruction of the U.S.S. REDACTED, consider yourself warned.
• This show contains adult, profane language, and is therefore not safe for work. We speak extensively about the sexual connotations of a clown suit on a mannequin. If you don’t want those connotations read back to you during your annual performance review, get some earphones.

Note: During the show, we speculate that Star Trek Beyond director Justin Lin was scheduled to direct The Flash. That was incorrect. We were thinking of James Wan, who also directed one of the Fast and Furious movies. And who, it turns out, won’t be directing The Flash.

Podcast: Play in new window | Download (Duration: 1:52:26 — 111.9MB)

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Thanks for listening, suckers!

Episode 94: Through A Haggis Darkly

After weeks of renovations here at the All-New, All-Different Crisis On Infinite Midlives Home Office, we had a relatively quiet few days for a change. So we took the opportunity to catch up on Doctor Who season 9, the second with Peter Capaldi as The Doctor and the last with Jenna Coleman as Clara, although unlike when other Companions have made their curtain calls, I suspect we’ll be seeing Clara again. Soon.

So we spend a good chunk of the episode talking about the season, including its two-episode story structure, the circumstances of Clara leaving The Doctor, why putting a gun in The Doctor’s hand is lazy writing, why Maisie Williams would make an excellent Doctor, and how showrunner Steven Moffat apparently thinks there’s a Jackrabbit Slims on every street corner in America. Most importantly, we lay out why penultimate episode Heaven Sent is a an unholy plot-holed mess in The Girl Who Waited clothing.

We also discuss:

• Scarlet Witch #1, written by James Robinson with art by Vanesa Del Ray, and:
• Constantine The Hellblazer #7, written by James Tynion IV and Ming Doyle, with art by Brian Level and Riley Rossmo!

And now, the usual disclaimers:

• We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like discussing whether Maisie Williams’s character had an unfortunate encounter with stripper glitter, a Bedazzler or a nose piercing.
• This show contains spoilers. While we try to shout out warnings ahead of time, be aware that there are reasons we discuss who would be the best actress to portray a female Doctor.
• This show contains adult, profane language, and is therefore not safe for work. You want your employer to hear what is aggressively pouring out of John Constantine’s drain? You do not. Get some headphones.

Podcast: Play in new window | Download (Duration: 1:30:51 — 83.2MB)

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Thanks for listening, suckers!

Episode 22: Bone Chilling Soul Death

This 4th of July weekend, we got sucked into the AMC marathon of The Walking Dead, and were surprised how binge-watching the whole thing from the beginning changed our opinion of the show. So we talked about that extensively, along with:

• The NBC Constantine pilot leaked to the Internet this week. Amanda and I saw it, and have some fairly strong opinions as to what worked (Matt Ryan as John Constantine) and what didn’t (writing, pacing, too much exposition, not enough mystery, no local flavor, and some other stuff),
• Original Sin #5, written by Jason Aaron with art by Mike Deodato, and:
• Rocket Raccoon #1, written and drawn by Skottie Young!

And now, the legalese:

• We record the show live to tape. That means a few stuttered words more than you’re used to in a comics / genre culture podcast, but it also means that anything can happen.
• The show contains spoilers. Some weeks it’s a few, some it’s a lot. This is one of the latter. Be forewarned.
• Amanda and I use explicit, adult language, so this podcast is not safe for work. Unless your boss likes phrases like, “Preemptive dribble of patriotism,” wear headphones.

Podcast: Play in new window | Download (Duration: 1:32:22 — 84.6MB)

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Enjoy the show, suckers!

I Want To Believe In A Doctor: New Constantine Trailer Released

With all the weird publicity surrounding Marvel Studios’ Ant-Man (including the recent comment by Michael Douglas, who’s playing Hank Pym, that he is “very disappointed” that Edgar Wright left the project), it’s easy to forget that there are other filmed adaptations that aren’t quite as… embattled? Struggling? Fucked?

Case in point: DC / Vertigo’s Constantine is still scheduled to start on October 24th on NBC, and a new trailer for the show has been released. It doesn’t show a ton of new stuff, but it features a couple of new visuals that DC and John Constantine fans are likely to enjoy, including John drinking beer (twice!), and the helmet of a certain doctor that might indicate the show’s relationship with the greater DC Universe… although since the show will be on NBC while Arrow and The Flash are on The WB and Gotham is on Fox, the chances of any kind of crossover seems minimal. With that said: Law And Order: Special Victims Unit is still on NBC, which means that John Constantine could, theoretically, meet John Munch, which would place Constantine in the same universe as Fox Mulder, thus causing the universe to explode.

But one thing missing from this trailer, same as all the other trailers? A fucking cigarette. The character caused a child’s soul to be ripped into hell, but the problem is that he likes cigarettes? Let the evil prick have a Silk Cut, for God’s sake! Because it’s all fun and games until some kid with pristine, pink lungs gets picked up for sacrificing some orphan to Ba’al.

Ah, well. You can check the newest trailer out after the jump.

Once A Smoker: NBC’s Constantine Trailer Released

We talked a bunch about the upcoming Constantine TV show during this week’s podcast, but at the time we didn’t have a lot of information about the show, like what day it would be on and when it might debut.

Well, since we taped the show, site contributor Trebuchet brought to our attention that NBC has released a trailer for the show that answers a couple of questions about the show. Such as the fact that it looks like it will be debuting in the fall, and it will be airing on Fridays with Grimm (probably taking the place of Dracula).

Further, it seems that John’s first botched misadventure in Newcastle where he damned Astra’s soul to hell and got himself committed to Ravenscar will be part of continuity. However, it also seems that a big chunk of the show will be spent dealing with Americans, which were always the weakest issues of the comic book.

I have one or two other observations, but I’ll reserve them until you watch the trailer, which you can find right after the jump.

Bastard In Charge: Guillermo del Toro Confirms Constantine To Lead Dark Universe

We appear to have our Internet and cable issues resolved here at Crisis On Infinite Midlives headquarters, after a long and exhausting weekend digging around in wiring… and we recovered our connectivity just in time for Wondercon to be over. Which means that there is a ton of news that even we need to catch up on, and, having quickly scanned our RSS feeds, it only proves that it would have been smarter and better for us to just catch a Goddamned plane to Wondercon, because not only would we have first-person news to report, but at least our hotel would have had fucking Wi-Fi.

But we couldn’t let the Wondercon weekend slip by without reporting on at least something from the convention, and this is the main item that caught our eyes once we had full Internet: Guillermo del Toro held a panel for his upcoming movie Pacific Rim during the convention, and, as one would expect at a comic convention panel where they hold a Q & A session, someone asked del Toro about his reports that he’s working on Dark Universe – a movie focusing on pretty much all the big Vertigo / DC Dark characters.

Now, what one wouldn’t expect is that a director would say anything at all about a roject in pre-production, particularly at a panel about his latest movie that isn’t even out yet. However, this is Guillermo del Toro we’re talking about, and as the director of Blade II and both Hellboy movies, it’s safe to say that he’s one of us, which means he’s probably as excited about the concept of a Justice League Dark movie as the rest of us are.

While is a long way to go to say that: yeah, del Toro let a couple of things about Dark Universe slip.

Rake At The Gates Of Hell: DC Cancels Hellblazer

I studied journalism when I was in college in the late 1980s / early 1990s, and one of the things I learned was the inverted pyramid lead, which means to open your story with the most important hard information. So, since it was one of the most important things I learned back then, I’ll go with it here.

DC Comics has cancelled John Constantine: Hellblazer. The comic, published under DC’s Vertigo Comics imprint, will conclude in February with its 300th issue, written by Peter Milligan with art by Giuseppe Camuncoli. The long-running comic, written for a mature, adult audience, will be replaced with a new comic series, Constantine, written by Robert Venditti with pencils by Renato Guedes. The new series, which will be published under the standard DC Comics bullet, will take place in DC’s superhero-filled New 52 Universe, and will be reportedly feature the younger, more action-oriented version of the John Constantine character as currently seen in Justice League Dark.

About the cancellation, DC Comics co-publisher Dan DiDio said:

We’re supremely proud of Vertigo’s HELLBLAZER, one of the most critically-acclaimed series we’ve published. Issue #300 concludes this chapter of Constantine’s epic, smoke-filled story in style and with the energy, talent and creativity fans have come to expect from Peter Milligan, Giuseppe Camuncoli and Stefano Landini. And no one should worry that John is going to hang-up his trenchcoat – he lives on in March, in the pages of the all-new DC Comics New 52 ongoing series, CONSTANTINE, by writer Robert Venditti and artist Renato Guedes.

The series, which expanded the story of the John Constantine character created by comics legend Alan Moore during his classic run on Swamp Thing, debuted as a DC Comic in 1988 and was written by Jamie Delano and drawn by John Ridgeway. Moving to DC’s more mature Vertigo imprint in 1993, the book featured work by comic legends Garth Ennis, Warren Ellis, Paul Jenkins and Brian Azzarello, as well as many others, throughout its nearly quarter-century history.

Constantine is expected to debut in February, 2013.

Okay, that’s the classic news version. My journalism professors, one of whom once looked me in the face and said, “You smell like a three-day dead dog in the dump tank of a whiskey distillery. Sit in the back, please,” would, for once, be proud. However, like the one, older professor who once slipped me a copy of Hunter Thompson’s Fear and Loathing on The Campaign Trail after defending me in a meeting to determine if I should be ejected from the journalism department after writing a story about the college’s president that included the term, “goatfucker” taught me: classic journalism isn’t always properly equipped to capture the whole truth.