Episode 134: Ragegiving

Last week was Thanksgiving in the United States, a holiday where family members travel for hours and miles to share a table with family members and take a moment to express gratitude for the good things in their life. Then they follow that moment with hours of barely-suppressed acrimony, sarcasm-dipped references to long-buried grievances, and barbed rejoinders about the political beliefs of family. They then disperse to Black Friday sales around the map, taking their frustrations out on fellow shoppers and leading to those awesome fight clips on YouTube.

Rob and Amanda did not go to any Black Friday sales. They did, however, read Civil War II #7, and they do have a comics podcast.

Due to vagaries of comics publishing (and the fact that Civil War II has been late almost since it was solicited), this week we not only discovered the result of the battle between Captain Marvel and Iron Man, but we began to learn the price that certain characters will apparently pay for their roles in suspending the Constitution, ignoring the First, Fourth, Fifth and Fourteenth Amendments, contributing to the deaths of at least three Avengers and arguably sending the Marvel Universe on the road to literal apocalypse.

And we found that price to be wanting.

So we spend a lot of time complaining bitterly about:

• Civil War II #7, written by Brian Michael Bendis with art by David Marquez and Andrea Sorrentino,
• Captain Marvel # 10, written by Ruth Fletcher Gage and Christos Gage with art by Thony Silas, and
• The Ultimates 2 #1, written by Al Ewing with art by Travel Foreman.

But, since we can’t be negative about everything, we also discuss:

• Deathstroke #7, written by Priest with art by Larry Hama and Carlo Pagulayan,
• Buffy The Vampire Slayer Season 11 #1, written by Christos Gage with art by Rebekah Issacs, and:
• A. D.: After Death Book 1, written by Scott Snyder with art by Jeff Lemire!

And, the usual disclaimers:

• This show contains spoilers. If you don’t want to know what happens in Civil War II, just try to forget some of your biggest disappointments before reading it.
• This show contains adult, profane language, and is therefore not safe for work. If you said to your mom what we say about Civil War Ii over the Thanksgiving table, you’d be disowned. So get yourself some headphones.

Podcast: Play in new window | Download (Duration: 1:14:08 — 73.4MB)

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Thanks for listening, suckers!

Episode 129: I Wanna Go To Canadian Jail

We are more than halfway through Marvel’s Civil War II summer event, which, like most Marvel summer events, has dragged into the fall with no end before the darkest days of winter in sight. And while we previously have idly wondered how Marvel intends to deal with characters who are on the side of profiling and pre-crime, the event has really reached the point where, in order to keep the plot moving, characters like Captain Marvel and Black Panther are acting in truly reprehensible ways that will likely require rehabilitation on the level of Matt Fraction’s reboot of Tony Stark’s brain after the first Civil War.

And while there is no main Civil War II issue this week, there are several books that feature main pro-Predictive Justice players in the event doing horrible things that run the gamut from emotionally destroying adoring teenagers, to entrapment, to asking people if they are for or against you and placing those in the latter camp under arrest without even precognitive evidence. All of which makes Tony Stark’s Civil War pro-registraton stance look like good, old-fashioned flag-waving New Deal patriotism.

So we discuss these books, including:

• Ms. Marvel #11, written by G. Willow Wilson with art by Takashi Miyazawa and Adrian Alphona,
• The Totally Awesome Hulk #10, written by Greg Pak with art by Mahmud Asrar, and :
• Captain Marvel #9, written by Ruth Fletcher Gage and Christos Gage with art by Thomy Silas.

And we discuss not only what can be done to rehabilitate characters who are clearly meant to be on the wrong side of issues, but how the series maps to recent social justice events and causes in the news.

And, the disclaimers:

• This show contains spoilers. While we try to give warnings ahead of time, if you don’t want to know why the Canadian justice system is the most ruthless yet enticing in the world, consider yourself warned.
• This show contains adult, profane language, and is therefore not safe for work. We did this show on a mix of beer, Sudafed and cough medicine, and we pride ourselves on our vocabularies even under adverse circumstances. Get some headphones.

Podcast: Play in new window | Download (Duration: 1:26:40 — 85.9MB)

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Thanks for listening, suckers!

Episode 40: Press Play For Zola

In case you didn’t notice, this week was all about Marvel Studios. They released the extended trailer for Avengers: Age of Ultron on Monday, and Tuesday they announced their Phase Three slate of movies to be released between 2016 and 2019, including Black Panther, Captain Marvel, and Avengers: Infinity War.

So we talk about those things, along with a brief rundown of some of the news coming out of this weekend’s Rhode Island Comic Con (That news being that it was impossible to get in… less in the “I can’t get tickets!” way than in the “I have VIP passes and you’re telling me I can’t enter the building?” way), and an analysis of the greatest living threat to your comic collection: unsupervised little brothers.

And on the actual printed comics front, we talk about:

• Death of Wolverine: The Logan Legacy #3, written by Kyle Higgins with pencils by Jonathan Marks,
• Death of Wolverine: Deadpool and Captain America #1, written by Gerry Duggan with pencils by Scott Kolins, and:
• Thunderbolts #32, written by Ben Acker and Ben Blacker with art by Kim Jacinto!

And here be disclaimers:

• This show is recorded live to tape. While it might lead to a looser comics podcast than you are normally accustomed to, it also means that anything can happen. Like trying to cast Benedict Cumberbatch as Squirrel Girl.
• This show contains spoilers. While we try to shout out warnings ahead of time, be aware of it before going in.
• Amanda and I use adult, profane language, and therefore this show is not safe for work. You want your boss to hear a conversation about whether the final shot of an adult video is better shot in 24 frames per second or 60 frames per second any why? Didn’t think so. Get some headphones.

Podcast: Play in new window | Download (Duration: 1:36:36 — 76.1MB)

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Enjoy the show, suckers!

Episode 30: Nothing But Boss Battles

We are just a couple of weeks out of San Diego Comic-Con, and that means that there is next to no comic news to discuss this week. However, it also means that we are heading into the Big Two’s fall event schedule, so we discuss Marvel’s upcoming  Avengers & X-Men: AXIS crossover, as well as events in general, and event fatigue specifically.

And by specifically, we discuss events we liked over the years, events we hated, how it rarely feels like there’s any stakes to what comes out of them, and how sometimes they can lead to unintended consequences that can require years and a reboot to repair (Hi, Infinite Crisis and Justice League: Cry For Justice!).

We also talk about:

• Captain Marvel #6, written by Kelly Sue DeConnick with art by David Lopez, and,
• Batman #34, story by Scott Snyder and Gerry Duggan, script by Gerry Duggan with art by Matteo Scalera, and:
• How Rob wound up drinking one of the first 12 Zimas on the planet (really)!

And now the disclaimers:

• We record this show live to tape. While that can sometimes mean things are looser than you might find in other comics podcasts, it also means that anything can happen. Like stories about Zima.
• This show contains spoilers. While we try to shout out a warning ahead of time, they can happen almost anytime.
• This show contains adult language, and is not safe for work. Unless your job is being the guy who created Zima, in which case, you’ve had all these obscenities shouted at you before.

Podcast: Play in new window | Download (Duration: 1:35:24 — 75.2MB)

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Enjoy the show, suckers!

You Know, For Kids!: Justice League #21 Review

Captain Marvel occupies a strange place in the superhero comics world, in that he is a character that occupies about a thousand places in a million different fans’ hearts.

He is simultaneously the Big Red Cheese who fought talking mescal worms with his gentleman tiger Tawky Tawny, while he is also the generic 1970s superhero who rode around the desert in a Winnebago punching dudes and talking to a big nipply globe on the dashboard, and at the same time he is the horribly damaged and tragic character who beat Superman to a standstill before sacrificing himself to save the world in Kingdom Come. Hell, there are times when I can’t think of the character without remembering my early 2000s drunken tirade that Dan DiDio should give Neil Gaiman and Mark Buckingham a million bucks a piece to complete their Miracleman story using Captain Marvel, since Miracleman was never anything but a royalty dodge on The Big Red Cheese anyway.

My point is, each version of Captain Marvel means something to somebody, and paying service to one means that you stand a real chance of alienating fans of the others. Slap a big C. C. Beck smile on Captain Marvel’s face and the Kingdom Come fans think you’re yanking their chain. Make him tortured over the adult horrors he’s witnessed as a superhero and you piss off the fans of the childlike original. Put him in a Winnebago out in the middle of the desert with a creepy old dude and you’ll never see the outside of a jail cell again.

This was the line that writer Geoff Johns and artist Gary Frank were trying to negotiate with their Shazam backup story in Justice League for the past several months. And to be honest, when it started, I thought they botched it; Billy Batson was a petulant little bastard who I would have rather seen get scabies than superpowers. But that, however, was a while ago. This month’s Justice League #21 is devoted to the conclusion of the Shazam story… so the question is, not that it’s all said and done, who did Johns and Franks piss off?

Really, probably nobody. There’s enough elements of the classic kids’ Captain Marvel here to at least pay service to those fans, and enough modern realism so that he doesn’t stick out from the New 52 continuity. And the conclusion is, in fact, really pretty good. Not perfect, but fun enough to be worth the ride.

Although the people hoping for RVs and “Mentors” are gonna be furious… but seriously, fuck those people.

Major Distractions: Captain Marvel #9 Review

I generally read superhero comics for a momentary escape from the horrific tedium of work and errands and appointments and the horror – the absolute savage and crippling fucking horror – of having to talk to people. After a day of interacting with humans in unpleasant scenarios, there’s nothing more fun than watching people with otherworldly powers stomp the living shit out of super villains, giant monsters, and during summer crossover event season, each other.

I’ve always found it relaxing and empowering, after a long day, to turn off the phone, turn off the brain with some strong drink, and imagine that I could be one of those people in costume, flying around and kicking ass – no one else wishes this of me, due to how my bloated, middle-aged ass would look in one of those costumes, but to hell with them – because generally those superheroes don’t have to slog through the same repetitive, boring shit that the rest of us do.

Unless you’re Captain Marvel. Who spends a surprising amount of Captain Marvel #9 having to put up with exactly the kind of rotten, irritating, day-to-day shit that we do, only with some distractions thrown in… provided you consider an unexpected dinosaur attack to be distracting. I probably wouldn’t, thanks to my previously-mentioned propensity for strong drink, but that’s not the point. The point is that we spend a lot of Captain Marvel #9 watching Carol Danvers keeping appointments… and yet it is actually a fairly compelling and entertaining book to read.

Not to look at, but we’ll get to that.

Who Wants To Be An Avenger? Jonathan Hickman’s Avengers Lineup Revealed

We’ve known for quite some time that Brian Michael Bendis’s run on the various Avengers titles was coming to an end, and it was recently announced that current Fantastic Four writer Jonathan Hickman was going to be taking over the two main titles, Avengers and The New Avengers. But one of the burning questions leading into the transfer of power has been: after the Avengers Vs. X-Men event shakes out and Hickman takes over, who’s gonna be on which team?

Well, some of those questions have been answered, as Marvel has released the first three covers to Avengers, written by Hickman with art by Jerome Opena, picturing a pretty big gathering of superheroes (and, as did Pinocchio, I question the correct term for a gathering of multiple superheroes. For today, I will eschew “gaggle” and “pride,” and will go with “wad.”):

…And His Amazing Friends: Amazing Spider-Man SDCC 2012 Panel

There was one minor, eensy, tiny problem with Marvel Comics’s Amazing Spider-Man panel Sunday. The panel wasn’t really about Spider-Man.

Oh sure, the panel opened with news about the Amazing Spider-Man and Avenging Spider-Man comic books, but those updates took about seven or ten minutes of an hour long panel. After that, we got updates on Carnage, Venom and Scarlet Spider, which are at least Spider-Man related… but we also got status reports on Captain Marvel, Punisher War Zone, Space Punisher, and last but not least, Daredevil, whose status report was, in effect, “Yeah, we have no idea what’s going on with that triple-Eisner Award winning book! But Eisner Awards are cool! And Daredevil won three of them! So who doesn’t love Daredevil?”

Which actually brings to mind another minor problem with the Spider-Man panel, and with every other Marvel panel we went to: Moderator Arune Singh, who is Director of Communications for Marvel Comics and possibly the most irritating and repetitive public speaker on the planet. Here are some of my notes from the panel, verbatim from my notebook:

• If I hear Arune Singh say, “How many of you are loving X” again, I will shit.
• At least 4 “How many of you love…” so far. Fuck.
• Fifth. Fucking. “How many of you LOVE…”
• SIXTH. SINGH WILL DIE BY MY HAND.

Ms. Marvel Gets Promoted To Captain

This is in no way at all inspired by Rosie The Riveter...or Frank Quitely.

Yesterday at Wondercon in Anaheim, California, Marvel announced that starting this July, the character currently known as Carol Danvers, aka Ms. Marvel, will move into the role of Captain Marvel – complete with a haircut and costume change. Character concept designs were developed by Jamie McKelvie. Cover art will be handled by Ed McGuinness on issues 1 and 2, with Dexter Soy on interior art. Writing the new series will be Kelly Sue DeConnick (Osborn: Evil Incarcerated, Castle: Deadly Storm w/ Brian Michael Bendis). Says DeConnick:

My pitch was called ‘Pilot’ and the take can pretty much be summed up with ‘Carol Danvers as Chuck Yeager,’” says DeConnick. “Carol’s the virtual definition of a Type A personality. She’s a competitor and a control freak. At the start of our series, we see Carol pre-Captain Marvel, pre-NASA even, back when she was a fiercely competitive pilot. We’ll see her meeting one of her aviation heroes and we’ll see her youthful bravado, her swagger. Then over the course of the first arc we’re going to watch her find her way back to that hungry place. She’ll have to figure out how to be both Captain Marvel and Chuck Yeager—to marry the responsibility of that legacy with the sheer joy being nearly invulnerable and flying really [expletive] fast.

Huh. Chuck Yeager? That sounds a bit similar to the pitch her husband, Matt Fraction, gave when he announced his plans for Invincible Iron Man back in February 2008:

Tony Stark is equal parts James Bond and Chuck Yeager–a pioneer, a test pilot, an engineer, an adrenaline junkie visionary.

Well, Chuck Yeager is pretty cool. I suppose it’s entirely possibly that DeConnick just picked up a Chuck Yeager comparison through some kind of idea osmosis from being in such close proximity to Fraction for so long. Heck, now that Rob lives with me he can tell you exactly how and why you need to temper eggs before adding them to a custard. And he’ll only whimper a little bit when you ask him. I don’t see why he gets upset. Those brain cells were just going to be killed by whiskey anyway.

But is there anything else going on with this relaunch that calls to mind similarities with other creative properties?