Episode 125: Boston Comic Con 2016, Part II: The Miller Whisperer

It’s been a week since the conclusion of Boston Comic Con 2016, and we’re still coming to terms with the fact that we saw Frank Miller speak live.

We have a complicated relationship with Frank Miller here at Crisis On Infinite MIdlives. We will always love him for what he did with Daredevil and Batman in the 1980s, helping to bring comics into adulthood at the same time we were moving through our own adolescence. We will always respect him for doing cool stuff like Give Me Liberty and Robocop Vs. Terminator in the mid-1990s. And we will always be concerned about him due to his public statements about Islam, and there will never be a force on Earth that will make us really like Holy Terror.

But no matter what, the man is a legend in comics, and we were not only there to see him, but to record him. So we’re psyched to be able to bring you panel audio of Miller himself, talking about his Dark Knight trilogy, Sin City, Daredevil and what it was like to be at the forefront of comics during the 1980s.

We also discuss:

• Civil War II: The Fallen #1, written by Greg Pak with art by Mark Bagley, and:
• Demonic #1, written by Christopher Sebela with art by Niko Walter!

And, as always, the disclaimers:

• This show contains spoilers. If you’re not aware which Gamma-irradiated founding Avenger was shot in the brain by Hawkeye, well, then you’re not reading Marvel Comics anyway, and you won’t care.
• This show contains adult, profane language, and is therefore not safe for work. One of our possible titles involved Amanda using the convolutedly-spelled word “sidebewb”. You should probably use headphones.

Podcast: Play in new window | Download (Duration: 2:11:20 — 126.8MB)

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Thanks for listening, suckers!

Episode 124: Boston Comic Con 2016 Part One, or: Monetize My Fandom

Boston Comic Con, our local convention, was this weekend, and we went after it with both hands, hammer and tong… until we realized that we’d hit all the comics news panels by the end of the first day, collected all our commissions and desired books by midday on the second, and had one working hip between the two of us by the beginning of the third.

But our infirmities didn’t stop us from seeing the whole floor and attending some excellent comics panels. So we talk about this year’s show in general, some of the creators we met and the loot we scored, and then we talk the DC Universe Panel.

Held Friday, hosted by DC Co-Publisher Dan DiDio with panelists Aaron Lopresti, Phil Jimenez, Amanda Conner and Jimmy Palmiotti, the panel stayed away from DC: Rebirth news (other than providing some of the reasoning behind making the move), and focused more on the creators, their motivations, their inspirations, and how they managed to get some of their most high-profile gigs. And we not only talk about the panel, but we present audio direct from the show! It’s like you’re there! If you were there with two drunks able to stop the panel at will to interject with mouthy sarcasm!

And, before you ask: yes, we did attend the Frank Miller spotlight panel, and yes: we have audio. And we will present and discuss that panel during next week’s show.

And, the disclaimers:

• Due to limited time (the convention ended today, for God’s sake), we were unable to clean up the panel audio as much as we would have liked. It should still be perfectly audible and understandable, but we apologize if it’s a little muddy.
• This show contains adult, profane language, and is therefore not safe for work. One of our audio tracks is named “Scratch ‘N Sniff Beaver.” You are forewarned.

Podcast: Play in new window | Download (Duration: 1:57:16 — 113.8MB)

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Thanks for listening, suckers!

Episode 82: Boston Comic Con 2015 – On Drugs And Putting Puppies In Microwaves

We conclude our coverage of Boston Comic Con 2015 first by bemoaning the nearly literal biblical weather and plagues that prevented us from releasing it on Thursday as we originally planned.

Once we get that out of our system, we discuss the panels that we were able to attend at this year’s Boston Comic Con: Spider-Verse, Marvel Universe, IDW Comics, and the DC Comics panel. And not only do we talk about them, but we share a load of audio we recorded at those panels, from creators like Brian Azzarello, Scott Snyder, Jimmy Palmiotti, Jason Latour, Ming Doyle, Annie Wu, Sara Richard, Joe Hill, Gabriel Rodriguez, and a bunch of others!

We also talk about the differences between the panel delivery styles of each publisher, why you seem to get more hard information from DC Comics than you do Marvel, and why the IDW panel gave us the best explanations of why publishers pursue licensed comics, and why colorists are more important than most of us think, than we’ve heard in 40 years of reading comics.

And, as always, the disclaimers:

• We record this show live to tape, with minimal editing. While this might make this a looser comics podcast than you are used to, it also means that anything can happen. Like learning why Rob’s childhood memories include armpits bleeding goo.
• This show contains adult, profane language, and is therefore not safe for work. Convention panelists try to keep things clean. They are better people than we are. Get some headphones.

Podcast: Play in new window | Download (Duration: 2:04:46 — 116.7MB)

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Thanks for listening, suckers!

Episode 81: Boston Comic Con 2015 – Four Seconds With Stan

The ninth annual Boston Comic Con – and the first one where Saturday sold out by Friday evening – concluded just a few hours ago. And despite being arguably the biggest Boston Comic Con to date, it also was one of the smoothest, with issues surrounding getting into the venue and into panels, that plagued the convention in prior years, all mercifully absent and apparently solved.

But the one problem that no convention of any size has been able to solve is exhaustion – after three days on the floor, we are wiped out. So despite the fact that our door-to-door travel time was twenty minutes, we are weakly sipping drinks, surrounded by loot from the convention and God knows how many hours of raw, uncut panel recordings, racing against fatigue hysteria.

But we wanted to take a few minutes to hook up our mobile recording studio one more time to put together a quick show to discuss the convention, what parts of it worked, which parts need improvement, why smaller regional conventions can be better than the megacons… and one completely new experience. That experience being that, after ten years of attending conventions of all sizes, this was the first time that we stood in a paid autograph line. To meet Stan Lee. And how the experience was pretty much what we expected, and why we will probably never, ever do it again.

Note: We currently plan to have a more detailed convention report, including panel audio, by Thursday, August 6th.

And now the disclaimers:

• This show was recorded live to tape. While this might mean a looser comics podcast than you are used to, it also means that anything can happen.
• Due to limitations in our content delivery system, this show was recorded at a lower-than-normal bitrate. So you might notice minor differences in sound quality than other episodes.
• This show contains adult, profane language, and is therefore not safe for work. You want your employer to hear what kind of filthy animals who might buy Rob’s Stan Lee autograph? Trust us: you do not. Get some headphones.

Podcast: Play in new window | Download (Duration: 32:36 — 22.4MB)

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Thanks for listening, suckers!

Episode 29: Tyrion The Imp In Drag

We just returned from three days attending Boston Comic Con, meaning that we have spent eight of our last 18 days walking the floor at various comic conventions. That is a physical feat that no one should ever attempt. Co-host Amanda is now on a course of serious painkillers, and Rob is  considering commissioning a Krazy-Straw long enough to allow him to drink beer without having to move at all.

But we survived, and spent some time this evening talking about the experience of Boston Comic Con on its journey from minor convention to regional powerhouse over the past few years, what worked and what could be made better, and the joys of arranging on-site art commissions from artists ranging from the gleefully professional to the simply brilliant and loose.

We also discussed:

• The Superior Foes of Spider-Man #14, written by Nick Spencer with art by Steve Lieber and Rich Ellis, and
• Kick-Ass 3 #8, written by Mark Millar with art by John Romita Jr. (as well as a discussion about the entire Kick-Ass saga and how well it worked)!

And now the disclaimers:

• This show is recorded live to tape. While this means that the show might be a little looser than you are used to, it also means that anything can happen.
• This show contains spoilers. Specifically, if you don’t want to be spoiled on the events of The Superior Foes of Spider-Man or Kick-Ass 3, please tread lightly.
• This show contains adult, explicit language, and is therefore not safe for work. Simon Bisley was able to swear at us with impunity during the convention due to the background noise. Your cubicle does not have that noise. Get some cans.

Podcast: Play in new window | Download (Duration: 1:27:34 — 72.1MB)

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Enjoy the show, suckers!

Shipping Up To… 2014 Boston Comic Con Initial Guest Lineup Announced

This year’s Boston Comic Con was a hell of a surprise, going from a little con with mostly local talent, held in a hotel basement, in 2009 or so, to selling out two days at the Seaport World Trade Center – one of Boston’s bigger convention halls – with programming and a double handful of A-List talent on the floor to boot. Sure, the convention showed a few growing pains – if you weren’t in line by a certain time it took forever to get into the hall, and for the love of God, they need to stop clearing the programming rooms between each panel – but it was damned impressive nonetheless.

My biggest fear was that it was an anomaly. This year’s convention was supposed to take place in a smaller hall in April and was displaced until August and the Seaport World Trade Center thanks to the Boston Marathon Bombing, which meant a few more high-profile guests signed on either to show support to the city or just because the timing was better. And initially, the word was that the convention was going to move back to April, but instead the organizers announced that they were not only sticking with August, but adding a day, going from Friday, August 8th to Sunday, August 10th, 2014.

Which was a good start… but a better sign is that the convention has already announced their first slate of special guests. And let me tell you: last year’s A-List talent was no one-off fluke.

My Umpteenth Comic Con – A Boston Comic Con Report From A Jaded Convention Veteran

This was taken at 9:45am, when the line to get in was only curling around one side of the building.

Rob and I attended this year’s Boston Comic Con last weekend. We were pleased to have Pixiestyx and Trebuchet accompany us and not just because Trebuchet offered to drive on Saturday. It’s exciting to see a convention through the eyes of someone who hasn’t been to one before. And while we didn’t get to every creator or panel we had originally intended, a good time was generally had by all.

Rob and I have been attending San Diego Comic-Con for the past several years. It would be very easy to turn this post into a comparative study of Boston versus San Diego, but it wouldn’t be particularly fair. San Diego is the mega prom of all geekdom. Really, it is several conventions for fans of all stripes all crammed under one roof. You like movies? Go pack some Depends and hang out in Hall H. Like TV? Please direct yourself to Ballroom 20. Cosplay enthusiast? Action figure collector? Gamer? We’ve got panels for you, too. Oh, and there’s still programming for those who come because they love comic books. But, San Diego has taken on such a life of its own that it’s almost more like SXSW now. Alternative programming, such as Wootstock, Geek And Sundry, and Trickster, has spilled out into venues around Gaslamp and the surrounding neighborhoods. The number of options is mind boggling and, at times, overwhelming.

Boston Comic Con was a refreshing return to what a comics convention is supposed to be about: comics.

My First Comic Con: A Boston Comic Con Report From A Convention Virgin

For some time now Rob and Amanda have been trying to talk Trebuchet and me into attending San Diego Comic-Con with them, making their case with enticing details such as:

“You can’t really walk there. It’s more of a shuffle-step. Be prepared to throw an elbow.”
“The only place you might get trampled to death is the toy floor.”
and, most disturbing: “There’s no Dunkin Donuts.”

While we haven’t quite worked up the enthusiasm to fly cross-country and spend five days in the middle of a mob, we did think it was time to check out the much closer (though still two hours away) Boston Comic Con. If you have read Rob’s and Amanda’s recaps, this was not the tiny regional con we anticipated – but as it turned out, in spite of the growing pains, the unexpected crowd actually made the event more exciting.

Don’t Go Back To Nahant: Boston Comic Con 2013’s Locke & Key Panel Full Report

Editor’s Note: If this writeup of Sunday’s Locke & Key panel sounds fun, you can see a bunch of video from the panel, with a lot of additional information that didn’t make this report, right here.

If Boston Comic Con had a single event that no other convention, regardless of size or location, could reproduce in 2013, it was the Locke & Key panel, because it featured all the main players in the production of the book: writer Joe Hill, artist Gabriel Rodriguez, and IDW Editor-in-Chief Chris Ryall. And considering that the book is coming to a conclusion in just a few months, and therefore all of these guys will be moving on to other projects, if you ever wanted to see these three guys interact and talk about Locke & Key while it’s an ongoing concern, the only place to be was the Waterfront Room at the Seaport World Trade Center at 2 p.m. on Sunday.

The one thing that that panel didn’t have was a hell of a lot in the way of actual news, but who the hell expected that? We all know the comic is closing up shop (minus the odd rumored one-shot, which wasn’t something that was addressed at the panel), we all know that the Fox pilot for a TV series is two years dead, and the Roberto Orci and Alex Kurtzman (of Star Trek reboot fame)-produced Locke & Key movie is only a month and a half into its existence, and there’s no way in hell that they would allow any hard information to be released in a function room full of people wearing t-shirts reading, “Yankees Suck!”

So these guys were not facing a crowd that was rabid for any new information (beyond maybe how, and who will make, Dodge eventually suck the pipe, but even that was a low-key questions; after all, the final issue is just about on its way), which meant that tensions were low for the panel, and it showed. The panel unofficially started with Hill looking at his phone at the stroke of 2 p.m., grabbing a microphone, and saying, “Guys, this just in: the BBC just announced that the next Doctor will be Jason Statham!”

And when the crowd groaned, Hill said, “It would be awesome, and you know it!”

Yeah, this panel looked to just be a good time. And it was.

Closing The Door: Video From Joe Hill’s and Gabriel Rodriguez’s Locke & Key Panel At Boston Comic Con 2013

Boston Comic Con is now over, and it certainly has one thing over the San Diego Comic-Con: getting back to the Crisis On Infinite Midlives Home Office from Boston Comic Con only took 20 minutes and cost $2.50 on the Massachusetts Turnpike.

Boston Comic Con might well have been a pleasant surprise and an exciting jump from a little regional convention to one that feels more and more like one of the bigger boys, but it certainly wasn’t perfect. In the coming day or two, either Amanda or I will be addressing the truly deficient methods this convention had for dealing with crowds both attempting to enter the convention and trying to attend the panels (for now, let’s leave it with the stark reality that, if someone tried to clear a convention room at SDCC in between panels, that effort would start with bemused laughter and end with a truly epic riot), but Boston provided some experiences that were indistinguishable from some of the biggest and best conventions in the world.

And one of those experiences is exhaustion. We are wiped out. And unlike when we attend San Diego, we don’t have a long flight and several vacation days with which we can recover; we’re right back to our daily lives tomorrow morning.

So while we will be publishing that general Boston Comic Con postmortem, as well as detailed coverage of Joe Hill’s, Gabriel Rodriguez’s, and IDW Editor-in-Chief Chris Ryall’s panel on Locke & Key (which, since Locke & Key is concluding, realistically marks the final time these creators will probably be in the same room at the same time), we didn’t want to leave you hanging while we weakly sip beer and appreciate our art purchases (Amanda picked up a J. O’Barr original sketch of Iggy Pop that is as awesome as it is an off-kilter work by the creator of The Crow) while yawning.

So in that spirit, here is a series of short videos we took of Hill and Rodriguez at the Locke & Key panel. And I gotta tell you: if you get a chance to see either of these guys at a convention panel, take it. Rodriguez is clearly enthusiastic about the work he does, and Hill is just plain old laugh-out-loud funny to see speak.

But don’t take my word for it; you can get a taste, straight from our YouTube Channel, right after the jump.