DC’s January, 2013 solicitations have been released, and there is some good news in there, particularly if you’re a crossover fan, because it seems like every damn book in DC’s slate is involved in some kind of event in January, from Rise of The Third Army across all six Green Lantern books coming out in January (we’ve got the standard books, along with annuals for New Guardians and Green Lantern Corps), to Rotworld across Animal Man, Swamp Thing and most of the DC Dark titles, Death of The Family across the Batman books, and the H’el On Earth event going through most of the Superman titles. Hell, even Justice League is continuing its self-contained Throne of Atlantis story, with a solicitaiton promising “More on the Superman/Wonder Woman alliance,” which means either that I have a very misconstrued definition of the word “alliance,” or that between the United States and England, one of us must like to cuddle.

There’s even an event going across the seemingly unrelated titles Blue Beetle, Legion Lost, Frankenstein: Agent of S.H.A.D.E. and Grifter. That event being cancellation.

EDITOR’S NOTEOne spoiler! One spoiler!

I’ve got mixed feelings about Justice League International Annual #1 which is the final chapter of the book and which depicts the dissolution of the team. It has a lot going for it, including the return of writer Geoff Johns to the character of Booster Gold for the first time since 2008, and Dan DiDio’s return to writing O.M.A.C., which was one of the most underrated and unfairly cancelled books of the New 52 relaunch. It ends the story of the team decisively and fairly satisfyingly, if suddenly, and spins Booster, Blue Beetle and O.M.A.C. into new directions that could prove interestingly in the future… or in the case of Booster, in his past.

The problem is, the issue does it, in several cases, by introducing sudden and drastic changes in a couple of characters’ motivations and personalities, at least in relation to how they were depicted in recent issues of Justice League International. Which makes a certain amount of sense – you switch writers, you get new interpretations… or in the case of Booster, old interpretations. There is a sense in this issue of Johns and DiDio sweeping in to conclude the book and reclaim their characters, all while muttering, “No, no, no… Goddammit Dan Jurgens, you’re doing it wrong!”

Blue Beetle #6 is a weird book. Good, but weird.

First off, I still maintain that, of all DC’s first round of New 52 books, Blue Beetle is one of the best at accomplishing its supposed mandate: making the hero generally relatable and understandable to not just new readers to the title, but to new comics readers in general. This is a series in general where you don’t need to know almost anything about the DC Universe at all to enjoy it. And this particular issue, while still part of the overall origin arc, functions as a pretty decent one-and-done that tells you everything you need to know to enjoy just this issue if you want a place to jump on.

Unfortunately, some people are going to have trouble enjoying this issue because, frankly, it includes some action that’s likely to disturb and upset some readers, no matter how good and self contained the issue is in general. This book includes scenes of the hero smacking around a teenaged girl and threatening a mother and her child at gunpoint. Now, if your reaction to that description is immediate and context-free outrage, just hold on and I’ll get to that. If your reaction is to mutter “Awesome!” or to find a discreet place to masturbate, fuck off and find a different comics site, okay? Or better yet: find a different hobby; no superhero’s power is a donkey punch, you spastic.

This is the story of Jaime Reyes, a normal teenager living in suburban New Mexico with his best friends Paco – a gangbanger with a sense of humor and a heart of gold – and Brenda – a redhead who happens to be the niece of La Dama – a female crime lord with a stable of superpowered minions. Jaime finds himself fused with the Scarab – a piece of alien technology from something called The Reach – that bestows upon him a suit of powered armor that he doesn’t know how to use and might be operating under its own agenda.

Sound interesting? It should: it’s the plot of Blue Beetle. Written by Keith Giffen and John Rogers. In 2006.

It’s ALSO the plot of Blue Beetle #1, written by Tony Bedard and penciled by Ig Guara, released last Wednesday. And that’s the problem.

Don’t get me wrong: Blue Beetle is a well-executed and entertaining origin issue. It lays out where the Scarab comes from, it introduces all the main players, gets the Scarab on Jaime, all in 20 pages. Of all the New 52 books from DC, it probably meets the stated goal of the reboot, to create an entry point for new, non-comic readers, most effectively. Sure, there’s still a writing-for-the-trade feel since Jaime doesn’t become Blue Beetle until the last page, but Bedard tells us what we need to know without requiring any knowledge of continuity. It’s somewhat refreshing… or it would be if Bedard DIDN’T require a fluency in a second Goddamned language.

There are at least ten or eleven panels in this book that include Spanish or Spanglish – to the point where Bedard puts the ol’ footnote asterix next to the phrase “La casa de Amparo Cardenas” to tell us in caption that it is “Translated from the Spanglish”… except he NEVER FUCKING TRANSLATES IT. He might as well have wasted panel real estate with “Translated into Spanglish from Klingon by way of Helen Keller’s homemade tappity language.” For all I know, Jaime spend half the book saying, “You, reader, are a racist, provincial dingus.”