Editor’s Note: Babylon falls! The spoilers you defended are meaningless!
Back in 2007. Batman #666 kind of came out of nowhere, clearly a result of Grant Morrison realizing he was writing a issue numbered “666”, rubbing his hands together and cackling gleefully around a mouthful of peyote.
Batman #666 introduced Damian Wayne as Batman, having taken over the mantle after some unexplained thing happened to Bruce Wayne fifteen years in the future. Damian is a gun-toting, trenchcoat-wearing lethal version of Batman, who has sold his soul to the devil and must battle a demon for the future of Gotham City… and none of that description, by the way, is an Issac Hayes style euphemism to make Damian sound tough; these are things that actually happened. Imagine listening to the Theme From Shaft and feeling the slowly-dawning horror when you realize that John Shaft actually fucked his mother. And apparently did it badly. Yeah. Welcome to shoot-first, sell-your-soul-to-Satan-even-sooner Batman.
The whole issue was kind of a goof, and as a gimmick issue, the whole thing kind of came and went without further comment in the story arc. But due to the asskicking nature of Damian as Batman, the issue has become a fan favorite (not my favorite, but your mileage may vary), and I don’t think a San Diego Comic-Con that had Morrison in attendance has gone by without some fan asking when we would see Damian’s Batman again. To which Morrison would reply: “Schoor toor ach Damian fchoor ich dloor Mescaline schaar ploor Scotland.” Dude has one hell of an accent is all I’m saying, but I digress.
Well, their wait is over. Batman Incorporated #5 is Morrison’s version of The Dark Knight Returns for Damian’s version of Batman, It is the imaginary final battle for that version of Batman, featuring his final conflict against his most dangerous antagonist with the fate of Gotham City hanging in the balance. However, unlike Frank Miller’s classic, Morrison accomplishes it in less than 20 pages (appropriate for a character who showed up for about 20 pages more than five years ago), and considering it tells the story of an apocryphal version of Batman who exists purely thanks to a vagary of issue numbering, it is surprisingly effective.