Bleeding Cool is passing along Deadline‘s news that Lucy Punch has dropped out of the much delayed Powers television. Punch was cast as Deena Pilgrim, partner to secretly super powered cop, Christian Walker (Jason Patric). However, according to Facebook, Brian Michael Bendis says:

lucy punch has moved on, powers tv is not dead. if it was i would tell you honest & true. new scripts have been ordered for more episodes & there will be news in may about how we are going forward. the network is behind us all the way. its quite nice. its going to be a long haul but its all about quality. i desperately want the best show we can make.

Fans are apparently pushing for Katee Sackhoff to pick up the role, which I think would be brilliant casting, personally. How do we get a petition going to make this happen?

Anyway, I still have hope we’ll see this series. It will probably hit the airwaves about the next time Brian Michael Bendis sees fit to actually send another issue of Powers out for sale.

Yesterday on Comic Book Resources, Robot 6 announced that Wonder Women! The Untold Story Of American Superheroines would receive its world premiere in Austin, Texas at the South By Southwest Film Festival on March 10, 2012 at 7pm. According to its official Web site this is a Kickstarter funded documentary, which:
 

…traces the fascinating evolution and legacy of Wonder Woman. From the birth of the comic book superheroine in the 1940s to the blockbusters of today, WONDER WOMEN! looks at how popular representations of powerful women often reflect society’s anxieties about women’s liberation.

WONDER WOMEN! goes behind the scenes with Lynda Carter, Lindsay Wagner, comic writers and artists, and real life superheroines such as Gloria Steinem, Shelby Knox and others who offer an enlightening and entertaining counterpoint to the male dominated superhero genre.

Check out the official trailer after the jump and read on for some separate, but related material, also posted to Comic Book Resources, by Kelly Thompson that questions just how equally men and women are portrayed in the comic book medium.

We haven’t written almost anything about the Gary Friedrich / Marvel lawsuit because we are not lawyers, other comics news outlets have covered it better than we could have, and frankly, a major comic publisher winning a lawsuit against a destitute former creator isn’t, unfortunately, what you’d call isolated, groundbreaking news,

In a nutshell: the first guy who wrote the Ghost Rider character for Marvel sued Marvel claiming that they hadn’t properly registered a copyright to the character and that therefore ownership of the character had returned to him. It’s a lawsuit that’s been going on for some time, and about a week ago a judge issued a document saying that both parties agreed that Marvel owned the character, and that Friedrich actually owed Marvel $17,000 for selling Ghost Rider stuff at conventions. Which to the non-legally trained mind – like, for example, ours – seemed like getting hit in a crosswalk by a Ferarri and having a judge tell you to pay the rich guy for damage to his headlight.

So most of the comics Internet blew up, partially because of the 17 grand, but also because at face value, it looked like Marvel was going after creators for selling unlicensed materials at conventions. Which, frankly, would be bad; my walls are personally loaded with unlicensed drawings and paintings purchased at various conventions, and half of why I go to conventions is the opportunity to shake a creator’s hand and come home with an awesome convention souvenir… or at least a better convention souvenir than Yiff Herpes.

In a truly weird article reeking of cognitive dissonance, Fast Company’s Co.Create, which is a Web site that is not about comics, debuted exclusive new Darwyn Cooke art from the upcoming Before Watchmen book The Minutemen, while simultaneously debuting new comments from Alan Moore complaining that the Before Watchmen project should die on the vine, or in a chute, or really anywhere, preferably with Moore pulling the trigger.

“It seems a bit desperate to go after a book famous for its artistic integrity. It’s a finite series,” says Moore. “Watchmen was said to actually provide an alternative to the superhero story as an endless soap opera. To turn that into just another superhero comic that goes on forever demonstrates exactly why I feel the way I do about the comics industry. It’s mostly about franchises. Comic shops these days barely sell comics. It’s mostly spin-offs and toys.

Hmm… that’s not what I witness every Wednesday at my local comic store, where they know me by name and ask me to quit asking if they carry inflatable Power Girl dolls. What I do witness are a bunch of middle-aged guys with lucrative day jobs who can afford to buy a stack of three and four dollar comics, but that’s a different issue for the industry. Everyone knows that a product that targets only old white guys is destined to rocket to the top of any sales chart… provided your product is named Cialis. But I digress.

Bleeding Cool is reporting that IDW will be attending the Gallifrey One convention next week (February 17-19) with the purpose of announcing a Star Trek/Doctor Who crossover comic book series.

Did IDW just get tired of watching Amy Pond and Deanna Troi get it on while Riker watched in other people’s fan fic?

Details Speculation after the jump!

UPDATE, 2/11/2012, 12:30ish: Robert Kirkman’s calling the lawsuit bullshit (Well, he said, “ridiculous,” but my word’s better), saying that his contract with Moore gives Moore 60 percent of the net on The Walking Dead comics and 20 percent of the net on the TV show, and that Moore’s been paid accordingly. Now, as you can see in the conversation in the comments, generally a percentage of the net in Hollywood usually falls somewhere between jack and shit, but it, and Kirkman’s assertion that both he and Moore had lawyers when they made the deal, clarifies the situation a little bit. (Update via Comic Book Resources)

There are reasons why my default answer to nearly any question is: “I’m not answering any Goddamned questions without my lawyer here,” and here is a prime example:

Robert Kirkman, the famed comic book writer who helped create AMC’s hit zombie series The Walking Dead, has been sued by a childhood friend and collaborator who claims he is entitled to as much as half the proceeds from the lucrative franchise.

If you’re only a fan of the AMC Walking Dead television show and not as familiar with the comic, I won’t even tell you to fuck off to some other comics Web site, but I will acknowledge that you might be responding to this news with a resounding, “…who?”

Tony Moore was a longtime collaborator of Kirkman’s, doing art on early Kirkman-written indie comics like Battle Pope and Brit. Moore also did the art on the first six issues of The Walking Dead before being replaced by still-current artist Charlie Adlard, and Moore continued to do Walking Dead covers for another 18 issues before leaving completely to work on books for Vertigo and Marvel. Kirkman has implied that Moore went off the book because he was late… now I’m inferring that Moore’s position is that he was “late” because Kirkman fucked him without contraception.

We have a very busy day ahead of us in no way related to the world of comics, so here’s a little light lunchtime / screwing off from work / pretending to work by staring intently at your computer screen entertainment: a two and a half hour long interview with Alan Moore.

Fo some background: a little while back, American Splendor creator Harvey Pekar’s widow, Joyce Brabner, started a Kickstarter project to raise money for a statue of Harvey to be erected in Cleveland. One of the benefits offered for donations of a particular dollar amount was the chance to participate in a video conference with Alan Moore. At the time it just seemed like a neat opportunity to get face time with a legendary creator… nobody knew that it would turn into a neat opportunity to get face time with a legendary creator who just learned that DC Comics was doing a prequel to one of his masterworks.

With that said, reportedly Moore is even-tempered, pleasant and gracious in the video (No, I haven’t seen it yet. I live in Boston, which means yesterday was spent watching a truly depressing football game and that I am hung over… and therefore need something to watch today while pretending to work), and addresses subjects from his feud with Grant Morrison, to Before Watchmen, to how to do magic.

According to the DC Blog, The Source, DC Universe Presents – a spotlight series that features a different hero in each arc – will begin, starting with issue 9, a new, 3-part story that introduces a heretofore unknown daughter of immortal Vandal Savage, Kass, uh, Sage. Kass is a profiler for the FBI who will need to reach out to daddy for help in order to solve a difficult case. Writing the series will be James Robinson (The Shade, Starman) and art will be handled by DC Universe Presents Deadman arc penciller, Bernard Chang with Ryan Sook on cover art.

So, is this character intended to be a complete retooling of Secret Six‘s Scandal Savage or a new character entirely?

More!

So DC’s announcement of the Before Watchmen series of prequel books has inspired some pretty heated reactions; hell, just the rumor of the thing did the same thing, so knowing it’s coming was bound to turn the comics Internet into stinking, sticky pissing match.

Many of the creators attached to the project have been quiet about it other than for statements in press releases and a few friendly media interviews. Many, except for J. Michael Straczynski, who is attached to write Nite Owl and Dr. Manhattan.

Now, as someone who makes it a point to go to the Spotlight on J. Michael Straczynski panel every year at SDCC, I can attest that the man speaks his mind and isn’t afraid to face down a skeptical public – last year was the year he had walked away from the Superman Walks The Earth Like Caine From Kung-Fu arc, and he certainly wasn’t shy about answering questions. If it was me, I’d have answered every question with, “Fuck you. You don’t like it? You write Superman. Dick,” but I recall him being more articulate than that.

The point is: JMS answers questions, speaks his mind, and has been a Netizen for years; the man was answering Babylon 5 questions on Usenet before Eternal September. You think he wouldn’t speak up about Before Watchmen?

We’re in an age of 90s nostalgia in comics, what with more spider-clones, someone thinking Todd McFarlane is worth suing, and Rob Liefeld finding steady work that doesn’t involve a riding mower or medically required applications of Zovirax. And for those of us who had their 80s comics habit survive through that somewhat empty decade only because of Vertigo comics, this is a development that in many ways feels like flashing back to being a Boston altar boy in 1972.

But for those of us who did survive 90s comics and their excesses thanks to Vertigo, a bright spot of DC’s New 52 has been Justice League Dark, which, while not perfect, gave us Peter Milligan writing both John Constantine and Milligan’s old favorite of mine: Shade The Changing Man. And God knows that the book was in no way perfect, including the end of the first arc where the team finally got together… and said, “Fuck all y’all, mates” and immediately disbanded.

Well, I’ve got some bad news: Peter Milligan is leaving Justice League Dark. But I also have some good news: Jeff Lemire, writer of Animal Man and Sweet Tooth, is taking it over as of issue 9. And Milligan is shifting over to Stormwatch to take over from Paul Cornell.