It’s been while since the 1990s glory days of Vertigo Comics, when books like Sandman, Hellblazer, Shade The Changing Man, Y: The Last Man and Preacher stomped on the terra and helped solidify the concept that comics weren’t for children anymore. These days, it feels like Vertigo is down to what feels like a few miniseries, some original graphic novels and Fables, and with the recent announcement of the cancellation of Hellblazer, it has seemed like the imprint has been at a crossroads. And, as anyone who’s ever listened to Robert Johnson knows, good shit never happens at the crossroads.

And today is living proof. DC Comics has announced that Karen Berger, the longtime Executive Editor of Vertigo Comics, is leaving the company at the end of first quarter 2013.

DC’s official announcement is after the jump.

While we here at the Crisis On Infinite Midlives home office, did not feel that The Amazing Spider-Man #698 was by any means horrible, we also weren’t exactly lining up to sing its praises either. Solidly written characterizations aside, it’s a big deal to play the Freaky Friday card on your protagonist, right as you’re about to end the run of a publication that has been in existence since 1963.

To that end, there are a lot of folks out there who are pretty upset about it, even… Hitler? Yes, it would seem so. I Googled it myself after coming across this in Dan Slott’s Twitter feed yesterday:

Lo and behold, someone had enough free time on their hands to update the Hitler Reacts meme.

I had no idea that Hitler was such a closet Spidey fan! Check it out, after the jump!

Some readers have privately wondered, after we reported earlier this year that there was still hope to see a movie version of The Goon by creator Eric Powell, Producer David Fincher, and Blur Studios, why we hadn’t made any mention of the Kickstarter project started by Blur in October to fund the $400,000 creation of a story reel to shop the project around again to investors in the hopes of getting the full movie (estimated to cost tens of millions of dollars) made.

Well, the answer to that is simple: we like to at least pretend that there is some kernel of journalism behind what we do here, and it would be impossible for us to be objective about the Goon Kickstarter because, in short, I contributed to it.

At greater explanatory length, I contributed a lot to it.

At even greater explanatory length, my pledge was enough to obtain one of the higher-end rewards offered for the project, which didn’t go for what you’d call short money. And it would have felt wrong to skew opinions on a story that, depending on how it went, would lead to me either obtaining something for which I have lusted for since I started reading The Goon, or to my ability to have the pledge be returned upon failure of the Kickstarter and therefore making me able to afford heat for the winter.*

However, it is now safe to discuss this story, because Sunday morning at 8:30 a.m. Eastern Daylight Saving Time, The Goon Kickstarter surpassed its goals by more than ten percent, meaning that a full length, animated storyboard, with Clancy Brown voicing The Goon and Paul Giamatti as Franky, will be produced.

Does this mean the movie’s been greenlit? Well, not exactly.

I studied journalism when I was in college in the late 1980s / early 1990s, and one of the things I learned was the inverted pyramid lead, which means to open your story with the most important hard information. So, since it was one of the most important things I learned back then, I’ll go with it here.

DC Comics has cancelled John Constantine: Hellblazer. The comic, published under DC’s Vertigo Comics imprint, will conclude in February with its 300th issue, written by Peter Milligan with art by Giuseppe Camuncoli. The long-running comic, written for a mature, adult audience, will be replaced with a new comic series, Constantine, written by Robert Venditti with pencils by Renato Guedes. The new series, which will be published under the standard DC Comics bullet, will take place in DC’s superhero-filled New 52 Universe, and will be reportedly feature the younger, more action-oriented version of the John Constantine character as currently seen in Justice League Dark.

About the cancellation, DC Comics co-publisher Dan DiDio said:

We’re supremely proud of Vertigo’s HELLBLAZER, one of the most critically-acclaimed series we’ve published. Issue #300 concludes this chapter of Constantine’s epic, smoke-filled story in style and with the energy, talent and creativity fans have come to expect from Peter Milligan, Giuseppe Camuncoli and Stefano Landini. And no one should worry that John is going to hang-up his trenchcoat – he lives on in March, in the pages of the all-new DC Comics New 52 ongoing series, CONSTANTINE, by writer Robert Venditti and artist Renato Guedes.

The series, which expanded the story of the John Constantine character created by comics legend Alan Moore during his classic run on Swamp Thing, debuted as a DC Comic in 1988 and was written by Jamie Delano and drawn by John Ridgeway. Moving to DC’s more mature Vertigo imprint in 1993, the book featured work by comic legends Garth Ennis, Warren Ellis, Paul Jenkins and Brian Azzarello, as well as many others, throughout its nearly quarter-century history.

Constantine is expected to debut in February, 2013.

Okay, that’s the classic news version. My journalism professors, one of whom once looked me in the face and said, “You smell like a three-day dead dog in the dump tank of a whiskey distillery. Sit in the back, please,” would, for once, be proud. However, like the one, older professor who once slipped me a copy of Hunter Thompson’s Fear and Loathing on The Campaign Trail after defending me in a meeting to determine if I should be ejected from the journalism department after writing a story about the college’s president that included the term, “goatfucker” taught me: classic journalism isn’t always properly equipped to capture the whole truth.

Yeah, we fixed it (sort of; give us some more time)… and just in time. Because after a week of writer Joe Hill hinting coyly about it on his Twitter feed, it has just become official: Universal Pictures has optioned Hill’s and artist Gabriel Rodriguez’s Locke & Key comic for development as a movie.

The comic was developed as a television pilot a year or so ago for Fox, who decided not to pick up a series order (although if I recall correctly, the pilot, starring Nick Stahl from Carnivale and Terminator 3: Rise of The Machines was screened to good reaction at last year’s San Diego Comic-Con… which I missed, due to a prior commitment to an alcoholic blackout). It is now under development by Roberto Orci and Alex Kurtzman, who wrote the 2009 Star Trek reboot (Yay!), as well as the first Michael Bay Transformers movie (Boo!), with an eye toward turning it into a possible trilogy.

We are experiencing some unexpected technical difficulties this evening; I suppose this is what one gets when he drunkenly tries to write about a new superhero he invented on the toilet named “DROP TABLE”.

So please bear with us while we try to fix the issue. In the meantime, you can take this opportunity to start digging through couch cushions and in the lint trap for nickels and dimes. You’ll need them to start your complete collection of the upcoming Justice League of America. Because if you want to be able to tell the regulars at the comic store that you have the whole run, you’ll need to get the variant covers for the upcoming first issue.

All 52 of them.

Yup, it’s one issue for every state in America, plus an extra couple for the territories that we keep kicking around. Which means that if you want them all, it would cost you around, oh, $200 or $300 bucks. Assuming you can get them at face value.

Yeah, we’re gonna pass. We can use that money to hire a database guy.

Thanks for your patience.

Hey, everyone! Marvel knows some more mysterious single words! And so do I: “Overload!”

Marvel is back to releasing one-word teaser images to hype upcoming books in the Marvel Now initiative to release a ton of new first issues over the next several months (but it’s not a reboot! Marvel doesn’t reboot! A reboot is something that happens all at once! Whereas Marvel will boot you repeatedly over the course of weeks!), and this one is just as baffling as some of the other, more recent ones…

What. The. Hell.

We’re still under threat of Hurricane Sandy here at the Crisis On Infinite Midlives Home Office. However, I’d like to take this opportunity to pass along a new page of preview art by light box hack penciller Greg Land from Iron Man #1.

Where on earth could Greg Land have received such stellar inspiration? After the jump!

The other day we linked to the at-the-time breaking story that a Federal Judge in California had ruled that, in a nutshell, DC Comics does not owe any ownership of the character Superman to the estate of the character’s co-creator Joe Shuster, who before the decision looked to be able to claim half the character’s copyright in October, 2013, giving DC and parent company Warner Bros. the right to exploit the character in any way they see fit (cue synth-heavy porno music).

The short version of the story is that, between DC’s1975 lump-sum and pension payments to Shuster and co-creator Jerry Siegel, combined with a separate 1992 settlement DC made with Shuster’s sister for another lump sum and a $25,000 annual pension (EDITOR’S NOTE: between issues, trades and convention travel, I about that much per year on my comic book habit), the judge ruled that the creators’ estates have gotten all that they are owed from DC Comics. Proving once again that, the next time you have what you think is a million-dollar idea, you should find a lawyer who thinks you should hold out for something closer to that million before you sign anything… and if you’ve already signed, you should listen very carefully to the other guys’ lawyer to hear if they say anything along the lines of “fuck off money.”

Shuster’s estate will probably appeal – it’s not like there’s a lucrative future in throwing up their hands and going after that sweet, sweet Funnyman cash – but this ruling has a couple of immediate circumstances, even beyond the effect of making Diane Nelson cackle with relief…

The first being that it greases the skids for Warner Bros. to start serious work on a Justice League movie. Which is now expected in the summer of 2015.

DC’s January, 2013 solicitations have been released, and there is some good news in there, particularly if you’re a crossover fan, because it seems like every damn book in DC’s slate is involved in some kind of event in January, from Rise of The Third Army across all six Green Lantern books coming out in January (we’ve got the standard books, along with annuals for New Guardians and Green Lantern Corps), to Rotworld across Animal Man, Swamp Thing and most of the DC Dark titles, Death of The Family across the Batman books, and the H’el On Earth event going through most of the Superman titles. Hell, even Justice League is continuing its self-contained Throne of Atlantis story, with a solicitaiton promising “More on the Superman/Wonder Woman alliance,” which means either that I have a very misconstrued definition of the word “alliance,” or that between the United States and England, one of us must like to cuddle.

There’s even an event going across the seemingly unrelated titles Blue Beetle, Legion Lost, Frankenstein: Agent of S.H.A.D.E. and Grifter. That event being cancellation.