Episode 152: Are You A Kandorian or A Kant-dorian?

We are in a genre entertainment lull. A week after Wonder Woman debuted in theaters, three weeks before Spider-Man: Homecoming opens, and with all the geek TV shows on summer hiatus, there’s not a lot to talk about except the comic books.

So we stick with comics this week, and we are thankful that we don’t have to deal with a week of DC Comics trying to shoehorn classic comics from the 80s into modern continuity. Instead, we weep that we have to deal with DC Comics trying to shoehorn classic comics from the 80s into some weird Elseworlds continuity they probably hope they can sell to people who remember Frank Miller without thinking of Holy Terror.

So we discuss:

• DK III: The Master Race #9, written by Frank Miller and Brian Azzarello, with art by Andy Kubert and Klaus Janson,
• Wonder Woman Steve Trevor Special #1, written by Tim Seeley with art by Christian Duce,
• Batman #24, written by Tom King with art by David Finch, and:
• The Walking Dead #168, written by Robert Kirkman with art by Charlie Adlard!

And, the normal disclaimers:

• This show contains spoilers. If you don’t want to know who Steve Trevor is sleeping with, you are clearly not thinking things through. But don’t pretend we didn’t warn you.
• This show contains adult, profane language, and is therefore not safe for work. We don’t talk about Batman’s dance belt because of his waistline. Listen with some headphones.

Podcast: Play in new window | Download (Duration: 1:17:19 — 78.2MB)

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Thanks for listening, suckers!

Episode 121: Underground Gozer Society

The new Ghostbusters movie opened this week, after a long production period marked by a non-stop screeching hate frenzy from Bill Murray fans, enthusiasts of old-school J. Michael Straczynski Saturday morning cartoons, and people who think that comedy has been redundant since Rick Moranis donned a track suit to dry hump the windows at Tavern on The Green.

We here at Crisis On Infinite Midlives have long and storied histories with the original Ghostbusters, from Amanda’s devotion to its scientific approach to the paranormal that led to her being interested in applying to Duke University’s Parapsychology Laboratory, to Rob’s appreciation of the flick as an teen-safe entryway to early Saturday Night Live and the National Lampoon. And even with that long and beloved history, we have long been looking forward to the more modern interpretation of the franchise.

So we discuss our feelings about the franchise at large, how we liked (and didn’t like) the new movie, what we’re hoping for from any possible sequel, and Amanda’s theory about how this movie not only doesn’t turn its back on the original movie, but actually makes the concept that it’s a sequel as likely as not.

Regardless, we have no sympathy for those who say that the new Ghostbusters has destroyed their childhood. And we’re not alone.

We also discuss:

• Nightwing: Rebirth #1, written by Tim Seeley with art by Yanick Paquette,
• Wonder Woman #2, written by Greg Rucka with art by Nicola Scott, and:
• Civil War II #3, written by Brian Michael Bendis with art by David Marquez!

And, the usual disclaimers:

• This show contains spoilers. If you want to avoid knowing whether every molecule in Melissa McCarthy’s body explodes at the speed of light in a total protonic reversal, consider yourself forewarned and forearmed.
• This show contains adult, profane language, and is therefore not safe for work. You want your boss to learn a whole new definition of “hard but fair”? Then buy some earbuds.

Podcast: Play in new window | Download (Duration: 2:05:29 — 125.8MB)

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Thanks for listening, suckers!

Episode 101: A Thorough Ravenwooding

It’s been a week since Dan DiDio and Jim Lee hyped an upcoming project or event with a photo of some curtains and the word “Rebirth.” Last week, the comics Internet was abuzz with rumors that it meant a reboot or a return to pre-New 52 continuity or any number of other things. Well, it’s been a week, and in that time, we’ve learned… exactly nothing new whatsoever. But a few tidbits and Tweets have let us to come up with a new theory about the project, which, since we are, after all, part of that selfsame comics Internet, we are more than happy to discuss and kick around.

But one concrete new thing we can all address is the CW show DC’s Legends of Tomorrow. The pilot to the new show aired over the past couple of weeks, so we talk about what parts of the show work, which ones don’t, which characters are gonna need some attention, and why Hawkgirl is part of columns B and C.

We also discuss:

• Grayson #16, written by Tim Seeley and Tom King, with art by Mikel Janin, and:
• Old Man Logan #1, written by Jeff Lemire with art by Andrea Sorrentino!

And, as usual, some disclaimers:

• We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a discussion why Rip Hunter’s time ship should be called “The Re-TARDIS.”
• This show contains spoilers. While we try to shout out warnings ahead of time, be aware that we will spoil why Old Man Logan spoils Frank Miller’s and Chris Claremont’s Wolverine.
• This show contains adult, profane language, and is therefore not safe for work. You want your boss to find out what happens when a podcast host eats about a million chocolate-covered coffee beans and stares at Batman’s utility belt area? Then get some earbuds.

Podcast: Play in new window | Download (Duration: 1:43:02 — 96.4MB)

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Thanks for listening, suckers!

Episode 41: SDCC 2015: The Struggle Is Real

Pre-registration for San Diego Comic-Con 2015, for people who attended SDCC in 2014, came and went yesterday, and it marked the first disappointment for would-be attendees who didn’t manage to snag passes… including us. So we spend some time talking about the process, how it differed from registration procedures over the past ten years, and whether there are any other fair options that can balance the need to allow as many people as possible to experience the con, against the horrors of being forced to impotently watch the Blue Ring of Disappointment.

In addition, DC announced their spring crossover event, Convergence, and it was interesting in that it could bring back some pre-Flashpoint characters, it might roll back some New 52 changes, and it sounds suspiciously similar to Marvel’s upcoming Secret Wars event. So we talk about how these respective events might affect their greater continuities, for which publisher this might be a better and stronger move, and ultimately, which one we’re most looking forward to.

We also talk about:

• Grayson #4, written by Tim Seeley with art by Mikel Janin, and:
• Spider-Verse #1, written by Dan Slott with pencils by Olivier Coipel!

And now the legalese:

• This show is recorded live to tape. While this might mean a looser comics podcast than you’re used to, it also means that anything can happen. Like the observation that, if people bitten by radioactive spiders throw off irresistible pheromones, then Spider-Verse will become a very sticky place for reasons other than webbing.
• This show contains spoilers. While we try to shout out warnings ahead of time, just assume that we might ruin everything you love.
• This show contains adult, profane language, and is therefore not safe for work. Your boss doesn’t have Spyral’s nano-bugs, so all you’ll need is some headphones.

Oh, and here’s that Marvel Secret Wars video we talked about:

Podcast: Play in new window | Download (Duration: 1:35:33 — 84.1MB)

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Enjoy the show, suckers!

Episode 23: Her THAC0 Is Ridiculous

There has been another creative team change on Batgirl, by all reports due to editorial edict. So Amanda and I talk not only about the proposed new direction for the character, but we about the increasing influence over story and tone that editorial seems to have been gaining over creative teams as opposed to the early 2000s, when comics were doomed and writers and artists could seemingly do any damn thing they wanted if the sales numbers this month were higher than the ones from last month.

We are also just over a week away from San Diego Comic-Con 2014, so we talk about some of the scheduled panels, and how the wealth of content can make it infuriating, if not impossible, see everything you want at the show.

Finally, we discuss and review The Walking Dead #129, and Grayson #1!

And now the usual legalese:

• We record this show live to tape. While that might mean some parts are a little rough around the edges compared to your regular comics podcast, it also means that anything can happen.
• This show contains spoilers. We try to give a shout-out ahead of time, but we drink while recording. So tread lightly.
• This podcast contains adult, explicit language, and is not safe for work. If you don’t want your boss hearing us talk about how superhero costumes contain compartments for each boob, wear headphones.

Podcast: Play in new window | Download (Duration: 1:39:02 — 90.7MB)

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Enjoy the show, suckers!

Spy Wanted; Must Have Experience With Death Traps: DC To Make Grayson A Secret Agent Comic

So DC Comics’s current Forever Evil event is famous for a few things, and not just for being an irritating “ending” to prior crossover Trinity War, for putting almost the entire stable of major DC superheroes off the playing field for about five straight months (except in those characters’ home titles, where they are wisely generally pretending that Forever Evil isn’t a thing that is happening), and for making even Marvel’s Fear Itself seem like a fully-baked idea.

Beyond those things, it is known for being the storyline where The Crime Syndicate exposes Dick Grayson’s identity as Nightwing to the world at large. Which has, since that even occurred in the first issue, begged the question as to how that event would be handled once the event ended (assuming it does. Considering Forever Evil spun right out of Trinity War, there is a part of me that thinks there might be another event spinning out of Forever Evil. With another event spinning out of that one. Ad infinitum. Keeping the Trinity of Superman, Batman and Wonder Woman on the sidelines, and making Justice League into an anthology title where Geoff Johns can reintroduce whichever Silver Age second stringers he has a fancy for. But I digress). Would Grayson go back to being Nightwing, with perhaps an crossover appearance by Mephisto to make a deal for everyone to forget his identity?  Obtain some kind of neural backup to restore an earlier personality? Or one of the myriad other trick Marvel has somehow successfully used to retcon their terrible continuity mistakes?

Nah. They’re going full James Bond and making him a super secret agent.