There was one minor, eensy, tiny problem with Marvel Comics’s Amazing Spider-Man panel Sunday. The panel wasn’t really about Spider-Man.

Oh sure, the panel opened with news about the Amazing Spider-Man and Avenging Spider-Man comic books, but those updates took about seven or ten minutes of an hour long panel. After that, we got updates on Carnage, Venom and Scarlet Spider, which are at least Spider-Man related… but we also got status reports on Captain Marvel, Punisher War Zone, Space Punisher, and last but not least, Daredevil, whose status report was, in effect, “Yeah, we have no idea what’s going on with that triple-Eisner Award winning book! But Eisner Awards are cool! And Daredevil won three of them! So who doesn’t love Daredevil?”

Which actually brings to mind another minor problem with the Spider-Man panel, and with every other Marvel panel we went to: Moderator Arune Singh, who is Director of Communications for Marvel Comics and possibly the most irritating and repetitive public speaker on the planet. Here are some of my notes from the panel, verbatim from my notebook:

  • If I hear Arune Singh say, “How many of you are loving X” again, I will shit.
  • At least 4 “How many of you love…” so far. Fuck.
  • Fifth. Fucking. “How many of you LOVE…”
  • SIXTH. SINGH WILL DIE BY MY HAND.

God knows that The Amazing Spider-Man isn’t perfect – it gets sucked into events like most Big Two publisher books, and sometimes it uses valuable page real estate setting up the next event – whatever the hell that winds up being. But when it’s not being co-opted and fucked with by higher Marvel editorial for whatever crossover event the Architects bake up at their retreats (“I’ve got it! X-Men kick the Fantastic Four in the groin! Let’s try it on new guy Hickman! Hold him down, Aaron, or you’re next!”), it is one of the best, old-school comics you can get.

Amazing Spider-Man #679 is the second part of a two-and-out that at face value has no place in a book about a guy who, in his best stories, fights more street-level crime than cosmic stuff. If you’d told me that writer Dan Slott was going to do a story about Spider-Man that included time travel, continuity paradoxes and Madame Fucking Web, I’d have said that was stupid, and you were stupid for saying it.

But Slott takes those elements and does the smart thing with them: use them as simply a catalyst for the rest of the story. The entirety of the time travel involvement is to show the stakes  – the destruction of New York by a certain time – if Spider-Man can’t figure out what to do… and he does those things where Spidey should: on the streets.And after months and months of seeing Spidey battling Thor knockoffs in the Avengers, and traveling to other dimensions in FF, it’s nice to see Spider-Man just stomping dudes in an alley with a wisecrack for a change.

Dear Dan Slott: when I spend four dollars on an issue of The Amazing Spider-Man, I have only one expectation. It’s not that the art is always exemplary, or that it end on the finest of pants-shitting cliffhangers, or that it even showcase a member of the supporting cast in an entertaining fashion… which is a good thing since this book contains none of those things.

No Dan; I’m a reasonable man. All I want from an issue of The Amazing Spider-Man is that somewhere, somewhere in the issue there is at least one appearance of The Amazing Fucking Spider-Man.

That’s right – the only appearance of Spider-Man in this issue is on the cover. The only places the word  “Spider-Man” appears are on the cover, the letter column and the in house ad for next month’s Daredevil… where Spider-Man apparently appears more often than he does in this issue of The Amazing Spider-Man.

Instead of a Spider-Man story, what we have here is a battle between the Sinister Six – which I’m sure was a bitchin’ name back in 1964, but which in 2011 sounds like a moniker you adopt when you find out that someone’s already trademarked “Democracy of Douchebags” – and the Intelligencia (The name you grab when you discover even “Sinister Six” has been sponged off the bottom of the barrel).