dc_comics_logo_2013It’s been a little more than two years since DC launched their New 52 reboot, and while DC still puts a big, “The New 52!” bullet on almost every cover of every book each month, there sure as hell aren’t 52 of those original release titles from September, 2011 still kicking around.

And now there will be two fewer. DC and book creators Jeff Lemire and Gregg Hurwitz have announced the cancellation of two original New 52 books, one surprising, one not (and yet still disappointing).

To wit: Animal Man and Batman: The Dark Knight will be concluding their runs in a few months, each with issue #29.

batman_the_dark_knight_21_cover_2013-1774447701We haven’t spent a lot of time talking about Batman: The Dark Knight since its relaunch in September 2011 – honestly, we haven’t reviewed even a single issue. And part of the reason has been that the title has always existed on the fringes of the Batman universe – the main plots have been in Batman and, to a lesser extent, Batman Incorporated, but Batman: The Dark Knight has always kinda done its own mostly self-contained stories. And being a comics Web site, we’ve tended to pay more attention to the big, money shot stories while Batman: The Dark Knight has sorta chugged happily along on its own, telling smaller, more simple and self-contained Batman stories.

And in its own way, Batman: The Dark Knight #21 is no different. The conflict happening here isn’t one that I’ve seen referenced in any of the other Batman books. The conflict is based on a relationship that hasn’t been mentioned anywhere else. It features a B-List villain in The Mad Hatter, who is the kind of villain you normally dig up when you have a story requiring a nutjob and you realize that it’s only been three months since the other Batman books have used The Joker, The Riddler, or The Scarecrow… and frankly, The Mad Hatter only gets picked once the writer sobers up enough to realize that resurrecting Chandell continues to be a shitty idea.

So what you wind up with is a Batman comic that almost exists in its own little bubble universe where it can just tell a simple Batman story. And that’s exactly what it does: it give us a Batman motivated only by the events of its own story, filled with rage and showing a ton of iconic visual action, with a simple message to deliver about how Batman exactly is different from the monsters that he battles. And, not being a part of the greater ongoing Batman continuity, it is kinda doomed to be midlist that probably goes out of print pretty quickly. But that doesn’t mean it’s not a damn good and simple story, and one that’s well worth checking out.

Oswald Cobblepot, aka The Penguin, made his comic book debut in Detective Comics #58 in 1941. Like Batman, he too was conceived by Bob Kane, but his origins have varied over the decades to suit the needs of the writers. In this most recent incarnation, as is being detailed in Penguin: Pain And Prejudice, written by Gregg Hurwitz with art by Szymon Kudranski, The Penguin’s back story seems to be along the lines of being from a well-off family, but rejected by his father, brothers and school mates for his short stature, beak-like nose and generally milquetoast personality. Indeed, the only person in the world who loves him unconditionally is his mother. He returns her love with a burning affection that would make Oedipus blush.

Well, a boy needs something hold onto in the crazy world of ours, right?

Nah.

It’s just kind of icky and sad.

But does any of this have to do with Ozzie’s rise to the top of the Gotham crime scene beyond making us feel vaguely uncomfortable as we read it?

Spoilers after the jump!