Episode 98: The Wang Splash

A long time ago, when we barely had the equipment to record people who weren’t in the same room with us, we interviewed a couple of comic creators who were on the cusp of releasing their first print comic through a proper comic book publisher. It was also our first interview with comic creators, on new and untested equipment, and even though everyone involved was on untrod ground, it was one hell of a lot of fun.

Now, a year later, we have much better and more trusted equipment, and a lot more experience talking to people remotely. In addition, those two creators not only released their comic, but got the greenlight to publish a sequel, a bunch of good press around the book, and visited San Diego Comic-Con. And since they are now on the cusp of releasing the trade paperback of the sequel to their first comic, it seemed like a good time to check back in and see how the last year of relative success in comics affected them.

So in this episode, we talk with Holy F*ck and Holy F*cked creators Nick Marino and Daniel Arruda Massa, ostensibly to talk about the impending release of the trade paperback of Holy F*cked…  but we also get into what it’s like to have some success in a local indie comics community, the pros and cons of variant covers for indie comics, how 90s comics affected Generation X vs. Generation Y, how San Diego Comic-Con arguably isn’t as big a deal for mid-level creators as it is for anyone else, and acting in reality TV. Oh, and we talk about how Crisis On Infinite Midlives might be the cause of one of the more graphic and talked-about panels in Holy F*cked.

Amanda and Rob also discuss:

• Spider-Man / Deadpool #1, written by Joe Kelly with art by Ed McGuinness, and:
• Swamp Thing #1, written by Len Wein with art by Kelley Jones!

And now, the disclaimers:

• We record this show live to tape, with minimal editing (although we edited a tangent out of our interview that made no sense if you weren’t on the live video feed at the time). While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like not just a discussion about man-nipples, but a year-long continuation of a discussion about man-nipples.
• This show contains spoilers. While we try to yell out warnings ahead of time, just assume you will learn which son of a god will be crucified in Holy F*cked (helpful hint: the answer will totally surprise you!).
• This show contains adult, profane language, and is therefore not safe for work. You want to explain to your boss the particular Facts of Life that lead to a baby named “Rad Christ”? Then buy headphones.

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Thanks for listening, suckers!

Ms. Marvel Gets Promoted To Captain

This is in no way at all inspired by Rosie The Riveter...or Frank Quitely.

Yesterday at Wondercon in Anaheim, California, Marvel announced that starting this July, the character currently known as Carol Danvers, aka Ms. Marvel, will move into the role of Captain Marvel – complete with a haircut and costume change. Character concept designs were developed by Jamie McKelvie. Cover art will be handled by Ed McGuinness on issues 1 and 2, with Dexter Soy on interior art. Writing the new series will be Kelly Sue DeConnick (Osborn: Evil Incarcerated, Castle: Deadly Storm w/ Brian Michael Bendis). Says DeConnick:

My pitch was called ‘Pilot’ and the take can pretty much be summed up with ‘Carol Danvers as Chuck Yeager,’” says DeConnick. “Carol’s the virtual definition of a Type A personality. She’s a competitor and a control freak. At the start of our series, we see Carol pre-Captain Marvel, pre-NASA even, back when she was a fiercely competitive pilot. We’ll see her meeting one of her aviation heroes and we’ll see her youthful bravado, her swagger. Then over the course of the first arc we’re going to watch her find her way back to that hungry place. She’ll have to figure out how to be both Captain Marvel and Chuck Yeager—to marry the responsibility of that legacy with the sheer joy being nearly invulnerable and flying really [expletive] fast.

Huh. Chuck Yeager? That sounds a bit similar to the pitch her husband, Matt Fraction, gave when he announced his plans for Invincible Iron Man back in February 2008:

Tony Stark is equal parts James Bond and Chuck Yeager–a pioneer, a test pilot, an engineer, an adrenaline junkie visionary.

Well, Chuck Yeager is pretty cool. I suppose it’s entirely possibly that DeConnick just picked up a Chuck Yeager comparison through some kind of idea osmosis from being in such close proximity to Fraction for so long. Heck, now that Rob lives with me he can tell you exactly how and why you need to temper eggs before adding them to a custard. And he’ll only whimper a little bit when you ask him. I don’t see why he gets upset. Those brain cells were just going to be killed by whiskey anyway.

But is there anything else going on with this relaunch that calls to mind similarities with other creative properties?

Cable’s Out: Avengers: X-Sanction #2 Review

EDITOR’S NOTE: This review contains spoilers. Also rage, but mostly spoilers. Look at it this way: it’ll save you four bucks.

God damn you for making me do this, Jeph Loeb. I defended you after Heroes hit the skids. I didn’t scream at you for Ultimates volume three. you brought Jason Todd back from the dead and I didn’t insist you take his place (Yeah, I know it was actually Clayface impersonating Jason in Hush, but you planted the filthy idea in Judd Winick’s head). I tried, man.

But Avengers: X-Sanction is so wretchedly and abysmally bad it boggles my mind. For a time travel story it is heartbreakingly tiny in scope. The storytelling is flawed and full of holes, and required every character involved to act like a complete fucking idiot. As an event, it makes me miss Fear Itself, which is like being nostalgic for a canker sore.

Basic Cable: Avengers: X-Sanction #1 Review

EDITOR’S NOTE: And one last very quick review before the comic store open… and one that contains spoilers to boot. You are warned.

Okay, let’s start with the fact that The Falcon isn’t an active member of The Avengers. Not active, not honorary, not a Secret Avenger, not a West Coast Avengers… nope, not an Avenger. Which means that there is no reason for Cable to think that he would make an appearance in battle with The Avengers. Which means that the first step of his “master plan” against The Avengers is based purely on wishful thinking and the needs of Jeph Loeb’s plot.

But let’s assume that Falcon was a member of the Avengers, and that Cable’s plan therefore makes some sense on it’s face. Cable takes Falcon out with a sniper rifle during a battle that includes not only Falcon, but Captain America, Iron Man, the Red Hulk, Spider-Man and Wolverine, but which proves that Cable’s master, time-spanning plan was based on every science fiction movie ever made.

Avenge Me: Marvel’s February Solicitations

Last week, DC Comics announced their solicitations for their upcoming releases for February, and there was a… disturbing trend of books with covers that made the heroes’ thighs look like something that would make Johnny Wadd Holmes weep with bitter, envious frustration.

But surely the repeating nature of DC’s offerings was just a coincidence. One would think that Marvel, who just released their own February solicitations, would never fall into the trap of repeating themselves in the space of a single month!

So let’s take a look at what is sure to be the widely varied and diverse offerings that Marvel has for us in February! (Rob: Tone down the pissy sarcasm and show the nice people the books. -Amanda)

I’m Assuming There’s A Point

EDITOR’S NOTE: This story was updated 10/1/2011 with details about the fifth teaser. You can read more after the jump.

Earlier this year, Marvel rolled out the concept of a “Point One” issue of their books – an issue outside a book’s normal 12-issue run that would be written as a one-and-done book that wasn’t heavily tied into ongoing continuity to act as a jumping on point for new readers. Meaning that they’re old-school annuals, for all intents and purposes, but I’m guessing somewhere along the line Marvel realized “.1” is more attractive than “Annual”… or at least it is when you’re paying the printer by the letter.

Apparently the Point One initiative’s been pretty successful, and I tend to agree – we’ll probably be reviewing Black Panther 523.1 later week, and while we didn’t get a chance to review X-Factor #224.1, it was a tight story that was one hell of a way to get into the best X-Book you’re not reading. And it seems it’s been successful enough that earlier this week, Marvel announced a 64-page Point One issue for the entire Marvel Universe, where they’ll be teasing their events for 2012 and “the return of fan-demanded characters.” (But Marvel doesn’t reboot! Because Marvel makes no mistakes! And pay no attention to the fact that Bucky Barnes has been dead twice since 2005 while still co-headlining his own book!)

All week long, Marvel’s been rolling out teaser images for the one-shot, including stuff you’d expect for an event teaser, like Brian Michael Bendis’s and Bryan Hitch’s upcoming Ultron arc in Avengers and Matt Fraction’s already-announced Defenders book with penciller Terry Dodson… but they’ve also teased a return of Nova by Jeph Loeb and Ed McGuinness… and yesterday they teased, well… THIS:

Laying Cable: Marvel Announces Avengers: X-Sanction

Yesterday afternoon, Marvel announced in a conference call that their next big event will be called Avengers: X-Sanction, written by Jeph Loeb and penciled by Ed McGuinness. The story will focus on the Avengers – probably to keep focus on the team for the release of the Joss Whedon movie nest summer – and will feature the return of Cable, the popular mutant character killed in the X-Men Second Coming event last summer. Cable, who was introduced in New Mutants in 1990 by *eyeroll* *drool* *take back fuck I threatened to give*

Okay, maybe that’s not fair and a little premature. Let’s see what Loeb has in mind for the story:

As to how Cable’s mission relates to the Avengers, Loeb said he “doesn’t want to give away too much,” but “how Cable survived ‘Messiah Complex’ and ‘Second Coming’ — and I do consider those one big arc — if there had been even a hint that the Avengers had something to do with Hope’s future, he would… do something to them.”

…[Marvel Senior Vice President of Publishing Tom] Brevoort said the event puts Cable in conflict with characters readers aren’t used to seeing him with. “The definition of Cable as a father out to protect his daughter by any means necessary gives the character a weight and heft you can relate to on a very human level.” There are also “some larger situations going on” for both Nate and the Avengers.

Okay, THAT changes things. NOW I feel… yeah: I got nothing.