doctor_strange_movie_posterSorry this week’s episode is late, but we had this thing, and we are late because of it. However! This past weekend, Marvel Studios’ Doctor Strange opened in theaters, marking not only the latest film in Phase Three, but the first to have an opening credit production logo featuring almost no comic books.

So we discuss the movie, its similarities to Iron Man, how Benedict Cumberbatch’s American accent is the enemy of suspension of disbelief, whether Doctor Strange is actually history’s greatest villain, how to pronounce The Ancient One’s last name, whitewashing and cultural appropriation, and, of course, spotted dick.

We also discuss:

  • Avengers #1, written by Mark Waid with art by Mike Del Mundo, and:
  • Superman #1, written by Peter Tomasi with art by Patrick Gleason!

And, as always, the disclaimers:

  • Due to strange circumstances, this episode was recorded live to tape with no editing. So while it might mean a looser show from us than you are used to, it also means that it should suffice as a legal request for political asylum (Happy Election Day, everyone!).
  • This show contains spoilers. So if you don’t want to know how to pronounce “Chiwetel Ejiofor,” well… actually, you won’t learn how to pronounce that here.
  • This show contains adult, profane language, and is therefore not safe for work. Trust me: you don’t want your mom to hear the way Rob tries to pronounce “Chiwetel Ejiofor.” Get some headphones.

Thanks for listening, suckers!

batman_the_killing_joke_first_print_coverLast week, in Batgirl #49 – a comic with an apparent target demographic of Millennials – writer Cameron Stewart and artist Babs Tarr told a story that could be seen as retconning the events of Alan Moore’s and Brian Bolland’s 1988 one-shot, Batman: The Killing Joke.In the wake of that story, Stewart argued that his story could be seen as a retconning of The Killing Joke, or not, depending on how you interpret the story… as if the plot of a story that is intertwined in almost 30 years of DC history and countless dozens of titles and stories could be considered subjective to “your own personal truth.”

During that same week, another comics podcast – one hosted by Millennials – that we greatly respect did an episode calling The Killing Joke problematic due to its treatment of Barbara Gordon, and arguably overrated and unnecessary.

These attitudes toward The Killing Joke are somewhat understandable, given the concept of “women in refrigerators” that arose in comics fandom in 1999, and the fact that Moore chose to have Joker sexually assault Barbara Gordon in the story. Because of these elements, it’s easy to dismiss the story as dated and problematic… especially if you weren’t alive and actively reading comics in 1988.

Which we were. Which means that we remember that Barbara Gordon wasn’t Batgirl at the time of The Killing Joke. And that The Joker wasn’t really defined as a character at all after Crisis On Infinite Earths until The Killing Joke. And that comics fandom was, at the time, strongly against even Robin, let alone any character from the 1966 Batman television show.

So we decided to, at least up to a point, defend The Killing Joke. Not just from a historical standpoint, but from one of story, questioning whether Barbara was, in fact, fridged in the classic sense… while still agreeing that the sexual assault aspect of the story is completely unnecessary, and asking once question we’ve never seen asked: why didn’t Moore just have Joker kill Barbara?

We also discuss:

  • Escape From New York #15, written by Christopher Sebela with art by Maxim Simic, and
  • Doctor Strange #6, written by Jason Aaron with art by Chris Bachalo!

And, the disclaimers:

  • This show contains spoilers. While we try to shout out warning ahead of time, be aware that we’re going to ruin the ending of a story written 28 years ago that has been referenced in literally hundreds of comic books since then.
  • This show contains adult, profane language, and is therefore not safe for work. If you don’t want your significant other to learn why Alan Moore could have sold a million photocopies of his butt in 1988, get some headphones.

Thanks for listening, suckers!

lucifer_foxWhat with the search for a new Home Office thanks to continual incursions by vermin (It’s like Secret Wars, only with ants!), we’re a little scatterbrained and fried this week, but we don’t let that get in the way of putting together a great show for you! Or at least a show of roughly professional-ish quality!

Disney’s D23 Expo was this weekend, and since Marvel Studios was bough by Chairman Mouse, that means that the first real footage from Captain America: Civil War has been shown. Not released, and not leaked in any fashion we’ve been able to locate, but descriptions abound, so we discuss what we’ve heard, what was announced about Doctor Strange, and whether we will be allowed to openly carry liquor and firearms at the Mos Eisley Cantina Disney will be building at Disneyland.

And while we weren’t able to see the Civil War trailer, we have been able to see the pilot to Fox’s upcoming adaptation of Vertigo Comics’s Lucifer. We are big fans of Mike Carey’s Lucifer series (and Neil Gaiman’s Sandman that introduced the character in that form), so we have strong opinions as to how the original comic series, about a fallen angel exploring what it means to have free will through the creation of literal universes, jibes with this new series about a Devil who solves crimes with a former actress cop.

We also discuss:

  • The Walking Dead #135, written by Robert Kirkman with art by Charlie Adlard, and:
  • Starfire #3, written by Amanda Conner and Jimmy Palmiotti, with art by Emanuela Lupacchino!

And now the disclaimers:

  • We record this show live to tape, with minimal editing. While this might mean a looser comics podcast than you are used to, it also means that anything can happen. Like a sudden tangent over which character in The Strain we want to kill with a pipe wrench (it’s totally Zach).
  • This show contains spoilers. While we try to shout out warnings ahead of time, be forewarned that we will reveal that people talk a lot in The Walking Dead.
  • This show contains adult, profane language, and is therefore not safe for work. Unless you think your employer is interested in the continuity ramifications of perverse Wookie sex, get yourself some headphones.

Thanks for listening, suckers!

avengers_age_of_ultron_movie_logo_1301720927In case you didn’t notice, this week was all about Marvel Studios. They released the extended trailer for Avengers: Age of Ultron on Monday, and Tuesday they announced their Phase Three slate of movies to be released between 2016 and 2019, including Black Panther, Captain Marvel, and Avengers: Infinity War.

So we talk about those things, along with a brief rundown of some of the news coming out of this weekend’s Rhode Island Comic Con (That news being that it was impossible to get in… less in the “I can’t get tickets!” way than in the “I have VIP passes and you’re telling me I can’t enter the building?” way), and an analysis of the greatest living threat to your comic collection: unsupervised little brothers.

And on the actual printed comics front, we talk about:

  • Death of Wolverine: The Logan Legacy #3, written by Kyle Higgins with pencils by Jonathan Marks,
  • Death of Wolverine: Deadpool and Captain America #1, written by Gerry Duggan with pencils by Scott Kolins, and:
  • Thunderbolts #32, written by Ben Acker and Ben Blacker with art by Kim Jacinto!

And here be disclaimers:

  • This show is recorded live to tape. While it might lead to a looser comics podcast than you are normally accustomed to, it also means that anything can happen. Like trying to cast Benedict Cumberbatch as Squirrel Girl.
  • This show contains spoilers. While we try to shout out warnings ahead of time, be aware of it before going in.
  • Amanda and I use adult, profane language, and therefore this show is not safe for work. You want your boss to hear a conversation about whether the final shot of an adult video is better shot in 24 frames per second or 60 frames per second any why? Didn’t think so. Get some headphones.

Enjoy the show, suckers!

tmp_sin_city_a_dame_to_kill_for_teaser_poster_1_2013-1733579567It is the middle of Labor Day weekend, which means that things are slow in the world of comics news, and fast in the world of drinking whiskey to forget you still have a job to go to on Tuesday.

So Amanda and I use this lull to idly speculate who might be a good casting choice for Doctor Strange in the upcoming Phase 3 Marvel movie. And not only that, but we got ourselves out to see the currently-in-theaters Sin City: A Dame To Kill For adaptation of Frank Miller’s hard boiled crime comics… and we had remarkably different reactions to the flick. Specifically regarding Eva Green’s casting as Ava Lord, Eva Green’s ability to portray Ava Lord, and Eva Green’s qualifications as an actress beyond the ability of some of her bodily appendages to defy constant gravitational forces. We also talk about the other parts of the movie.

We also discuss:

  • All-Star Western #34, written by Jimmy Palmiotti and Justin Gray, with art by Darwyn Cooke, and
  • Silver Surfer #5, written by Dan Slott with pencils by Mike Allred!

And now the disclaimers:

  • We record this show live to tape. While this might mean a somewhat looser comics podcast than you are used to, it also means anything can happen. Like discussions about new supervillain Whistle Pig.
  • This show contains spoilers. While we try to shout out warnings before spilling secrets, be on notice that spoilers can happen at any time.
  • Amanda and I use explicit, adult language, and therefore this show is not safe for work. Before listening without headphones, please see the earlier note about the discussion vis a vis Eva Green’s bodily appendages. Get some headphones.

Enjoy the show, suckers!