Harlan Ellison, Angry Man.  Est. 1934

Harlan Ellison, Angry Man. Est. 1934

Somewhat recently, Harlan Ellison and his wife were invited to a dinner with some wealthy muckety-mucks that ended with a screening of the new moving Saving Mr. Banks, the story of how Disney tried for 20 years to turn Mary Poppins into a movie. Author P.L. Travers took significant issue with the way Walt Disney treated her book property and, despite allowing Poppins to be made, would never agree to allow another of her works to be adapted again. Ellison thinks Travers gets the short end of the stick in the movie, much as she did in life by Walt Disney. He has taken to his YouTube channel to speak truth to the Disney “Octopoidal Matrix” which “owns everything in the world that Geico doesn’t”.

I’ve not seen the movie, but Ellison’s rant kind of makes me want to now. He feels that movie is nothing but propaganda that burnishes “Uncle Walt”‘s image and serve as Oscar bait. As an author with quite fervent feelings himself over how his own work is used, he sympathizes with Travers and disapproves of how she comes off in the movie – even going so far as to say that one particular pivotal scene never happened and that half the movie is made up. The movie struck a raw nerve in the man, who has never been shy about speaking his mind on a good day. Check it out after the jump.

A long time ago (sometime around 1986) in a galaxy far, far away (presuming you are reading this from somewhere in Andromeda, and if you are: please send flying cars and jetpacks), Marvel Comics decided, four years after Return of The Jedi had left theaters and with enthusiasm for Star Wars dwindling after years of no word of a fourth movie forthcoming, to stop publishing Star Wars comic books.

A less long time ago (figure around 1991), writer Timothy Zahn published a Star Wars novel named Heir to The Empire, which rumor had it was authorized by George Lucas and reflective of the plots originally planned for the Star Wars Episode VII movie promised to us back around 1980. The book and its sequels were a hit, and revitalized interest in Star Wars for the first time in years. And by the end of that year, we walked into comic stores to find Dark Empire, the first new Star Wars comic book in about five years, written by Tom Veitch and drawn by Cam Kennedy, expanding on Zahn’s work and published by Dark Horse Comics. This began a run of Dark Horse-published Star Wars comics that have spanned two decades, three new Star Wars movies, and, depending on your point of view and impulse control, four to six George Lucas childhood rapes (depending on if you count the non-Genndy Tartakovsky Clone Wars cartoons.

A couple weeks ago, in Los Angeles, Disney bought Lucasfilm. And you might remember that three years ago, Disney bought Marvel Comics. And yet, to this day, Dark Horse publishes several Star Wars comic books (including reprints of many of the old Marvel issues). But hey, that’s okay! What could possibly happen? I mean, look at Star Wars itself! When Senator Palpatine took over the Senate, everything stayed a-ok and the status quo was maintained, right?

Right?

(cue Darth Vader’s Imperial March)

Editor’s Note, 8:45 p.m.: Updated after the jump

We are still without Internet service here at the Crisis On Infinite Midlives Home Office, thanks to that bitch Sandy, so all we can handle today is a brief, quick hit update, sent via my dwindling 4G plan, using my smartphone as a hotspot, hopefully before my cell provider becomes hip to my grievous violation of the terms of service of my contract.

Thankfully, that quick hit is about one of the biggest that could possibly occur in the world of genre geeks.

To wit: reportedly, Disney has bought Lucasfilm from George Lucas for 4.05 billion dollars.

Oh yeah: and Disney has announced they will be releasing a new Star Wars film in 2015.

So what the hell’s going on, George?