Mitch Shelley is a man with a problem. He can’t die. And when he does die, he comes back to life with some sort of freaky power that is related to the way that he died. Now, you might be asking yourself, “Self? How is that a problem? I’m all about things that don’t suck. Freaky powers and immortality don’t suck!” And you might be right, unless you’re Mitch Shelley.
When it comes to creative teams, DC’s New 52 is turning into Thunderdome: 52 teams enter… one team leaves… and if recent DC history’s any guide, that team will be Grant Morrison, an A-list artist to be named later, and a terrifyingly large pile of mescaline.
Last week it was John Rozum walking away from Static Shock, which was a shame because I had some hope for it; sure, the first issue didn’t grab either Amanda or I enough to review it, but Rozum’s responsible for writing 2002’s terrific and woefully underrated Midnight, Mass. from Vertigo, so I was hoping things would improve.
Instead, he chose to leave the title, absolving pretty much all parties involved of any blame by name, then saying with one breath that he was looking forward to doing more books with DC Comics and with the NEXT saying, “…if you are in the position to give me work, please let me know.” Which only tells me that if you want to know what REALLY happened there, you should attend next month’s New York ComicCon and fill that man with bourbon. And then send us an email. And then fill US with bourbon. But I digress.
Yesterday afternoon brought us another man down: Green Arrow writer J. T. Krul announced that he was leaving the book after the third issue:
Ding Dong - Candygram!
Wow! Check out Harley Quinn on the cover of “Suicide Squad” #1! That’s quite a makeover you’ve undergone there, ma’am. Trying something different to regain the Joker’s interest after his disappearance in Detective Comics #1, huh? It’s a good look – and I don’t just mean the multi-tonal hair and the push up, blink-and-you’ll-miss-it bustier (and, just between us girls – how do you keep that on when swinging that sledgehammer? I have a running theory that involves dress tape and transdermal snap implants – am I close?). No, I mean that extra sprinkling of crazy. It looks good on you, and I’m not just saying that because you’re holding a knife. Really.
Over the weekend, the artist on the upcoming DC New 52-renumbered Teen Titans announced that the team will be introducing its first openly gay member in the third issue.
Penciller Brett Booth let the news about new character Bunker, a new character with the power to create brick-shaped force fields that he can form into apparently any shape, slip via the following Twitter exchange with Batgirl writer Gail Simone:
Gail Simone: Tomorrow I am on a panel not listed on the schedule, WHERE ARE THE GAY SUPERHEROES, at 11:00 am, in Mezzanine 1. It’ll be great!
Brett Booth: We got at least one in Teen Titans:)
Gail Simone: Really? Who is the gay superhero in TT? Can you say?
Brett Booth: Bunker is gay (the purple guy, I know, not my first color choice!)
Booth followed up with some more information on his blog, including a character description by Titans writer Scott Lobdell:
His real name is Miguel Jose Barragan. He was raised in a very small Mexican village called El Chilar. He was very loved by his family and the village as well — and they were as accepting of his homosexuality as they were to his super powers when they first manifested. To that end he grew up in an angst-free environment. He was born out of the closet and so he has a very refreshing outlook on life.
You didn’t ask for it. We didn’t want to do it. And yet we own microphones and whiskey, so Crisis On Infinite Midlives is proud to present our the first episode of our podcast: The Sack Of Justice!
EDITOR’S NOTE: You might ask what the title means. It means we had whiskey, and sack is a funny word. Don’t overthink this. God knows we didn’t.
This weeks topics include: the first two weeks of DC’s New 52 (Including Batgirl, Deathstroke, Detective Comics, Red Lanterns, Men At War, and Hipster Douchebag Superman – I mean Action Comics), Ultimate Spider-Man Miles Morales, Williams’ Batwoman and associated Bat Nipples, and Atomic Robo vs. Frankenstein: Agent of S.H.A.D.E. vs Hellboy!
Let’s make this a drinking game: every time you hear us slur or misname a creator, drink! Then by the time this is done, you’ll be as drunk as we were when we recorded this!
Podcast: Play in new window | Download (Duration: 36:52 — 33.8MB)
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I’m guessing that Marvel’s been feeling a little left out by all the publicity surrounding DC Comic’s New 52 and their decision to make all their comics available for digital sale the same day as print, because late Friday afternoon Marvel issued a press release announcing that Ultimate Spider-Man, one of the few comics that Marvel DOES offer for sale the same day as print, had “the best first day of sales for a new release to date!” on their iPhone and iPad apps.
Awesome! How many copies did you sell, writer Brian Michael Bendis?
Nothing frustrates an author more than his work not being able to get into the hands of the people that want it, and now with the Marvel Comics app we can!
Okay… how many people got their hands on it digitally? You: Marvel SVP of Sales David Gabriel – how many?
We’ve been pushing to make Ultimate Comics Spider-Man our top release to date, and the results we’ve seen both here and in print certainly show us that we’re heading in the right direction.
For the love of – Why won’t you just tell us how many digital copies you’re selling, Marvel and DC? What are you so worried about?
Comic Book Resources just published a preview of the upcoming Green Lantern Corps #1, written by Peter Tomasi (Of recent Batman & Robin infamy) and Fernando Pasarin on pencils. As with all DC’s New 52, I can only presume that it’s meant to be a jumping-in point for new readers unfamiliar with Green Lanterns, their background or any of their history. So let’s look at it while pretending to be one of those new readers, shall we?
We start with a man being locked into something called a “sciencell” against his will by uncaring jailors.
EDITOR’S NOTE: This review contains immediate, thoughtless, prejudicial spoilers. It is even possible that the story has already been ruined for you. So you might as well keep reading.
If you’ve been a comic book fon for the past couple of years, particularly if you’ve been one who followed Geoff Johns’s Green Lantern saga from the Sinestro Corps War through the Blackest Night event of 2010, you are going to cream your pants over the first seven pages of Red Lanterns #1. Peter Milligan NAILS everything fun and cool about the Red Lantern Corps, so much so that at one point I stopped what I was doing and I told Amanda, “You know what? Red Lanterns has the opening I’ve liked best of any of DC’s New 52 so far.”
“That’s great, Rob,” she said, “But I’d appreciate it if you’d put the comic book away until after we’re done having sex.”
But I digress… actually, I don’t, because that seven page opener is as much a non-sequiter as the above joke was. It has next to nothing to do with the remainder of the story that follows, and frankly? If you’re one of those ephemeral “new readers” that the New 52 is supposed to be reaching, I’m guessing you’ll quit somewhere during those seven pages and never read the book again.
Because if you don’t already know the characters, their backgrounds and motivations, what you’re seeing as an introduction to the Red Lantern Corps is an angry kitty in a red jumpsuit who bites some space dicks (The aliens in question being dicks, not ACTUAL, dangling space wangs. And the aliens themselves aren’t actually penises, they’re DICKS. Oh, forget it.), and his owner, who appears to be Mike Tyson if he ate too many carrots and tore his own lips off to give his teeth room to reproduce in his own mouth. And you’ll close the book, say something like, “Huh. those comics people DO eat mushrooms,” and go back and read Harry Potter again.
Heidi MacDonald at Comics Beat got her hands on an email from DC Comics saying that some percentage of copies of Green Lantern #1, which came out this past Wednesday, are being recalled for replacement due to a printing error that dropped a big, ugly-looking green loop on the cover, making Sinestro look like he’s rocking a raging dose of Oan Face Herpes:
We’re only halfway into the four-week reveal of DC’s New 52, so it might be a little early to say this about any particular book, but I’ll say it anyway: I firmly believe that Batman & Robin was only released because “New 52” sounds catchier than “New 51”.
This book tries to be all things to everyone who ever read a Batman comic book. And while that might be a noble goal for some marketing drone slavering over the idea of thousands of non-comic geeks stumbling into comic stores to “check out that new blasphemous, hipster douchebag Superman I keep hearing about,” for an actual comic reader, it leads to an uneven, schizophrenic read that can’t seem to decide what it wants to be.
After an introductary action sequence where a new villain, Nobody… no, HE’S Nobody… the name of the bad guy is Nobody… um, third base? Anyway, there’s a new bad guy. Nobody. He’s invisible. Spoilers. Yeah.
The book proper opens with a reproduction of the parlor from Frank Miller’s Batman: Year One where Bruce Wayne told his father’s memory that he would become a bat. Which for a rebooted Batman story isn’t a bad place to start, and God knows that last week’s Detective Comics #1 did itself a solid referencing Miller’s classic look…
And two pages later? Batpoles.
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