On the off chance that Christopher Nolan’s The Dark Knight Rises was too upbeat and happy ending oriented for you, hardcore Batman fans can now look forward to an animated version of Frank Miller’s 1986 classic, The Dark Knight Returns,…if they can overlook Robocop Peter Weller in place of Kevin Conroy as the voice of The Batman.

The animated feature follows the same premise as the graphic novel – a retired Batman coming back to protect Gotham from a brutal gang called The Mutants, who have come into possession of military grade weapons. He takes on a new Robin, a young girl named Carrie Kelly. She will be voiced by Ariel Winter. Harvey Dent/Two-Face (Wade William) and Commissioner Gordon (David Selby) also make appearances.

Check out the trailer after the jump!

On one hand, Green Lantern #11 is an encouraging sign that the book might be returning to its glory days of  the spectacular Blackest Night crossover from a couple years ago… almost literally. We’ve got the return of that crossover’s villain Black Hand, he’s got his Black Lantern ring back and he’s bringing the dead back, getting ready to take over the world again. It’s exciting, even though it’s a story that maybe we’ve seen before.

On the other hand, Green Lantern is a sign that the book might be returning to another story from the past. That story is Army of Darkness.

This issue is very much a transition story, wrapping up the recent origin of the Indigo Tribe while laying the groundwork for the upcoming Third Army event, of which it appears that the returning Black Hand will be a big part of. Sinestro has been released from the thrall of the Indigo Lanterns, which is a shame, since on an infinite timeline we’d have see a lettering mistake having Indigo Sinestro muttering, “Nok. Kok. Nok kok. Kok nok. Kok.” Yes, I am emotionally twelve years old, why do you ask?

EDITOR’S NOTE: Whatever happened to The American Dream? Spoiler alert!

So The Comedian started the Vietnam War. Must be Tuesday.

The Comedian #2 is better than the first issue, but then again, it almost had to be. Seeing writer Brian Azzarello having Eddie Blake simpering around the Kennedys and doing things that blithely and utterly flew in the face of some of Alan Moore’s existing story canon were almost more than this old school Comedian fan could bear. This issue improves on the ruins of the first, by getting The Comedian the fuck away from politicians and into the jungle of pre-Gulf of Tonkin Vietnam, allowing the character to show a little more of the savagery and moral ambiguity that we’d come to expect from the original Watchmen.

Of course, it also include’s Azzarello’s apparent burning compulsion to put The Comedian at the center of every major event in American history that has occurred since 1939.  In the first issue, it was the death of Marilyn Monroe, and here it’s the Ali-Liston fight and the literal beginning of the Vietnam War. If The Comedian hadn’t been killed in the original Watchmen, I’d be afraid that Azzarello would end issue 6 with Blake at the discovery of the Higgs Boson snarling, “You’re turning into a flake, Doc.” Actually, that’s probably a hasty argument; after that first issue, I’m not yet convinced that Azzarello won’t decide that the murder of The Comedian isn’t really Watchmen canon. But I digress.

So now it’s a comic book story: DC Comics and the Batman editorial team have decided to delay this week’s scheduled release of Batman Incorporated #3 due to “content that may be perceived as insensitive in light of recent events.”

Wow, that content must be a pisser. Let’s see what the original issue’s solicitation says about it:

BATMAN, INCORPORATED #3
Written by GRANT MORRISON
Art and cover by CHRIS BURNHAM
Variant cover by JAY FABOK
1:100 B&W Variant cover by CHRIS BURNHAM
On sale JULY 25 • 32 pg, FC, $2.99 US • RATED T
Combo Pack Edition: $3.99
Retailers: This issue will ship with three covers. Please see the order form for more information.
• The DC COMIC – THE NEW 52 debut of…MATCHES MALONE??
• BATMAN is hot on the trail of whoever is trying to kill DAMIAN – and he’s not going to like what he finds!

Okay, with an appearance by Batman’s undercover alter ego Matches Malone, this seems like it’s going to be an organized crime story… which at face value seems pretty innocuous compared to the theater shootings, but on one hand, one could argue that, for the next couple of weeks, any Batman story with a shooting might touch a nerve. Further, since the story is about someone trying to kill Damian Wayne – a ten-year-old kid – seeing a gun on him in the context of the theater shootings might be a little sensitive, whether or not the ten-year-old kid in question is a trained ninja assassin.

Simply put, and without question: Silk Spectre #2 is the best issue of Before Watchmen so far.

It does everything you’d expect from a Watchmen prequel book, particularly one that isn’t endorsed by the original creators: it follows the original book’s visual, nine-panel format, it pays homage to Moore’s original writing style of having the words directly reflect the visuals in the panel, and it expands the Watchmen universe by exploring niche, side subjects that it would never occur to me to wonder about until I saw those explorations here. By mining the original work’s edges while paying tribute to its written and drawn style, it does what a prequel should do: build upon the original without superceding it. It is the first Before Watchmen book that I plainly and simply liked.

Editor’s Note: I acknowledge that these pictures suck. We’ll upgrade our cameras once we receive your subscription check. Oh, you don’t pay for this? Then fuck you and enjoy the pictures you got.

Last year we kind of wandered into the panel for Scott Snyder’s American Vampire, mostly to make sure we’d have a seat for the DC New 52 panel that followed directly afterwards. Don’t get me wrong, we were following American Vampire in kind of a general way, but I had fallen away; the initial hype around one of the early stories being written by Stephen King hadn’t been enough to keep me in the book except in a “flip through when I happened to see it on the shelf” way. The point is that last year, we were able to walk right into Snyder’s panel without having to wait around in a line.

That was 2011. This year, Snyder’s writing Batman, which has consistently been one of the best books of DC’s New 52 and the source of the first post-reboot DC crossover event. So this time around, for the Batman panel yesterday? Yeah, we waited in line.

The Batman panel covered all the Batman family books, from Batman to Red Hood And The Outlaws… meaning walking in Amanda and I steeled ourselves for exciting news running the gamut from Batman’s post-Owls Joker encounter to Starfire’s post-Red Hood stranger’s penis encounter. However, weird former Teen Titan sex revelations or no, Snyder started the panel off with a laugh: “Avengers Vs. X-Men, who wins? Batman.” I hate it when my comic writers are funnier than I am. But I digress.

First of all people of San Diego: it’s a fucking e-cigarette. It emits water vapor. So please stop passive-aggressively giving me shit when I’m using it on a public sidewalk, out of doors and approaching the convention center, by muttering, “Nothing I like better than a faceful of cigarette smoke blowing into my baby’s face…” Let’s clear the air here (ha!): my e-cigarette emits no odor and bothers no one, unlike your little bundle of squalling fecal production. And since my e-cig doesn’t even burn, the San Diego Fire Marshall even considers it less of a fucking fire hazard.

Okay, I feel better now. Now that we’ve got my personal news out of the way, let’s talk about what’s been happening at SDCC 2012 that doesn’t involve self-righteous self-absorbsion.

The actual programming at SDCC started in earnest yesterday, featuring panels on everything from homosexuality in genre fiction to Twilight: Breaking Dawn Part II. (Rob: This may be redundant. Consider editing. -Amanda)

So Preview Night is past us now, and while I know it’s not even theoretically possible that it was busier than last year – after all, Preview Night passes have been selling out since about 2009 – it sure feels like it was. A few years ago it was possible on preview night for someone to, say, get ripped to the tits on Stone Arrogant Bastard IPA for four hours before he doors opened and then cruise around the floor, staging stupid and adolescent photographs with the Jabba The Hutt prop at the Hasbro booth. If you tried that now, you would inevitably stumble into someone waiting in a truly horrific line for an exclusive S.H.I.E.L.D. Helicarrier playset, be unable to convince said line-waiter that you weren’t claim jumping, and wind up instigating a pathetic slapfight.

There is very little convention programming that occurs on Preview Night, so the action is centered on the main convention floor. The night’s original and intended purpose is to allow people who are attending the con to obtain exclusives, or who are looking for some particular, special item, piece of art or back issue, to have access to the vendors early and get the purchase out of the way so they can enjoy the rest of the convention. As such, any actual comic news is few and far between on Preview Night… but there is certainly some, and if there isn’t? There is spectacle.

Editor’s Note: In Crisis On Infinite Midlives, super-heroes are taken from their usual settings and put into strange times and places – some that have existed, and others that can’t, couldn’t or shouldn’t exist. The result is spoilers that make characters who are as familiar as yesterday seem as ruined as, well, yesterday.

I want to start out by stipulating that Batman: Earth One, written by Geoff Johns and drawn by Gary Frank, is a damn fine graphic novel in almost every way. It takes characters and situations from the long history of the world of Batman and re-imagines then in ways that are generally compelling, interesting and ingenious. It adds a real-world feel to Batman that, while robbing the character of some of the most thrilling and stylized elements of the finest Batman tales, also grounds it and makes the stakes for Batman and everyone else in the story feel higher. And interestingly, it provides complete-feeling and satisfying story and character arcs for more than one character… Batman not necessarily being one of them. And the art is realistic and spectacularly detailed, to boot.

With that said, there are two character moments in this graphic novel that I had significant problems with, to the point where I feel that they irretreivably changed the nature of the character. For the better? Fucked if I know. It really depends on how much of a traditionalist you are… or how much you like Spider-Man. But we’ll get to that in a minute.

We’re only about a month into the rollout of Before Watchmen, but I have already learned that, when I open one of these issues, I should expect to experience a strong emotional reaction. Granted, that reaction is normally somewhere in between mild bemusement and screeching pre-psychotic rage, but a reaction nonetheless.

No matter what you think about Before Watchmen as a project, you have to admit that there hasn’t been an issue released so far where you can’t say that the creative team wasn’t swinging for the fences. Sure, Comedian was a hot mess of mischaracterization and plot points that directly conflicted with Moore’s original, and Minutemen seemed to think that Hooded Justice, a former circus strongman, had Moves Like Jagger If Jagger Studied Ninjitsu With Bruce Lee, but there was never any doubt that Azzarello, Cooke and the rest weren’t trying their damnedest to add something substantial to the Watchmen mythos… even if what they’re adding at best isn’t what anyone asked for, and at worst isn’t what anyone ever wanted. You gotta admit they’re trying to bring something new to the party.

At least, you had to admit that. Because this week brings us Ozymandias #1, written by Len Wein with art by Jae Lee. And it is the first Before Watchmen comic that adds literally almost nothing to the story and character that came before. This book almost exclusively reiterates character and story beats directly from the original Watchmen story, giving us very little beyond them… but to be fair, it does provide a bit of additional character illumination and story extension. Unfortunately, the character that is illuminated is Ralphie, and the story it extends is A Christmas Story.