Alternate Realities: Unused Animatics From Iron Man 3, The Avengers Released

Here’s the thing about making movies: there isn’t a screenplay out there that doesn’t go through a half a dozen revisions and rewrites before they get locked down. Sometimes they’re not locked until after principal photography begins.

Which is all well and good for some indie flick made on a Flip Cam, but when it comes to big special effects extravaganzas, the visual effects guys can’t wait for the Suits in Corporate to get tired of giving notes like, “More edgy,” and “Can we get anyone on the planet other than Edward Norton?” They need to start planning stuff out quick, usual with animatics: little flipbook animations of the SFX sequences, done in varying degrees of detail, to give a movie storyboard of what the finished effects shots are gonna look like. And if they do an animatic for a sequence that winds up getting cut or altered? Well, that’s tough luck, Charlie; go to whatever bar Edward Norton’s drinking his sorrows away in so you can whimper to someone who gives a fuck.

But those animatics don’t just disappear… and sometimes, they make their way onto the Internet. Case in point: animator Federico D’Alessandro, who has done work on more than a dozen movies – including, most pertinent to readers of this site, every Marvel Studios movie since Thor, did a bunch of animatics of scenes from Iron Man 3 and The Avengers that didn’t make the final movie… and some of those animatics have made their way to the Web.

Now, I’ve seen plenty of animatics that are, at best, mild curiosities showing only some raw visuals. But these, however, are a little different. All of them include background music and sound effects, some of them have dialogue subtitles laid in, and all of them are just damn cool to watch, to get a sense of what we might have gotten from those two movies… including if The Wasp were part of The Avengers. And you can check them out after the jump.

New Sneak Peek Of AMC’s The Walking Dead

If you are as irritated as I am that Robert Kirkman’s comic book, The Walking Dead, has been moving at a snail’s pace over the Big Bad Negan arc and long for Rick to man up and finally put that fucker down and let the characters and the readers get on with their lives then, well, I can’t help you. However, you may rejoice in a couple of things:

1. In the last issue, Andrea stepped up and reminded readers why the version of her in the comic book is a far more superior, kick ass lady than viewers that have been only watching the TV show will ever know. I really wish this version is the one that folks watching the show could have gotten to know and I’m hoping she does something awful to Negan in the next issue or so.

2. In the TV version of The Walking Dead, Andrea died. So, we won’t have to put up with her mewling, weak ass, suck-up-to-anyone-who-looks-like-they-might-have-an-iota-of-power shit anymore.

3. The TV version did keep Michonne, introduced this past season, just as bad ass as she is in the comic book and she’s back next season. And next season starts soon. Very soon. Yay!

Check out a sneak peek of Michonne in action, after the jump.

Equitable Man Ass: Tony Daniel Sells Superman / Wonder Woman Badly At Toronto Fan Fest

Jesus Yammering Christ, is this what were reduced to now? Not just chasing that screeching tween Twilight dollar, but doing it hamfistedly and just fucking wrong?

All right, hold on; let me explain.

The Toronto Fan Expo was held this weekend. We did not attend this convention because we are still paying off our visits to the San Diego and Boston comic conventions (and are getting ready to pay our deposit for our emergency backup room for next year’s SDCC which, yes, we have already made reservations for), and because the nation of Canada has, based on a 1991 visit I made to Montreal, decided that my presence is so detrimental to their culture that even my American dollars don’t make up for it.

However, DC Comics was there, and as they do in most bigger conventions, they held a DC All Access panel to discuss upcoming books, such as Superman / Wonder Woman, written by Charles Soule with art by Tony Daniel and scheduled for a first issue release on October 9th. And Daniel was on that panel, and he addressed the impetus behind building a title around these two characters, who are two-thirds of a trinity of legendary characters created by DC.

And yeah: it turns out that that impetus wasn’t to tell legendary action stories. It apparently was to attract 11-year-old screechy girls and their sweet, sweet fistfuls of daddy’s cash.

Old Gods In The Machine, or: Because, MAGIC!: Justice League Dark #23 Review

Comic crossover events are built on a tight timeline. Because of all the various comic titles that are involved in any big event, everything needs to go off like clockwork. Because when it doesn’t, it throws all the other titles involved into a scheduling nightmare, and that could really fuck up their ability to tell a coherent story… not to mention fuck up their ability to get their shit together in time for the next event story that is inevitably hammering down the pike.

So sometimes an issue needs to move a lot of plot and characters around quickly, to make sure everything is in place for the next issue in the story pipeline. And Justice League Dark #23, the penultimate chapter of DC’s Trinity War crossover, is one of those books. Writer Jeff Lemire and artist Mikel Janin have just 24 pages to get characters from the House of Mystery, Washington D. C., New York City and other parts unknown all together to deal with Pandora’s Box and face down whoever the dapper gentleman running the Secret Society happens to be, all so the players and pieces are in place for the finale in next week’s Justice League.

The good news is that they do it with a fair amount of action, pitting heavy hitters against lower-level heroes, with everyone in sight being affected by the corrupting influence of Pandora’s Box. The bad news is that they make a lot of these moves based on forced coincidences, characters popping up from out of nowhere at just the right time, and a serious over-reliance on Zatanna and her backwards Pig Latin magic.

The result is an exciting story, but as befitting a story with magic at its core, one where you can see The Man Behind The Curtain. Characters don’t move in this comic. They are pushed.

Brain Bleach: Kenneth Rocafort Ruins Lobo

Take a good long look at the picture of the Main Man, Lobo, over there to the left. Drink it in, because the artist who teamed up with Scott Lobdell to help ruin the launch of Red Hood And The Outlaws in DC’s new 52 is at it again. Cheesecake master extraordinaire Kenneth Rocafort has redesigned indestructible space antihero Lobo for Marguerite Bennett’s take on the character in upcoming Justice League #23.2: Lobo. Gone will be the over muscled, heavy metal biker look that has been the character’s hallmark for decades. Instead, Rocafort will be giving us an athletic-looking, sanitized Lobo with the vapid features of a plastic surgery victim. Indeed, Lobo seems to be getting the full PG-13 makeover, as was similarly inflicted on John Constantine with the demise of Hellblazer. Huzzah for mediocrity! Check it out, after the jump.

Since Then, I’ve Spent Most Of My Time Chasing Superman. So To Speak: Ben Affleck Cast As Batman In Zack Snyder’s Batman Vs. Superman Movie

Christ, you go out to dinner late on a single, solitary Thursday evening, and what do you miss…

Ending weeks of speculation, Ben Affleck has been set to star as Batman, a.k.a. Bruce Wayne. Affleck and filmmaker Zack Snyder will create an entirely new incarnation of the character in Snyder’s as-yet-untitled project—bringing Batman and Superman together for the first time on the big screen and continuing the director’s vision of their universe, which he established in “Man of Steel.” The announcement was made today by Greg Silverman, President, Creative Development and Worldwide Production, and Sue Kroll, President, Worldwide Marketing and International Distribution, Warner Bros. Pictures.

The studio has slated the film to open worldwide on July 17, 2015.

Okay, let’s all get our, “Oh Jesus, Affleck was in Gigli / Saving Christmas / Sum of All Fears / Jennifer Lopez!” panic out of our system. Feel better? Now settle down, huddle up, fetch your old Uncle Rob some more bourbon, and listen up: this is not bad news.

Internal Nerd Rage: Joss Whedon Speaks Ill Of The Empire Strikes Back

Not a lot of time here today at the Crisis On Infinite Midlives Home Office, but this little tidbit caught my eye: Joss Whedon just did an extended interview with Entertainment Weekly, which is in this week’s issue. But the magazine released a couple of quotes to tease readers into picking up the issue, and only one of those quotes was enough to send half of geek fandom into a seething frenzy of hatred!

Specifically, Whedon discusses his feelings about The Empire Strikes Back, the Star Wars movie widely held to be the best of six movies and variety of television specials to date (although I have a special place in my heart for The Star Wars Holiday Special. Because the last time I saw it was in college, on grainy VHS, while I was hammered).

And amazingly, coming from the man who clearly loved Han Solo enough to basically create a television series and major motion picture based on a suspiciously similar character, those feelings are somewhat negative.

Empire committed the cardinal sin of not actually ending… which at the time I was appalled by and I still think it was a terrible idea.

Yeah, I hate it when movie franchises don’t have an ending. That’s why I’m so glad that they ended the Alien franchise after James Cameron’s Aliens! Yup, just the two movies. That’s how I remember it. There certainly was no attempt to lure fans back to the theaters with some twisted tale about cloning Ripley!

…yeah, sorry. Lot of caffeine today. What’re you driving at, Joss?

Boy’s (Super) Life: Nova #7 Review

There are bigger comic books this week than Nova #7, written by Zeb Wells with art by Paco Medina, but you’re not gonna find too many that are more fun. Not in the sense that there’s a lot of big action or spectacular demolition or exciting team-ups (although we see Nova meet Spider-Man, which was a nice bit of nostalgia for a guy who fondly remembers the original Nova’s first crossover with Spider-Man back in 1977 – to this day, I remember the reveal that the murder victim fingered his killer from beyond the grave by tearing out the last pages of a calendar to spell JASOND), but in the sense that the issue asks the question: if you were a teenager from the sticks who had powers and you wanted to become a superhero… how exactly would you go about it?

I mean, I’m an adult who lives in a major American city, who has been known to drink heavy in questionable bars, and I can count the number of actual crimes I’ve personally witnessed in the last decade on one hand. The last house fire I saw was a rural chimney fire I saw right around when I was reading that 1977 Nova / Spider-Man crossover (despite all of my friends’ predictions that I would eventually see a house fire thanks to years of reckless chain smoking while drinking whiskey), and I see my high-speed police chases on TruTV at 2 a.m., the way God intended. Even if I had the power of Superman, I wouldn’t know where to find a crime to fight if I had to, and I’m someone old enough to know what a Bearcat Scanner is and what it’s for.

So what would you do if you were a 15-year-old from the middle of nowhere, imbued with the power of a cosmic hero, looking to make himself a superhero?

And the answer is: apparently, fuck up all over the place.

DC Nation Cartoon Shorts – Shade The Changing Man

While I am beginning to warm up to Beware The Batman – its storylines are interesting, but I still haven’t bought into the oddly designed CGI animation – and I will simply never come around on Teen Titans Go!, I find that the best parts of the DC Nation cartoon block are the animated shorts. Recently, DC Nation has been uploading many of these shorts, including the three part 70s styled Wonder Woman piece that recently aired on Cartoon Network. One piece that hasn’t made it onto the DC site yet, but according to Bleeding Cool, has found its way onto the DC Nation YouTube Channel is this cool short of Shade The Changing Man. It’s another stylized piece, but the psychedelic overtones fit nicely with the idea of a character who fights against the constant tide of madness (per Peter Milligan’s interpretation of him for Vertigo). Enjoy!

DC Nation shorts air every Saturday morning as part of the DC Nation programming block on Cartoon Network.

Jumping The Zombie, or: The Literal Ghost In The Machine: True Blood, Season Six Finale Review

Editor’s Note: I wanna do real bad spoilers to you…

About two-thirds of the way through the sixth season finale of True Blood, Amanda asked me what I thought the Big Bad for next year’s season seven would be. “We haven’t see zombies yet,” Amanda said sarcastically.

“Oh, it’s zombies,” I said. “They’re talking about gangs of vampires loaded up with Hepatitis V, mindlessly picking off the entire populations of small towns? They can call them anything they want, but that’s zombies.”

“Jesus… there are literal volumes and volumes of monsters they could choose from and they had to ape The Walking Dead? I mean, if they wanted to go with a George Romero riff, they could go with some poor deluded fucker like Martin, but they gotta go with zombies? What does that mean?”

“It means that they are out of ideas.”