I’m gonna keep this short, because it has been one of those weeks. You know the kind of week I’m talking about: the kind that starts with little sleep and not enough help where and when you need it, slides happily into unexpected time sinks that force all your personal schedules into disarray, and moves seamlessly into professional disappointment and disillusionment, leading only to the urge to kill it with fire, or at least fireball shots.

But here’s the thing about even the busiest, most infuriating and disappointing weeks: they have a Wednesday. And Wednesday means new comics. Which means that this…

new_comics_6_4_2014

…means the end of our broadcast day.

But there are some cool comics there that should distract us from the irritations of our day-to-day lives. The one we’re most excited about is Big Trouble In Little China, written by the movie’s director John Carpenter and The Goon‘s Eric Powell,since Amanda and I are big fans of the movie (I am the only person I know who saw it in the theater), and seeing a continuation through Powell’s eyes? Yeah – we’re in.

But there is also the third issue of Jason Aaron’s Original Sin crossover, a new issue of Warren Ellis’s and Declan Shavey’s Moon Knight, the first issue of Kevin Smith’s Batman ’66 Meet’s The Green Hornet (and, if history is any guide, the next issue will appear in July. July, 2016), and a bunch of other cool stuff!

But you know how it is: before we can talk about any of them (and at this point, yes, that talking will likely be literal, in our podcast), we need time to read them. So until then…

…see you tomorrow, suckers!

 

So Marvel  Studios has spent a week and a half dealing with the aftermath of Edgar Wright leaving as director of Ant-Man with just over a year to go before the thing opens in theaters. And some of that dealing has been frantically trying to line up a new director for the project before someone gets the genius idea to start lobbying the masses to begin shipping crates of Cornetto ice cream cones to Kevin Feige… but so far, that hasn’t gone so well.

So what do you do if you’ve got a public relations mess, that you can’t solve right away, about a movie currently in production? Well, how about you make a snap announcement about a long-rumored future movie that isn’t currently in production?

To wit:

It is one of those days, those days that seem to happen more and more often recently, where life has gotten in the way and we don’t have a lot of time to write about damn near anything today.

So we are going to take the last hour or so of the day to finish messing with the ID3 tags on our existing podcasts to make them ready for listing in iTunes. Yes, I know that we said we would be ready for Prime Time last week, but we are drinkers. We should not be trusted.

We will return to our regularly scheduled programming shortly.

tmp_ant-man_movie_logo871384253It’s Sunday, so it’s time for another Crisis On Infinite Midlives Show! May God have mercy upon your soul!

It has been a big, weird week for Marvel, both the movie studio and the comic publisher, so we talk about:

  • Edgar Wright’s departure from the Ant-Man movie, who might be a good choice from the directors who have been named as probable replacements, and who would actually be a good replacement
  • The rumor (a rumor that is picking up some partial documentation and some steam) that Marvel might cancel Fantastic Four to spite Fox Studios efforts to promote the latest movie adaptation
  • The concept that Marvel and DC might just be intellectual property farms for movies and TV, the deleterious effect that that could have on comics, and what, if anything, comics fans can do about it (spoiler alert: not much)
  • Fantastic Four #5, written by James Robinson with art by Leonard Kirk
  • Trees #1, written by Warren Ellis with art by Jason Howard

And, the usual legalese:

  • This show was recorded live to tape, which means you might hear more weird pauses, aborted jokes, and jokes about abortion than you might hear on your normal podcast
  • This show contains spoilers. We try to warn ahead of time, but there is every chance you will hear the odd spoiler of a story point or nine. What can I say? We ruin stuff.
  • This show contains adult, explicit language, and is not safe for work. Invest in some headphones, even if they must be those awful Beats By Dre monstrosities.

Enjoy the show, suckers!

AMWell, as quickly as rumors that Anchorman‘s Adam McKay was to step in to direct Ant-Man, they have just as quickly been put to sleep. McKay is said to have made the decision alone and claims that it is because he is already committed to other projects.

Certainly, not because it has the stench of death upon it. Nope.

Meanwhile, this leaves Ruben Fleischer and Rawson Marshall Thurber in the running for the position. Fleischer is known for Zombieland…but, also, Gangster Squad. Thurber is known for Dodgeball: A True Underdog Story…but, also, We’re The Millers.

tmp_x_men_days_of_future_past_xavier_poster-957498686There’s an Internet service provider truck out in front of the Crisis On Infinite Midlives Home Office, which means we have at least intermittent Internet service this morning. Serves us right for setting up shop in a neighborhood where local entrepreneurs advertise their wares by chucking Air Jordans at the utility lines.

So with potentially limited time available on the wire today, we wanted to at least share this: there’s a dude who watched X-Men: Days of Future Past and took note and found video for almost all of the Easter Eggs and references to the original comics in the flick. He caught a couple that even Amanda and I missed (Hell, I forgot Spike even existed, and I loved Peter Milligan’s and Mike Allred’s X-Statix back in the day), and it’s a reasonably entertaining way to kill six minutes of a Friday while you wait for Beer O’Clock and / or for your Internet service to become reliable.

I’ve dropped the video after the jump. Now if you’ll excuse me, I think I’ll see what new wares my enterprising neighbors might have for the weekend.

We are having network and Internet issues tonight, and are thus posting this via a very limited mobile device.

The issue has been reported to our Internet service provider, and we should return to our regularly scheduled programming tomorrow.

Did you ever have one of those days? I was awakened at 5 a.m. by a kitten who has discovered the joys of a freeze-dried raw meat diet (and its ensuing energy burst) snuffling at my face to see if it contained any of the previously-mentioned freeze-dried raw meat. I then spent an hour playing with the cat to dissipate enough of his energy to prevent him from destroying everything I love. After that, I spent a while tweaking old podcast files to include the metadata that iTunes needs to be useful… while the cat burst around the room knocking comic books to the floor. I then went to the day job, stopped at the comic store, and then have been messing around to add new monitors to the podcast studio… while the cat chirped at me and ate the monitors’ shipping box, guaranteeing that I would work harder to get them to work, since I couldn’t send them back now.

As we speak, I am staring at this mostly empty page, trying to figure out what to write, while a two-week old episode of The Daily Show plays on the big screen, showing me a late middle aged Debbie Harry warbling One Way Or Another. Seeing this vision after working on a niche broadcasting studio while an animal hisses at me make me feel like I fell into Videodrome sometime in 1984 and just awoke to be accosted by a wild beast with a newly-discovered taste for raw flesh.

So it has been a weird one, but if you noticed, there was a visit to the new comic store in there, which means that this…

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…means the end of our broadcast day.

But there are some good books in this week’s take. There are a couple of new ancillary chapters of Original Sin, a new episode of Batman: Zero Year, one of the last few issues of All-Star Western, and a bunch of other cool stuff.

But you know how things are: before we can even think about talking about any of them, we need time to read them, and to ascend to the next level and leave the old flesh. So until that time…

…I’ll be the video word made flesh with you tomorrow, suckers!

graphicly-logoSo a couple years ago, we reported that Graphic.ly, one of the early digital comics retailers, was shutting down its retail store and closing up its app to new customers. And at the time, we worried, even though Graphic.ly had announced that you could still get your books through their app (provided you already had it, since the instant they announced the closing of their digital retail store, they pulled their app off of Apple and Android), that the day would come when Graphic.ly shut down their servers and you might lose access to the books that you paid for.

But hey, that all happened two years ago! Nothing could possibly change the status quo for the books you bought, right?

Right?

Blurb, which lets authors self-publish and print their books, is buying Graphicly, a platform that lets authors publish and distribute e-books, with a specific focus on image-heavy content like comics and photography…

This is an acquihire [sp], with the six employees who formed Graphicly joining Blurb. As part of that process, Graphicly will be shutting down in the next 30 days.

Dammit.

CrisisOnInfiniteMidlivesPodcastLogoIt is Monday of the long American Memorial Day holiday, which means two things:

  1. We are hung over, and:
  2. There is fuck-all going on in the world of comics news.

Sure, there’s the report that Edgar Wright Tweeted and then deleted a picture of Buster Keaton with a Cornetto ice cream cone, with the implication being that Wright sees himself as a version of Keaton, who supposedly always regretted aligning himself with a major studio… but that’s an interpretation and besides, I didn’t see the original Tweet, so what the hell do I know?

And sure, we could report on X-Men: Days of Future Past making something like a third of a billion dollars in worldwide box office this weekend, pretty much guaranteeing that director Bryan Singer will probably be okayed to direct the already greenlit X-Men: Apocalypse sequel if he wants to (and he’s not in jail for some reason, but there’s not a lot of detail beyond that to talk about unless we want to do a bunch of math with the returns from the other X-Men movies, and did we mention that we were hung over?

So instead, we spent the day doing a bunch of research and scut work under the hood in a effort to get our little podcast ready for a bigger audience (if we can trick one into listening, that is). We’ve been doing incremental upgrades of our recording studio equipment over the past couple of months – upgrades that are still ongoing – but we figured we’re in enough of a groove to start exposing to the show to a wider audience.

To start with, that means iTunes, where we will hopefully be available for subscription later on this week. Once we have the details on how to subscribe through that service, we’ll let you know. But in the meantime, you can subscribe to the show directly via our new podcast dedicated RSS feed.

If there’s another service with which you subscribe to podcasts, let us know and we’ll look into it. In the meantime, keep an eye on iTunes for the logo at the top right. *

* Of course, if someone with a graphics design background more extensive than my personal, “I don’t crash Photoshop every time I open it” experience wanted to throw us a freebie logo, I wouldn’t turn it down…