We are traveling today for the purposes of recording a new episode of the Crisis On Infinite Midlives Podcast, so we will be dark most of the day.

We will return to our regularly scheduled programming tomorrow.

superman_vs_captain_marvel_JLA_137_coverWe don’t have a lot of time this evening – we are preparing to, for the first time, take the podcast out of the studio and on the road to have a couple of guest hosts, which requires the testing of a bunch of new portable equipment and packing it up – but this seemed like a thing we should mention, even if it turns out to be a rumor.

Apparently Hollywood gossip reporter Niki Finke is claiming to have obtained the release schedule for the next several years of DC live action superhero movies, including and beyond Batman V Superman: Dawn of Justice. This schedule was reportedly meant to be announced at this year’s San Diego Comic-Con in about five weeks – and we might hear something different from DC / Warner Bros. then – but supposedly, here is the schedule of DC Universe movies coming out between now and 2018… and there are one hell of a lot of them.

frank_miller_headshotFrank Miller was behind a computer keyboard yesterday. Someone made a terrible, terrible mistake.

Here’s what I’m talking about: the last time Frank sat down specifically to publish something he thought on the Internet, it was to post a diatribe about the Occupy Wall Street kids who were, at the time, camping out in public parks around the United States. Frank spent a few hundred words and a couple of amateurish “bowel movement” jokes comparing these neo-rich-kid-hippies with Al-Queda, which not only sounded like unnecessary histrionics, but really kinda ridiculous. After all, most world-class terrorist organizations ask their collaborators to have a useful skill. You know, beyond drum circles. But I digress.

Anyway, Frank’s public presence since 2011 has been comprised of that blog post and his original graphic novel Holy Terror, which was a Batman story that DC Comics refused to publish. You know, the same DC Comics that published Kevin Smith’s The Widening Gyre, where Smith retconned Batman to have pissed his pants during his first confrontation with the mob in Batman: Year One, written by… some guy who I can’t remember. I remember he was a good writer at the time, though.

So this is the first time in almost three years Frank has put himself out for Internet scrutiny, and I have to give him credit for doing it in a Reddit Ask Me Anything, where Miller has to boldly face questions like:

[–]metsbnl 133 points

What do you think of DC’s decision to reject publishing Holy Terror?

[–]Izawwlgood 348 points

And as a follow up; what in the fuck were you thinking?

and:

[–]ThrillhausVanHouten 148 points

How do you respond to critics who say your work is sexist and shows you only posses the crudest possible understanding of women?

[–]Psyladine 136 points

What are you talking about? His female characters have great variety, they run the gamut from Madonna to Whore.

and then had the courage to, well, ignore those question in favor of ones asking what superheroes he might still like to write.

Hi folks,

So, funny story, we went to our local comic book store, as we do every Wednesday. The extremely helpful staff, who know us by name and ask us not to frighten the “norms” that have popped in with increased regularity since Winter Soldier became more than a euphemism for a frigid play date, gave us our books and sent us on our merry way. We stopped into the bar…and that’s where I consumed a bottle of something red and, upon emerging into Twilight (the transitive daylight state, not the shitty movie), forgot half our take on a hanger under said bar. My take involved something involving Batgirl 30 and Superman/Wonder Woman…some number. They both have the cool retro covers that DC wants to make a thing for publicity. I also got the new issue of Deadpool, which involves the “Original Sin” storyline and has Dazzler on the cover. I have no idea what its about but, 8 out of 10 – cover has Dazzler, will reach for again Marvel.

Rob has been dispatched to the bar to rectify my inebriated wrongs.

However, Rob, being more accustomed to remembering what to keep track of in the bar – seriously, I usually just look out for me and roofies – brought his stash safely home. So, even if he is not successful on my behalf, that means that we have things to read this week. Behold:

Like tears...in...rain...

Like tears…in…rain…

Campers, you know this means the end of of our broadcast day.

And, what made it home? Kieron Gillen’s Uber #14. The Amazing Spider-Man “Learning To Crawl” #1.2 by Dan Slott. Dead Letters by Christopher Sebela. Are you reading Dead Letters? You should totally be reading Dead Letters. Anyway, those books and more as you can see from my blurry cell phone photo, which totally had nothing to do with my hands shaking or anything.

You all know the drill: before we can talk about them, we have to read them. Which means that this is the end of our broadcast day.

Tune in later this week for our thoughts.

They may even be coherent.

tmp_daredevil_born_again_splash-1167887761It has been really easy to crap on Marvel Studios recently for their botched handling of Ant-Man in the aftermath of original director Edgar Wright leaving that project a couple of weeks ago. In fact, it’s been so easy that it can be easy to forget that the way Marvel Studios got themselves into a position where they have a multi-billion dollar intellectual property empire to defend: by poring over the remains of Jack Kirby’s life’s work without having to pay his estate a plugged nickel!

Whoops! I meant that Marvel Studios originally got to where they are by generally hiring top shelf, yet often unexpected, talent to work on their projects. For example, it’s easy to forget in 2014 that, back in 2007, Robert Downey Jr. was best remembered by the general public as being a drugsucking multiple felon whose most recent on-screen triumph was a comeback on Ally McBeal, from which he had been fired for getting arrested for the fourth time. However, somebody at Marvel Studios remembered that the guy also had been nominated for Academy Awards and Golden Globes, so we all wound up with a compelling dude to play Iron Man.

Well, Marvel Studios is still working that way, at least when it comes to the talent they put in front of the camera. In addition to their slate of movies, they are working on a few TV series that are scheduled to premiere on Netflix in 2015, including Daredevil. Now a couple of weeks ago, they announced that they’d cast Charlie Cox as Matt Murdock (to which we responded by exclaiming a resounding, “who?”), but today they made another announcement. They’ve cast their Wilson Fisk. And it’s a choice that made me a little more excited for this show.

constantine_matt_ryanWith all the weird publicity surrounding Marvel Studios’ Ant-Man (including the recent comment by Michael Douglas, who’s playing Hank Pym, that he is “very disappointed” that Edgar Wright left the project), it’s easy to forget that there are other filmed adaptations that aren’t quite as… embattled? Struggling? Fucked?

Case in point: DC / Vertigo’s Constantine is still scheduled to start on October 24th on NBC, and a new trailer for the show has been released. It doesn’t show a ton of new stuff, but it features a couple of new visuals that DC and John Constantine fans are likely to enjoy, including John drinking beer (twice!), and the helmet of a certain doctor that might indicate the show’s relationship with the greater DC Universe… although since the show will be on NBC while Arrow and The Flash are on The WB and Gotham is on Fox, the chances of any kind of crossover seems minimal. With that said: Law And Order: Special Victims Unit is still on NBC, which means that John Constantine could, theoretically, meet John Munch, which would place Constantine in the same universe as Fox Mulder, thus causing the universe to explode.

But one thing missing from this trailer, same as all the other trailers? A fucking cigarette. The character caused a child’s soul to be ripped into hell, but the problem is that he likes cigarettes? Let the evil prick have a Silk Cut, for God’s sake! Because it’s all fun and games until some kid with pristine, pink lungs gets picked up for sacrificing some orphan to Ba’al.

Ah, well. You can check the newest trailer out after the jump.

twilight_ruined_comic_conIt is Sunday, which means another episode of the Crisis On Infinite Midlives Podcast! This one recorded after the depths of a sugar coma!

In this episode, we discuss:

  • The recent Slate article by Ruth Graham condemning young adult literature as being something adults should be ashamed to read… and which pretty much out-and-out condemns genre YA fiction as “transparently trashy stuff”
    • During the conversation, we reference a novel called Submergence, by J. M. Ledgard
    • Further during the conversation, I maintain that David Foster Wallace’s Infinite Jest is a genre sci-fi novel. This may anger those who like to haul their copies around college coffee houses in an effort to look smart and try to score coed tail, but I am not the only one who thinks so.
  • MTV’s announcement of the MTVu Fan Awards during the 2014 San Diego Comic-Con, MTV’s genre and comics cred (which they utterly ignore in the announcement of said event), and whether Linkin Park is the right band to play SDCC when Anthrax (who did a song about Judge Dredd) will be right around the corner
  • Original Sin #3, written by Jason Aaron with art by Mike Deodato, and
  • Big Trouble In Little China #1, written by The Goon‘s Eric Powell with art by Brian Churilla!

And, as usual, our disclaimers:

  • This show is recorded live to tape with no editing, and as such may contain more pregnant pauses, looping logic, repeated assertions, and references to “Diarrhea Island” than you are accustomed to in a comics / pop culture podcast
  • This show contains spoilers. We make an effort to announce them ahead of time, but as to whether we are successful, well, see the point about “no editing.” Be particularly careful when it comes to our discussion of Original Sin #3.
  • This show contains adult, profane language, and is not safe for work. While I might personally think Beats By Dre are an abominable waste of money, I will ignore their use in the listening of this show.

Enjoy the show, suckers!

tmp_ant-man_movie_logo871384253It has been a bloody couple of weeks following the announcement that Edgar Wright had walked away as director of Marvel Studios’ Ant-Man movie, with rumor after rumor of proposed replacement directors on the project. First it was Adam McKay of Anchorman, who announced he wasn’t gonna take the gig almost as soon as his name was floated to the press. Then there was Ruben Fleischer (who directed Zombieland) and Rawson Marshall Thurber (who directed We’re The Millers), but Thurber noped out of the job a couple days ago, while in the meantime Paul Rudd has presumably been at some undisclosed location, lifting weights and eating skinless chicken and steamed broccoli, and possibly wondering if he can use his new superhero physique to beat his fucking agent into oblivion.

But as of today, Marvel Studios’ (if not our) long national nightmare is over, because they have officially announced that Peyton Reed will be directing the movie. To which we, and I presume much of fandom in general, gave a loud and resounding… “who?”

LP So, MTV has decided that it needs to up its presence at Comic-Con. This year it will hold something called the mtvU Fandom Awards and a MTV Fan Fest. Here, let them tell you about it:

Grammy-winning rock band Linkin Park will headline the first ever mtvU Fandom Awards and MTV Fan Fest, both of which will be held on Thursday, July 24, at Petco Park during San Diego’s Comic-Con. Then on Sunday, July 27, at 8 p.m., on the final day of Comic-Con, MTV and mtvU will air the 60-minute mtvU Fandom Awards special, showcasing the musical performances from the Linkin Park-headlined show, and honoring all of the fans whose passion have swept across the globe, stemming out of Comic-COn.

“The mtvU Fandom Awards will reinvent the traditional award show format,” says executive producer Ryan Kroft. “In addition to handing out trophies, we will recognize the achievements of fans and their favorite obsessions with special surprises and experiences. It’s the perfect event to reward the fans at Comic-Con, the epicenter of all fandoms.”

Yes, because when I think of nerd fandoms, so often my mind immediately turns to MTV…and Linkin Park. Not.

It seems between this and Zachary Levi’s Nerd HQ, which we talked about here, Petco’s going to be hopping for the duration of the convention.

guardians_of_the_galaxy_3_coverI was originally gonna write another story about the trials and tribulations of the Ant-Man movie since Edgar Wright has abdicated on directing the film, but there’s still nothing but rumors.

One of those rumors is that, since Rawson Thurber and Adam McKay have passed on the project, Marvel Studios has approached Nicholas Stoller and Michael Dowse to take over the movie. Dowse we can kinda get behind, since he directed Goon which was actually pretty funny and featured one of the guys who played Sabretooth, so there’s a least a glimmer of hope that he can handle a superhero flick. Stoller, the director of the recent Seth Rogan movie Neighbors,  is also attached to a superhero movie… unfortunately, it is as the writer of Captain Underpants. I have less hope for that choice.

Regardless, every day that goes by makes Ant-Man look more and more The Island of Misfit Career Choices, so I don’t want to spend a lot of time wondering who is gonna direct the movie when the more pertinent question is who the hell will want to watch it.

Instead, here is a new TV spot for a Marvel Studios movie where they made an unorthodox directorial choice, stuck with it, and wound up with a movie that looks better than the unknown source material would lead one to believe. That movie is Guardians of The Galaxy, directed by Slither and Super director James Gunn, and you can check the latest TV spot for that movie, featuring actual dialogue from Rocket Raccoon, after the jump.

Enjoy it, while Marvel Studios tries to find someone to direct a movie about a character that exactly two people care about: departed director Edgar Wright, and Stan Lee, who stands to make a million bucks if he can get just one more person to give a fuck about Hank Pym.