A fabulously charming, billionaire, genius playboy walks into a bar with a hot air-headed blonde and a cold drink. The playboy says, “I have a lust for life that, when viewed from a distance is almost indistinguishable from a death wish.” The punchline? The cold drink is water because the playboy is an alcoholic, so he has to tolerate the blonde while sober. Also: the scene is drawn by Greg Land.

Iron Man #1 is written by Kieron Gillen. He is a man who knows his way around a solid, nuanced story, as anyone who has his recent work on Journey Into Mystery can attest. However, Iron Man #1 – titled “Demons And Genies”- appears to be, at the outset, more concerned with reestablishing plot points from earlier stories, such as “Demon In A Bottle” and “Extremis”, than breaking any new ground. So, yup – not a reboot. If anything, it’s taking Warren Ellis’s “Extremis” story and reminding the readers, “Hey, remember when storylines were fresh, new, and exciting? This isn’t one of those times. But don’t sweat it reader! We’ve got an app to fix that. Just view the selected panels through your smartphone using our Augmented Reality program and you’ll forget that what you’re reading breaks absolutely no ground at all!”

Probably not a good thing, right?

More blasts from the past, and spoilers, after the jump.

A collection of deleted scenes from July’s The Amazing Spider-Man has found its way to the Internet via YouTube. If you’re longing for answers to unresolved questions about Peter Parker’s parent, well, tough titty. But, if you’d like to see unfinished special effects, never seen before glimpses of Curt Connor’s son, and an alternate version of poor Uncle Ben’s death then hit “play”, after the jump.

We’re still under threat of Hurricane Sandy here at the Crisis On Infinite Midlives Home Office. However, I’d like to take this opportunity to pass along a new page of preview art by light box hack penciller Greg Land from Iron Man #1.

Where on earth could Greg Land have received such stellar inspiration? After the jump!

It’s hard out here for a pimp member of the walking dead. You just want to eat brains and the damn prey just wants to scream and run away, or so the cast of “The Walking Dead – The Musical” would like us to believe. Just before they spontaneously burst into an extended session of tap dancing. Terrifying, terrifying tap dancing.

Dig the song? You can download it here.

via The Mary Sue

EDITOR’S NOTE: Rob here. Last night, while I was working feverishly on my Batman #13 review, Amanda watched the pilot for CW’s new Green Arrow based show, Arrow, and liveTweeted her impressions.

Having read her feed to catch up, well… the good news is, apparently there is plenty of room for improvement!

You know you’ve wondered about the possibility – what if Star Wars and Mexican wrestling had a wacky, spandex and leather wearing baby. Admit it.

What? Just me?

Well, wonder no more. With the advent of Jason Chalker’s La Guerra De Los Luchadores, a show print he created for Art Wars: Intergalactic Art Show, you too can see what would have happened if, as he put it:

I wonder what it would have been like if Star Wars was originally a low-budget Mexican luchador movie?

Check out the awesomeness, after the jump.

Well, I’ll give last night’s episode of Doctor Who this much: it made me queue up the Weeping Angels origin episode “Blink” on streaming Netflix to help me put my finger on what went wrong with “The Angels Take Manhattan”. The short answer? Almost everything.

“The Angels Take Manhattan” was intended to be an emotional send off for the Doctor’s most recent companions, Amy and Rory Pond. Here’s a spoiler up front: the Ponds are sent away into the past to a fixed point in time where, apparently, the Doctor can never see them again. Given that it’s been established that the Doctor needs to be around others on a near constant basis in order to remain somewhat centered, if not completely sane, the ending of this episode should have competed with Old Yeller for tear jerker of the millennium. However, convoluted story telling, hype, and lack of attachment to Amy Pond as a character worth caring about, as compared to other Companions, served to kill this episode in its crib.

More spoilery disappointment, after the jump.

In less than an hour, the final Doctor Who episode starring the Ponds will air in the UK. Those of us here in the states will need to wait another five hours and avoid Twitter and Web site spoilers…like this behind the scenes Doctor Who video which hints at Amy’s fate in tonight’s “The Angels Take Manhattan”.

You’ve been warned.

At least I have no idea what happens to Rory. Yet. Although I think it involves unemployment…

Have you read this month’s installment of Catwoman, yet? If you haven’t, don’t. There are a lot of other things you can do with that $2.99 instead of buy issue #0, by writer Ann Nocenti, unless you happen to be an obsessive collector of Adriana Melo’s artwork (which is the only bright point of the issue) or the items that carry the stench of failure, like dollar store condoms.

Selina Kyle has suffered mightily in the New 52 reboot at the hands of Judd Winick, suggesting that Barry Ween is his Jagged Little Pill. If Barry Ween was “You Oughta Know”, then Catwoman was Winick parading around naked exhorting “Thank you, silence”. Selina was a broken mess that owed more of her personality and actions to Batman slash fic than Frank Miller or Ed Brubaker. The announcement that Ann Nocenti was taking over the book at issue #0 was greeted with relief in this household. Surely, the woman who created Typhoid Mary for the Daredevil franchise could come up with a stronger, more bad ass take on Catwoman.

Turns out, not so much.

Spoiled déjà vu all over again, after the jump.

Chris Hardwick may currently have the greatest job on Earth. He gets to rub elbows with Doctor Who and Walking Dead muckity-mucks, run a whole channel of geek oriented programming as part of Nerdist Industries, and now, hang out with the Ben Folds Five and The Jim Henson Company as part of the 30th anniversary of Fraggle Rock. Here’s the scoop from the press release, in which Hardwick describes how this came together and the inherent awesomeness of his job:

In a meeting with Lisa [Henson, CEO, The Jim Henson Company], she casually said, ‘Next year is the 30th anniversary of ‘Fraggle Rock.’ Would you want to do anything with the Fraggles?’ ‘WHAT THE [expletive]?? That’s an OPTION?!’ I loudly replied. I think I scared her a little. I knew Ben [Folds] had a new album releasing in September so I threw his name out. Lisa said ‘that would be amazing’ without hesitation. It was beautifully serendipitous. It seemed like a no-brainer to me, but I still cautiously pitched it to Ben, not really knowing his relationship with the show. I think I just spit words out, ‘YOU. VIDEO. FRAGGLES. ME PAY FOR!’”

This video for the new single “Do It Anyway”, by Ben Folds Five, speaks to my inner child who had to sneak episodes of Fraggle Rock at friends’ houses because my parents refused to get HBO. It also speaks to my inner early twenty-something for whom Ben Folds Five’s Whatever And Ever Amen was the soundtrack to the year I moved out of the house after college. It also makes me question my life choices because, no matter what I might accomplish tomorrow, next month, or next year, it most likely won’t be a video shoot with Fraggles. This. This is how the full on midlife crisis starts.

Check out the video full of awesome win, in which Ben Folds and the Fraggles are joined by Chris Hardwick, Rob Corddry, and Anna Kendrick, after the jump!