End Of Line

The annual screening of Buffy The Vampire Slayer’s Once More With Feeling (introduced by Nicholas Brendan) has just concluded. The main floor is closing, and SDCC 2012 is all over bar the shouting and the fuzzy, hungover flight home.

We still have a few panels we attended to report on, so our coverage of SDCC 2012 will continue over the next few days.

But for now, it’s time for a few cold ones at the Hyatt bar while we watch for celebrities. If you’re there, come look for us. We’re the ones being thrown out.

So for the next few hours at least: see you later, suckers!

Elephant In The Room: DC Comics’s Before Watchmen Panel, SDCC 2012

I expected things to be a little more contentious than they wound up being at DC Comics’s Before Watchmen panel yesterday.

After all, this is Comic-Con. It is packed to the gills with rabid fanboys and fangirls, many of whom were swirlied in junior high school (Hi, Paul Jameson! I make a comfortable living in the software industry now! How’s that A in woodshop treating you, fucker?) and now that they have strength in numbers, are itching for a fight. This convention has fundraisers for Jack Kirby, panels dedicated to pointing out the injustice of Bill Finger not getting enough credit for co-creating Batman, and a panel called The Most Dangerous Women in Comics. It is a place where a lone nut in a Batgirl suit can change the course of an entire comics company, and come back the next year bearing gifts for the creators and none for the thousand or so paying customers whose convention experience she fucked with last year in order to further a personal agenda. In short: this is Angry Fanboy Central, and if there was a place for them to show their colors, it was this panel.

But that didn’t happen. Sure, the panel started a little bit late, and the whole Quentin Tarantino announcement smack in the middle sucked up some question time, so maybe the slavering, angry, “You fucked Alan Moore!” guy just didn’t get his turn at the microphone. The people who did get a turn were generally really enthusiastic about the whole Before Watchmen project; one fan flat-out said that he was one of those “keyboard commandos” who ranted against the whole project, but wound up really getting sucked into it. Hell, the entire Alan Moore elephant in the room was only addressed once by anyone in the crowd… and it was a guy who was hoping that DC could get Moore to work on a Watchmen sequel.

How’d that turn out? Well, let’s watch!

Unchained Doggerel: Marvel’s Avengers Vs. X-Men Panel and Quentin Tarantino’s SDCC 2012 Announcement

We’ve seen a lot of cool things at San Diego Comic-Con over the past couple of days, but the Marvel Comic Avengers Vs. X-Men panel held this afternoon wasn’t one of them. Iron Man’s new armor from the upcoming Iron Man 3 movie was, so here it is. Get a good look? Good. Now let’s get back to the bad news.

Avengers Vs. X-Men is Marvel’s marquee summer event for 2012, and we are at about the midpoint of the story, and shit is heating up. We’ve got five X-Men possessed by the Phoenix Force, Hope is being trained by Iron Fist’s sensei to learn to repel the Phoenix, Tony Stark is working with Black Panther to find a way to defeat the Phoenix Force with a combination of science and magic, and Spider-Man is getting at least one of the best moments in a comic set in the 616 universe he’s had in years. So while the event isn’t perfect, there’s a lot of fan excitement around the event and what it has in store for us for the rest of the summer.

So it was with a palpable sense of excitement that we filled the third-biggest room at the San Diego Convention Center at 2:45 this afternoon to discover some tidbits about what the Marvel House of Ideas might have coming up for the fans.

Turns out? It’s hats.

Marvelous Hype: Friday Marvel SDCC 2012 News

One thing I’ve learned over several years of attending the San Diego Comic-Con is that DC Comics panels are more entertaining than Marvel panels. That’s a harsh reality but for me, a true one.

Panels from each company are jam-loaded with hype, and each does its damndest to try and whip the crowd into a screeching nerd frenzy, which is fine; Comic-Con panels aren’t press conferences, they’re public relations exercises that happen to include some pieces of legitimate comics news. And often that news is exciting – Neil Gaiman back on Sandman, anyone? – so I don’t blame either editorial staff for trying to whip the crowd into a slavering geek frenzy. But for me, the difference is that Marvel is just so self-congratulatory about things.

Here’s an example: last year, DC Comics blew up their entire universe and ran a real risk of alienating a huge chunk of their core audience. Instead, the move allowed DC to overtake Marvel in sales for he first time in recent memory, and their sales have reportedly stayed damn solid since then. We have attended no less than five DC panels so far at SDCC, and the biggest pat on the back DC gave themselves was when Bob Wayne opened the New 52 panel yesterday by asking the crowd how many people spent SDCC last year thinking that DC was insane for making the move… and followed up by asking why more people didn’t think that at the time.

Compare that to Marvel, who last year introduced a black / Hispanic Spider-Man. In the Ultimate Universe, which thanks to the recent 616 universe crossover in Spider-Men, is the equivalent of DC’s Earth 2 – a sandbox where Marvel can mess around with characters without it affecting the valuable core titles from which they make movies. Was is a bold move? Sure it was… but compared to blowing up your entire continuity, it’s about the same as comparing dropping a washer slug into a Coke machine to sticking up the Federal Reserve with a dynamite belt: one’s a little easier to walk back if the plan goes sideways.

However, if you listened to the panelists at yesterday’s Marvel Ultimate Universe panel, you’d think they cured the common cold. “This was a big risk,” said Marvel Editor in Chief Axel Alonso, “It was harder for us to kill [Peter Parker] than it was for you guys.” Alonso also said that the new Ultimate Spider-Man was the best work of Brian Michael Bendis’s career, and make no mistake: it’s a pretty good story, albeit utterly decompressed. But the hype was, personally, a little hard to take. My notes from the panel read, “Lot of ‘We’re so awesome and brave’ shit on the panel for killing Peter and having an Afr.-Am. kid as SM. There’s no news here, just fucking hype.”

And then Alonso announced that Ultimate Spider-Man artist David Marquez just signed an exclusive deal with Marvel. And my notes read, “There’s your news, writer prick.”

Put On A Happy Face: Batman Panel at SDCC 2012

Editor’s Note: I acknowledge that these pictures suck. We’ll upgrade our cameras once we receive your subscription check. Oh, you don’t pay for this? Then fuck you and enjoy the pictures you got.

Last year we kind of wandered into the panel for Scott Snyder’s American Vampire, mostly to make sure we’d have a seat for the DC New 52 panel that followed directly afterwards. Don’t get me wrong, we were following American Vampire in kind of a general way, but I had fallen away; the initial hype around one of the early stories being written by Stephen King hadn’t been enough to keep me in the book except in a “flip through when I happened to see it on the shelf” way. The point is that last year, we were able to walk right into Snyder’s panel without having to wait around in a line.

That was 2011. This year, Snyder’s writing Batman, which has consistently been one of the best books of DC’s New 52 and the source of the first post-reboot DC crossover event. So this time around, for the Batman panel yesterday? Yeah, we waited in line.

The Batman panel covered all the Batman family books, from Batman to Red Hood And The Outlaws… meaning walking in Amanda and I steeled ourselves for exciting news running the gamut from Batman’s post-Owls Joker encounter to Starfire’s post-Red Hood stranger’s penis encounter. However, weird former Teen Titan sex revelations or no, Snyder started the panel off with a laugh: “Avengers Vs. X-Men, who wins? Batman.” I hate it when my comic writers are funnier than I am. But I digress.

SDCC 2012: DC’s The Edge And The Dark Panel. Oh, and Neil Gaiman’s Returning To Sandman

First of all people of San Diego: it’s a fucking e-cigarette. It emits water vapor. So please stop passive-aggressively giving me shit when I’m using it on a public sidewalk, out of doors and approaching the convention center, by muttering, “Nothing I like better than a faceful of cigarette smoke blowing into my baby’s face…” Let’s clear the air here (ha!): my e-cigarette emits no odor and bothers no one, unlike your little bundle of squalling fecal production. And since my e-cig doesn’t even burn, the San Diego Fire Marshall even considers it less of a fucking fire hazard.

Okay, I feel better now. Now that we’ve got my personal news out of the way, let’s talk about what’s been happening at SDCC 2012 that doesn’t involve self-righteous self-absorbsion.

The actual programming at SDCC started in earnest yesterday, featuring panels on everything from homosexuality in genre fiction to Twilight: Breaking Dawn Part II. (Rob: This may be redundant. Consider editing. -Amanda)

The Wire

If you haven’t noticed, Amanda has been live-Tweeting the bullet points from every panel we’ve been attending here at SDCC 2012. And she’s been a trooper about it; her thumbs are raw to the point we can now only hitchhike from people with some kind of raw meat or leprosy fetish.

While we’ll wrap things up every day with a bit more analysis, including pictures and probably some video, when we get a chance to sit down (and find some WiFi that’s worth a shit), if you want the minute-by-minute of fresh, breaking comics news, keep an eye on our Twitter feed.

In the meantime, here is a picture of a flailing Batman.

Previews Are The Best Part: SDCC 2012 Preview Night

So Preview Night is past us now, and while I know it’s not even theoretically possible that it was busier than last year – after all, Preview Night passes have been selling out since about 2009 – it sure feels like it was. A few years ago it was possible on preview night for someone to, say, get ripped to the tits on Stone Arrogant Bastard IPA for four hours before he doors opened and then cruise around the floor, staging stupid and adolescent photographs with the Jabba The Hutt prop at the Hasbro booth. If you tried that now, you would inevitably stumble into someone waiting in a truly horrific line for an exclusive S.H.I.E.L.D. Helicarrier playset, be unable to convince said line-waiter that you weren’t claim jumping, and wind up instigating a pathetic slapfight.

There is very little convention programming that occurs on Preview Night, so the action is centered on the main convention floor. The night’s original and intended purpose is to allow people who are attending the con to obtain exclusives, or who are looking for some particular, special item, piece of art or back issue, to have access to the vendors early and get the purchase out of the way so they can enjoy the rest of the convention. As such, any actual comic news is few and far between on Preview Night… but there is certainly some, and if there isn’t? There is spectacle.

Walk The Line

Thanks to horrific jet lag, I was up and about at about 5 a.m. San Diego time, with Amanda dead unconscious and nowhere to hide except the hotel room bathroom, and, well, a man can only shit so much before he gets antsy. So I ventured out to take a little just-past-dawn walk past the convention center, hoping to find that maybe a Dunkin’ Donuts had opened up sometime since last year’s convention.

No such luck (Although the Starbucks downstairs was open, providing something close enough to coffee to prevent me from dying), but I found that the Gaslamp District is busily in the process of being nerded up for the convention proper tomorrow.

Also, it wasn’t just the Twi-Hards that were lined up; at this point, there was a line of about twenty or thirty people queued up to get their laminates.

Boots On The Ground

We have arrived in San Diego and begun the frantic set up of our Southern California Stringer Bureau Office at an undisclosed location downtown, just steps away from the San Diego Convention Center… and by “frantic set up,” I mean “sipping an IPA at the closest bar while battling jet lag and fatigue hysteria.”

Things are quiet now; Preview Night is tomorrow, and things are generally quiet. Yes, quiet.

Except for the Twi-hards. Who have already begun lining up for the Twilight: Breaking Dawn Part 2 panel…

…which doesn’t take place until Thursday.

That’s all the news we have the energy to muster now. For now, we will drink away the jet lag, and prepare for more coverage tomorrow.