We here at the Crisis On Infinite Midlives Home Office got excited by the sanitized and truncated Man Of Steel trailer from the The Dark Knight Rises screening trailer, but it really felt like a trailer built on practical footage, with the single special effects shot shoehorned in to prove it was an actual movie.

We thought that because we had too much to do, and too much self-respect, to spend nineteen hours in the Hall H lane to see whatever they were calling the “extended trailer” at SDCC. We figured that all there was to see would be in the Dark Knight theatrical trailer.

We were wrong.

After the jump, is a hand-filmed and certain-to-be-deleted video from the SDCC Hall H Man Of Steel panel, showing far more (badly focused) Superman footage than the actual theatrical trailer. So, until someone gets wise and yanks the footage: enjoy the Man Of Steel SDCC 2012 trailer, in rotten, unfocused cell phone video!

Most of the SDCC 2012 panels we covered, we did thusly: I sat with a fat boy notebook and a pen, furiously taking notes and grabbing quotes in between taking photos of things that panelists would prefer I didn’t, while Amanda live-Tweeted the hell out of everything anyone said. As such, we walked out of each panel with a wealth of information and still photographs of each panel, but without an ability to truly absorb and enjoy some of the things we saw and heard.

The Vertigo Comics panel for the graphic novel Get Jiro was different. Amanda is a big fan of Get Jiro writer and celebrity chef Anthony Bourdain’s TV shows A Cook’s Tour and No Reservations, and as such, she hissed at me at the start of the panel, “I will Tweet this pig, but we’ve already reviewed the book, so I want you to videotape as much of this as you can so that I can enjoy it later. Otherwise, you’re reading me Kitchen Confidential through the bathroom door while I bubble bath with the shower massager. Again.” Or something like that, the vehemence of the hissing might have led me to hear more than was actually said.

Regardless, I therefore have a bunch of reasonably clear video of a good chunk of the Get Jiro panel… and I am passing the San Diego hotel and SDCC pass savings onto you! So grab your laptop, hit the jump, sit back in a warm bath with your shower massager, and never tell me about it.

Later on today, we’ll try to post some of the remaining videos we took at SDCC 2012, but it will be a bittersweet experience. Because the one question we’ve been getting from most of our friends and acquaintances since we got back to the Crisis On Inifnite Midlives Home Office has been: “Did you get to the Firefly Tenth Anniversary panel?” Even the owner of our local comic store, where they know me by name and ask me to stop talking about movies to the paying customers, or at least to stop talking about the movies I find on Web sites with a top level domain name ending in “.XXX”, who you would think would be more interesting in upcoming developments in the products he sells, was disappointed that we didn’t spend hours in line for Ballroom 20 to see the reunion.

But we chose not to do that because we know that all the high-demand panels, like the Firefly panel, arrive on YouTube within ten days of their occurrance.

Case in point: please enjoy the video of the entire Firefly reunion panel, available after the jump.

Despite recent events that may have put some people off, we were able to catch a matinee of The Dark Knight Rises yesterday… and we will probably not comment extensively on those events, because they have nothing whatsoever to do with comic books or geek culture other than the setting. Sure, the dipshit who did the shootings told cops that he was The Joker, but that’s got nothing to do with the comics or the movies. Son of Sam said his neighbor’s fucking pit bull told him to whack out strangers, and I doubt you saw Dog Fancy magazine wringing their hands over what it meant for public perception of dog owners.

Everyone say it with me: James Holmes is a spastic and a monster, but his is a crime story, and not a comics story. Settled? Good.

Because I don’t want to talk about that cocknozzle, and due to a busy day, I don’t have time to talk about The Dark Knight Rises in any detail today. But one interesting new thing that we took from the event was the first trailer for Zack Snyder’s reboot of Superman, Man of Steel. Which a week ago, if you wanted to see it, was worth hours of your time in line for Hall H at SDCC 2012, but which now is available online. Meaning it is available here, right after the jump.

There are many comics fans who just don’t get into Marvel’s X-Titles, and I am one of them. Which is a strange thing for a 35-year inveterate superhero comic geek to admit, but the team, and its 927 spinoff teams, generally just never grabbed me. You’ve got a bunch of heroes with no origin story beyond, “born funny,” a huge and nearly impenetrable backstory, and two of its lead characters – Professor X and Cyclops – are simply unlikable cocks. And considering the applause poll conducted at Marvel’s SDCC Avengers Vs. X-Men panel that fell squarely on the Avengers side, a lot of people of there agree with me. Not an issue of that book goes by without my deeply wishing that we eventually see Spider-Man yank Cyclops’s eyes out with some well-placed webbing, turning the prick into a normal person, qualified only to be the biggest douche selling pencils out of a tin cup.

With that said, I am a huge fan of Peter David’s X-Factor. I don’t know whether it’s because the team is smaller and easier to keep track of, or because the characters spend more time in small scale, street-level action than in preventing apocalypses (Seen Madrox taking on Ms. Marvel in Avengers Vs. X-Men recently?), or because the characters feel relatable and human than, say, a dude whose father is a Starjammer and whose girlfriend, depending on decade, either reads minds and turns into diamond or destroys entire planets… although I should be able to relate, because think I dated the second one. But I digress.

And X-Factor #240 is a perfect place to get your feet wet in the title. It’s a one-and-done, focusing on Layla Miller (who is one of the most interesting characters in the book), and examining her power – she “knows stuff” about the future – in a way that would be perfect for explaining Dr. Manhattan’s point of view if Alan Moore’s characterization allowed Manhattan to have free will. Free will and a nice rack, but you get my point.

Simply put, and without question: Silk Spectre #2 is the best issue of Before Watchmen so far.

It does everything you’d expect from a Watchmen prequel book, particularly one that isn’t endorsed by the original creators: it follows the original book’s visual, nine-panel format, it pays homage to Moore’s original writing style of having the words directly reflect the visuals in the panel, and it expands the Watchmen universe by exploring niche, side subjects that it would never occur to me to wonder about until I saw those explorations here. By mining the original work’s edges while paying tribute to its written and drawn style, it does what a prequel should do: build upon the original without superceding it. It is the first Before Watchmen book that I plainly and simply liked.

It happens every year: a couple of days after returning from SDCC, which is a week of violently and suddenly resetting your circadean rythtms twice while consuming a diet of beef, cheese and liquor, the body recoils in protest and requires a day of wretched television and catching up on comics.

Today was that day. As such, this…

image

…means the end of our broadcast day.

Still and all, we’ve got the new issue of Captain Marvel, a new chapter of Avengers Vs. X-Men, the second issue of Silk Spectre (one of the better efforts of Before Watchmen so far) and a ton of other stuff to catch up on.

But before we can review any of them (or finish uploading more SDCC 2012 videos for your perusal), we need time to read them. We also need time to quietly whimper while wondering what time it really is, but mostly to read them.

So in pursuit of those humble goals: see you tomorrow, suckers!

There was one minor, eensy, tiny problem with Marvel Comics’s Amazing Spider-Man panel Sunday. The panel wasn’t really about Spider-Man.

Oh sure, the panel opened with news about the Amazing Spider-Man and Avenging Spider-Man comic books, but those updates took about seven or ten minutes of an hour long panel. After that, we got updates on Carnage, Venom and Scarlet Spider, which are at least Spider-Man related… but we also got status reports on Captain Marvel, Punisher War Zone, Space Punisher, and last but not least, Daredevil, whose status report was, in effect, “Yeah, we have no idea what’s going on with that triple-Eisner Award winning book! But Eisner Awards are cool! And Daredevil won three of them! So who doesn’t love Daredevil?”

Which actually brings to mind another minor problem with the Spider-Man panel, and with every other Marvel panel we went to: Moderator Arune Singh, who is Director of Communications for Marvel Comics and possibly the most irritating and repetitive public speaker on the planet. Here are some of my notes from the panel, verbatim from my notebook:

  • If I hear Arune Singh say, “How many of you are loving X” again, I will shit.
  • At least 4 “How many of you love…” so far. Fuck.
  • Fifth. Fucking. “How many of you LOVE…”
  • SIXTH. SINGH WILL DIE BY MY HAND.

We are back in the Crisis On Infinite Midlives Home Office with wretched reverse jetlag and crippling hangovers. And while I am working on my recap of Sunday’s The Amazing Spider-Man panel by Marvel (Teaser: it wasn’t really about Spider-Man!), I have learned that, while we were frittering around in actual comics panels on Sunday, Thomas Jane, the actor who played The Punisher in the 2004 movie adaptation and therefore had the unique joy of blowing John Travolta’s head off, ran a panel to promote his Raw Studios project that he started with cover artist Tim Bradstreet.

And at that panel, Jane debuted a new Punisher movie. Not an authorized Marvel Studios picture, and not a true sequel to his Punisher flick, but a ten-minute long fan film. Which rumor has it is better than, frankly (“Frank.” Ha!) both Jane’s original edition and the Punisher: War Zone move that came out a couple years ago. The dude fronted his own money, and got a cameo from Ron Perlman, to put it together. Why? Who knows? Maybe he’s courting Marvel Studios to get the nod for another round at the front of a full-on Punisher movie. Or maybe he’s just a giant comics geek (I’ve read that the dude went to the Rocketeer anniversary screening wearing a full Rocketeer costume) who wanted to make something really fucking cool. Regardless, I’m bummed I missed that screening.

What’s that, Internet? We have the video? And it’s right after the jump?

SDCC 2012 is over now, and last night’s buzz has been replaced with this morning’s hangover. And all of this means that it’s time to pack up the books, original art and… shall we say paraphernalia from the convention, bring it to UPS and ship it home to avoid a TSA inspection (“Son, is this your white, owl-looking face mask? Howsabout this detailed line drawing of a man with three guns by someone named, ‘Darrow?’ I’m gonna need to to step into this windowless room and remove your trousers…”), and return to the Crisis On Infinite Midlives Home Office in Boston.

This means that we will be in the one place that has less Internet access than the area directly surrounding the San Diego Convention Center: an airplane. So while we cross the country in an aluminum tube while quietly whimpering for nicotine, please enjoy these snapshots we took at this year’s SDCC. Some are of cosplayers, some are of just cool shit, but regardless, they are a small document of what happens at SDCC when you’re not haunting Room 6DE to live-Tweet comics panel discussions. Click any of them to see them full-sized.

And as an added bonus, we also have Amanda’s video of Nicholas Brendon’s introduction to the screening of Once More With Feeling to close out the convention, all after the jump.

Enjoy, and see you tomorrow, suckers!