Update, 4:20 p.m. According to CCI, passes with Preview Night will, in fact, be available when they go on sale this Saturday:

Hi Rob,

Yes, 4 Day badges with Preview Night will be available. For badge pricing information, please use the following link: http://comic-con.org/cci/cci_reg.php

Thank you.

—————————————————————-

As I intimated last night (But was frankly too drunk to elaborate on at the time), the word has gone out that advance sales for passes to San Diego Comic-Con 2013 for people who purchased passes for this year’s SDCC will go on sale online Saturday, August 4th, at 8 a.m. Pacific Time.

Here’s the deal: if you had an actual purchased pass for SDCC 2012 – press, pros and exhibitors need not apply – you’re eligible for the advance sale (You can find out if you can be in on the action here, using your SDCC 2012 member ID).

I was originally intending to write a pithy joke or two about this week’s comic take, but as I literally sat down to write, I received the email from Comic-Con International announcing that the presale for SDCC 2013 passes for people who attended this year’s SDCC will be occurring this coming Saturday, and Amanda and I have spent the last ten minutes figuring out how to divide our efforts across multiple networks to maximize our odds (helpful hint: I will be using my work Internet in ways that violate my employee handbook. And after I wipe my dick off, I will try to buy SDCC passes).

So fuck the jokes; we have been to our local comic store, which means that this…

…means the end of our broadcast day.

But SDCC presales or no, this is one hell of a week of comics. Biggest and bestest, we have Howard Chaykin’s first issue of his sequel to his classic (and filthy) 1980s classic Black Kiss, along with setup of the Rotworld crossover in Animal Man and Swamp Thing, a new issue of Avengers Vs. X-Men, a new Mark Waid Daredevil, and a bunch of other cool stuff!

But before we can review it, we need to figure out how many browsers we can have refreshing at once on Saturday, and we need to read the comics. So until that time…

See you tomorrow, suckers!

Ever since DC Comics revealed the cover to Green Lantern #0, and certainly during all the Green Lantern-related panels at SDCC, the big question has been: who is the new Green Lantern who’s carrying the gun? And how will he factor into the upcoming Third Army crossover event? And what does he have against sleeves? And will the man with his finger stuck through someone’s ring go off half-cocked against the angry, purple headed aliens? And why do I suddenly feel like I need a shower?

Well, thanks to the Diamond / Previews Website and its solicitation for Green Lantern #13, we have the answers to all your questions! Y’know, provided your only question is, “What’s the new Green Lantern’s first name?”

When I was six or seven years old, I had a Power Records LP…

(Note to Generation Y: “LP” stands for “long playing record.” It was a big piece of vinyl that sounds were recorded on. Think a CD, only bigger and with shittier sound, no matter what line of horseshit Jack White tries to sell you about vinyl sounding “warmer.” Crackles and skips are not features, they are bugs,)

(Note to Millennials: “CD” stands for “compact disc.” It was a small piece of plastic that sounds were recorded on. Think an MP3, only one you had to spend all your beer money on in college back in 1991 if you wanted to own any music. Now all of you: get the fuck off my lawn.)

Sorry about that. Anyhoo, I had the Power Records LP of The Six Million Dollar Man, which included a retelling of Steve Austin’s origin, according to the television series. Which is a story that anyone old enough to associate the “bah-nah-nah-nah-nah” bionic sound effect with something other than Chevy Chase doing putts in Caddyshack knows: Steve Austin is a test pilot in a plane crash, and Oscar Goldman and Rudy Wells…

(Note to Gen X’ers and drunken comics Website editors: There is a thing on the Internet called YouTube where everything you ever loved as a child has been collected, for free. And it allows you to embed those things in your own Website! So quit chasing those little bastards off your lawn and, you know, do that,)

Marvel continues to hype their Marvel Now! initiative, where they’re planning to restart a bunch of their titles at issue #1 so that for a period of several months, every week when I go to my local comic store, where they know me by name and ask me not to ask the paying customers if they “want to see my number one,” there will be a new Marvel first issue for me to pick up. Or, if is a first issue of something with Cable written by Jeph Loeb, for me to point at accusingly while loudly insinuating that it is practicing witchcraft.

Today’s announcement from Marvel? That writer Kieron Gillen and artist / pornography lightboxer Greg Land will be taking their work from Uncanny X-Men to a new comic book.

What comic book? Beats the shit out of me. See if you can figure it out:

I have always had mixed feelings about Mark Millar’s and John Romita Jr’s Kick-Ass. On one hand, I feel like it has a tendency to go for over-the-top, nihilistic violence as a simplistic deconstruction of the superhero genre. Which, while effectively demonstrating that the concept of superheroes in the real world would be somewhat ineffective and silly, means that we’ve gotten a lot of likable characters getting their faces kicked in so that Millar can try to make a point. It doesn’t take a genius to point out that a dipshit with a stick in a spandex suit would lose to the business end of a .45, and after a while, seeing it happen over and over again just feels fucking mean. There’s no great joy or enlightenment in seeing a costumed adventurer you’ve grown to like  getting stabbed and beaten to death; it just feels like the comic writing equivalent of having your head jammed in a junior high school toilet while a jock bellows, “Superheroes are fucking stupid, wuss!”

The best part of the Kick-Ass universe has been Hit-Girl, who is as close to an actual superhero as exists in this world. And even granting that the character was probably only created to show that a kid sidekick would grow up to be hopelessly warped, and that any really effective superhero would need to resort to extreme violence in order to be in any way effective, she provided the only real and exciting superhero action in any of the Kick-Ass miniseries. And while we are only in the second issue of the Hit-Girl miniseries, and while it’s probably safe to say that, as with Kick-Ass and Kick-Ass 2, everything will end in tears, that particular book is simply action-packed, interesting, and just fucking fun. At least, for now.

On one hand, Green Lantern #11 is an encouraging sign that the book might be returning to its glory days of  the spectacular Blackest Night crossover from a couple years ago… almost literally. We’ve got the return of that crossover’s villain Black Hand, he’s got his Black Lantern ring back and he’s bringing the dead back, getting ready to take over the world again. It’s exciting, even though it’s a story that maybe we’ve seen before.

On the other hand, Green Lantern is a sign that the book might be returning to another story from the past. That story is Army of Darkness.

This issue is very much a transition story, wrapping up the recent origin of the Indigo Tribe while laying the groundwork for the upcoming Third Army event, of which it appears that the returning Black Hand will be a big part of. Sinestro has been released from the thrall of the Indigo Lanterns, which is a shame, since on an infinite timeline we’d have see a lettering mistake having Indigo Sinestro muttering, “Nok. Kok. Nok kok. Kok nok. Kok.” Yes, I am emotionally twelve years old, why do you ask?

EDITOR’S NOTE: Whatever happened to The American Dream? Spoiler alert!

So The Comedian started the Vietnam War. Must be Tuesday.

The Comedian #2 is better than the first issue, but then again, it almost had to be. Seeing writer Brian Azzarello having Eddie Blake simpering around the Kennedys and doing things that blithely and utterly flew in the face of some of Alan Moore’s existing story canon were almost more than this old school Comedian fan could bear. This issue improves on the ruins of the first, by getting The Comedian the fuck away from politicians and into the jungle of pre-Gulf of Tonkin Vietnam, allowing the character to show a little more of the savagery and moral ambiguity that we’d come to expect from the original Watchmen.

Of course, it also include’s Azzarello’s apparent burning compulsion to put The Comedian at the center of every major event in American history that has occurred since 1939.  In the first issue, it was the death of Marilyn Monroe, and here it’s the Ali-Liston fight and the literal beginning of the Vietnam War. If The Comedian hadn’t been killed in the original Watchmen, I’d be afraid that Azzarello would end issue 6 with Blake at the discovery of the Higgs Boson snarling, “You’re turning into a flake, Doc.” Actually, that’s probably a hasty argument; after that first issue, I’m not yet convinced that Azzarello won’t decide that the murder of The Comedian isn’t really Watchmen canon. But I digress.

It is Wednesday, and as with all Wednesdays, that means it is New Comics Day. Which means that, as with every Wednesday, we pay a visit to our local comic store, where they know me by name and ask me, “Didja hear that I’m not allowed to sell you Batman Incorporated #3 today? Oh, they shipped it to me, but I can’t sell it to you! I need to store it someplace for a month! Why? Here, I got the issue right here! Look at this picture of some chick with a gun! For this I can’t sell you the book! That I’m holding in my hand and showing to you! And will place directly into your pull pile after I am done showing it to you! With a big “DO NOT SELL TO ROB UNTIL FOUR WEEKS FROM NOW” sign on it! Because a month from now, the families of those poor fuckers in Colorado will have forgotten all about the shooting!”

EDITOR’S NOTE: Yes, I realize that that was the least funny “my local comic store, where they know me by name and ask me…” gag we’ve ever done here at Crisis On Infinite Midlives, but for a change, that was actually a question that was asked of us at our local comic store this evening.

Regardless, the point is that we were at our local comic store this evening, which means that this…

…means the end of out broadcast day.

But it is a decent day’s take. We have a new issue of the Before Watchmen issue Comedian for me to possibly continue hating on, a issue of Jonathan Hickman’s Manhattan Projects, a new issue of personal favorite The Goon, and, if no issue of Batman Incorporated, an issue of Batman: The Dark Knight.

But before we can accuse any of them of being insensitive to tragedy that has nothing to do with comic books, first we have to read them. So until we have that chance…

…see you tomorrow, suckers!

So now it’s a comic book story: DC Comics and the Batman editorial team have decided to delay this week’s scheduled release of Batman Incorporated #3 due to “content that may be perceived as insensitive in light of recent events.”

Wow, that content must be a pisser. Let’s see what the original issue’s solicitation says about it:

BATMAN, INCORPORATED #3
Written by GRANT MORRISON
Art and cover by CHRIS BURNHAM
Variant cover by JAY FABOK
1:100 B&W Variant cover by CHRIS BURNHAM
On sale JULY 25 • 32 pg, FC, $2.99 US • RATED T
Combo Pack Edition: $3.99
Retailers: This issue will ship with three covers. Please see the order form for more information.
• The DC COMIC – THE NEW 52 debut of…MATCHES MALONE??
• BATMAN is hot on the trail of whoever is trying to kill DAMIAN – and he’s not going to like what he finds!

Okay, with an appearance by Batman’s undercover alter ego Matches Malone, this seems like it’s going to be an organized crime story… which at face value seems pretty innocuous compared to the theater shootings, but on one hand, one could argue that, for the next couple of weeks, any Batman story with a shooting might touch a nerve. Further, since the story is about someone trying to kill Damian Wayne – a ten-year-old kid – seeing a gun on him in the context of the theater shootings might be a little sensitive, whether or not the ten-year-old kid in question is a trained ninja assassin.