EDITOR’S NOTE: It turns out that this “new release” is actually a second printing of a book that was initially released in July. Normally I would put the review aside and start on something more recent, but it’s almost beer o’clock. So fuck it.

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Witch Doctor is what House M.D. would be if the diagnoses were supernatural and House were allowed to skip the medical pretense and just physically abuse his patients. If that makes Witch Doctor sound to you like a derivative knockoff with an originality problem, that’s because it is and it does.

If it also makes Witch Doctor sound to your like it’s fucking full of awesome with a dark, cynical and filthy sense of humor? That’s because it is, and it does, AND you are a dirty, dirty misanthrope. Which only means you are in the right place, both with your choice in comics Web sites, and in choosing to read Witch Doctor.

Witch Doctor is the story of Dr. Vincent Morrow, an M.D. whos been chucked out of the medical community and who now treats supernatural infections, and before you pick up the phone, your herpes doesn’t count. Just because you don’t remember banging that skank doesn’t mean you got it by magic.

I’m guessing that Marvel’s been feeling a little left out by all the publicity surrounding DC Comic’s New 52 and their decision to make all their comics available for digital sale the same day as print, because late Friday afternoon Marvel issued a press release announcing that Ultimate Spider-Man, one of the few comics that Marvel DOES offer for sale the same day as print, had “the best first day of sales for a new release to date!” on their iPhone and iPad apps.

Awesome! How many copies did you sell, writer Brian Michael Bendis?

Nothing frustrates an author more than his work not being able to get into the hands of the people that want it, and now with the Marvel Comics app we can!

Okay… how many people got their hands on it digitally? You: Marvel SVP of Sales David Gabriel – how many?

We’ve been pushing to make Ultimate Comics Spider-Man our top release to date, and the results we’ve seen both here and in print certainly show us that we’re heading in the right direction.

For the love of – Why won’t you just tell us how many digital copies you’re selling, Marvel and DC? What are you so worried about?

Comic Book Resources just published a preview of the upcoming Green Lantern Corps #1, written by Peter Tomasi (Of recent Batman & Robin infamy) and Fernando Pasarin on pencils. As with all DC’s New 52, I can only presume that it’s meant to be a jumping-in point for new readers unfamiliar with Green Lanterns, their background or any of their history. So let’s look at it while pretending to be one of those new readers, shall we?

We start with a man being locked into something called a “sciencell” against his will by uncaring jailors.

EDITOR’S NOTE: This review contains immediate, thoughtless, prejudicial spoilers. It is even possible that the story has already been ruined for you. So you might as well keep reading.

If you’ve been a comic book fon for the past couple of years, particularly if you’ve been one who followed Geoff Johns’s Green Lantern saga from the Sinestro Corps War through the Blackest Night event of 2010, you are going to cream your pants over the first seven pages of Red Lanterns #1. Peter Milligan NAILS everything fun and cool about the Red Lantern Corps, so much so that at one point I stopped what I was doing and I told Amanda, “You know what? Red Lanterns has the opening I’ve liked best of any of DC’s New 52 so far.”

“That’s great, Rob,” she said, “But I’d appreciate it if you’d put the comic book away until after we’re done having sex.”

But I digress… actually, I don’t, because that seven page opener is as much a non-sequiter as the above joke was. It has next to nothing to do with the remainder of the story that follows, and frankly? If you’re one of those ephemeral “new readers” that the New 52 is supposed to be reaching, I’m guessing you’ll quit somewhere during those seven pages and never read the book again.

Because if you don’t already know the characters, their backgrounds and motivations, what you’re seeing as an introduction to the Red Lantern Corps is an angry kitty in a red jumpsuit who bites some space dicks (The aliens in question being dicks, not ACTUAL, dangling space wangs. And the aliens themselves aren’t actually penises, they’re DICKS. Oh, forget it.), and his owner, who appears to be Mike Tyson if he ate too many carrots and tore his own lips off to give his teeth room to reproduce in his own mouth. And you’ll close the book, say something like, “Huh. those comics people DO eat mushrooms,” and go back and read Harry Potter again.

Heidi MacDonald at Comics Beat got her hands on an email from DC Comics saying that some percentage of copies of Green Lantern #1, which came out this past Wednesday, are being recalled for replacement due to a printing error that dropped a big, ugly-looking green loop on the cover, making Sinestro look like he’s rocking a raging dose of Oan Face Herpes:

We’re only halfway into the four-week reveal of DC’s New 52, so it might be a little early to say this about any particular book, but I’ll say it anyway: I firmly believe that Batman & Robin was only released because “New 52” sounds catchier than “New 51”.

This book tries to be all things to everyone who ever read a Batman comic book. And while that might be a noble goal for some marketing drone slavering over the idea of thousands of non-comic geeks stumbling into comic stores to “check out that new blasphemous, hipster douchebag Superman I keep hearing about,” for an actual comic reader, it leads to an uneven, schizophrenic read that can’t seem to decide what it wants to be.

After an introductary action sequence where a new villain, Nobody… no, HE’S Nobody… the name of the bad guy is Nobody… um, third base? Anyway, there’s a new bad guy. Nobody. He’s invisible. Spoilers. Yeah.

The book proper opens with a reproduction of the parlor from Frank Miller’s Batman: Year One where Bruce Wayne told his father’s memory that he would become a bat. Which for a rebooted Batman story isn’t a bad place to start, and God knows that last week’s Detective Comics #1 did itself a solid referencing Miller’s classic look…

And two pages later? Batpoles.

The first big Comic-Con announcement, on preview night, was that Dark Horse Comics was planning to publish Orchid, a comic written by Tom Morello, the lead guitarist for Audioslave and Rage Against The Machine, which led most if us there at the time to take in a sharp breath and remark: “I hung around the Dark Horse booth for an hour to hear an announcement that didn’t include the words ‘Buffy’, ‘Sin’ or ‘City’?”

Dial ahead two months and Dark Horse has released a six-page preview of the first issue of a book they’re hyping as “the tale of a teenage prostitute who learns that she is more than the role society has imposed upon her.” Oh, Dark Horse… you had me at “teenage prostitute.” And so did the Internet. Be right back…

EDITOR’S NOTE: This review contains spoilers. For example, Miles Morales is apparently Spider-Man now. And by the way, the spoilers start IMMEDIATELY.

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If you’re anything like me, the first thing you did after seeing the last page of Ultimate Spider-Man #1 is hit Google and see if spiders can, in fact, camoflage into their backgrounds. I did this even though I am petrified of spiders. Petrified to the point that season three of Buffy The Vampire Slayer is my favorite; not because of the plot, characters or theme, but because it was the first season without that everfucking scuttling tarantula in the opening credits.

Turns out, as I suspected, that any Web site touting the camoflagability of spiders will, by nature, include large, full-color close-up photographs of spiders in order to prove that some spiders can, in fact, blend into their surroundings. Which proves two things:

  1. Brian Michael Bendis has done his spider research for this new iteration of Spider-Man, and:
  2. If you are an arachnophobe, Brian Michael Bendis is a Goddamned douchebag.

I will be reviewing the new Ultimate Spider-Man #1 later on today, but before I do, I’d like to address something that has nothing to do with the quality of the story or art in the new Ultimate Spider-Man, but is instead a humble entreaty to writer Brian Michael Bendis:

For the unholy love of jabbering FUCK, would you PLEASE stop writing two-page paneled story spreads?

If you’ve read pretty much any Bendis book ever in the past ten years, you know what I’m talking about: other than widescreen splash pages, most comic stories unfold one page at a time. You look at the left-hand page, read to the right-hand edge of that page, then down. When you reach the bottom, you then jump to the top of the right hand page, repeat, then turn page. It’s the common language of reading comic books. Hell, it’s the common language of reading ANYTHING published in the ENTIRE WESTERN WORLD, from Dick and Jane to Jane and Dick: An Erotic Adventure.

As will likely always happen on Wednesday nights, things at Crisis on Infinite Midlives will go dark until tomorrow for the following obvious reason:

Yup, just like last week, there’s 13 DC Comics New 52 books that need… wait a second… what the FUCK…

Is that a fucking MARVEL book? Will Crisis on Infinite Midlives do the heretofore unthinkable and begin focusing on non-DC New 52 books?

Tune in next week for the answer to these questions on the next episode of… PIIIIIGS IIIN – IT’S NEW COMIC DAY, SO FUCK OFF, WE’RE DRINKIIIIING!