Little Pieces Parts: Fear Itself #7 Review

EDITOR’S NOTE: This review contains spoilers. It’s a comic book where the good guys win. You have been warned.

Fear Itself #7, the ultimate chapter (Except for Fear Itself 7.1, 7.2 and 7.3, and don’t forget the Shattered Heroes followup) of Marvel’s tentpole event crossover of 2011 (Except for Spider-Island and X-Men: Schism), has everything you want from a book like this: a giant fight scene. Costume changes. A major character death. Iconic characters acting all iconic.

Yep, Fear Itself covers all the bases that the granddaddy of all crossover events, Secret Wars, threw down. It checks off all the boxes that Crisis On Infinite Earths put on the checklist. It mixes in all the ingredients that Civil War put in the recipe.

(Rob: Omit needless words. – Amanda)

Fine. It’s fucking formulaic, okay?

The Adventures of Hype Man

Mark Millar’s been teasing this for a while, but it was finally “announced” in the back of this week’s sixth issue of Millar’s and Leinil Yu’s Superior: Millar and Dave Gibbons are going to be collaborating on a comic.

The Secret Service, written by Millar with art by Gibbons, is coming out in February under Marvel’s creator-owned comics Icon imprint. It’s gonna be six issues… and that’s about all we know at this point:

We don’t want to give too much away at this stage… you won’t hear anything else about The Secret Service until the middle of November…

The only other tidbit about the book – and it really isn’t even ABOUT the book – is that Millar is auctioning off the right to name the book’s villain to benefit his former school. Right now that bidding stands at $1,625, which is a little pricey… but totally worth it.

Who wants to kick in a few bucks to make Mark spend 120 pages writing a story about the epic adventures of Grant Morrison?

(via Comic Book Resources)

The Only Thing We Have to Fear…

It is Wednesday, and while we apologize that recent posting and this week’s scheduled podcast have suffered due to a brand-new chest cold (Amanda: Rob, stop pretending your alcoholism is virally related and fetch me more Robitussin), we must still announce the end of our broadcast day for the following excellent reasons:

Now that is a fucking New Comics Day take! We’ve got the final issue of Marvel’s Fear Itself (And associated books like Invincible Iron Man), a new Neal Adams’ Batman: Odyssey, Batman and Wonder Woman #2, Mark Millar’s Superior, and…

…yeah, we got weak and bought Catwoman #2 and Red Hood and The Outlaws #2. Because we’re considering a new feature called Circling The Glory Hole for books that sucked once, to give them a chance to, well, suck or be sucked.

But on the plus side, there is also a new X-Factor and Atomic Robo. Which, if they are found at any glory hole, it is because they need, demand and deserve a blowjob.

And also, we’ve got Justice League #2, which apparently ships every six or seven weeks, making DC’s New 52 more like the New 51.57, which is the kind of math rounding I like, because that makes my wang seven inches even.

See you tomorrow, suckers!

This Is Not The Event: Black Panther #524 Review

And, as often happens, here’s one last review from last week before the comic store opens with this week’s new books…

The Big Two publishers often wonder why so many readers complain about Event Fatigue. Well, here’s the best example I’ve seen of a major self-dickstomping problem with event comics in recent memory.

Last month, Marvel released Black Panther #523.1. The “.1” is meant to indicate that the issue is a self-contained one-and-done tale, unladen by continuity. The “.1” is Marvel telling potential readers that the issue is a safe “jumping-on” point for the book; that if you start here, you can continue reading future issues without confusion.

Black Panther #523.1 was a tight little story about a street-level urban crimefighter and his partner working with, and sometimes against, the cops in New York’s Hell’s Kitchen to apprehend a costumed serial killer. It was dark, moody, and maintained the tone that writer David Liss has been infusing the book with since he took it over after last year’s Shadowland event.

Perfect jumping-on issue, right? Let’s say you read #523.1, liked it, and came back this month to see what happened after last month’s brutal alley brawl. You pull issue 524 off the shelf, hoping for a little of the pulpy action the last issue led you to expect and…

Huh. So Black Panther has six arms now?

Leaked Exclusive(ish) Avengers (Related) Footage!

At last weekend’s New York Comic Con, Marvel Studios debuted the first new footage from the upcoming Joss Whedon-directed Avengers movie to be screened since the official trailer dropped last week.

Before showing the new footage, the panel’s moderator admonished the crowd not to film the footage, with Mark Ruffalo warning attendees: “Don’t make me angry.”

But someone did film the footage…

…or at least we assume that someone did, because people are like that. But no matter how much Irished-up coffee we pour down our heads to make the search longer and more interesting, we can’t find the fucking thing online yet. Sorry about that.

But to appease those who may have wandered here from our dishonest, Google-whoring headline, we do have the new Clark Gregg-starred Phil Coulson: Agent of S.H.I.E.L.D. short, A Funny Thing Happened On The Way to Thor’s Hammer, in its entirety, after the jump.

Pretty Colors And a Powerful Stink: Tom Morello’s Orchid #1 Review

Can’t… make an F-chord on the guitar that sounds like anything but shit.
– Stephen King, Misery

When it comes to Dark Horse Comics’ Orchid #1, I want to give writer Tom Morello the benefit of the doubt, the way I did a few years back when Scott Ian from Anthrax wrote a couple of issues of Lobo for DC Comics. I really do.

After all, based on Morello’s interview with Rolling Stone last week, he grew up a comic geek just like Ian and the rest of us. And what with me being a former FM rock radio DJ, I will gladly admit that Morello gets sounds out of a guitar that neither I nor Scott Ian could get out of a woman with a million dollars in blood diamonds, a vibrator and a non-Irish dick.

And Morello’s even coughing up an original song you can download with every issue, which Dark Horse is calling “a free piece of musical score by Morello,” which although harder to type, sounds a hell of a lot nicer than “multimedia bribery”… which WILL be the name of my Rage Against The Machine tribute band. But I digress.

But the unfortunate fact of the matter is that if Alan Moore showed up at Epic Records waving a copy of Watchmen and demanding a record deal, he’d be laughed out of the lobby just before and extensively after security mildly tased him for being an insane person. Dark Horse should’ve done the same when Morello knocked.

The Dame Said Ph’nglui Mglw’nafh Cthulhu R’lyeh Wgah’nagl Fhtagn: Brubaker and Phillips Announce Fatale

At Friday’s Creator-Owned Comics panel at the New York Comic Con, hosted by Robert Kirkman, who is arguably the poster boy for creator-owned books what with his walking away from Marvel at the height of his popularity and his 427 bazillion dollars of Walking Dead TV money, announced that Image Comics will be producing Fatale, a supernatural crime book by Ed Brubaker and Sean Phillips, the creative team behind Criminal, Sleeper and Incognito.

Tell us about the book, Ed!

“I’ve been wanting for a while to do something with a more supernatural element to it… ‘Fatale’ mixes what [Sean and I] do and all the ways we’ve poked fun at the noir genre. If ‘Incognito’ was us doing ‘What if Doc Savage, Dashiell Hammet and Raymond Chandler had all existed in the same universe?’ then this is a weird combo of James M. Cain and Lovecraft…

The story involves all these characters that spin around a woman who may or may not be the living incarnation of the femme fatale. Parts of the story are told from her point of view.

I’m gonna let you insert your own Cthuhlu / tentacle porn joke here. Because I am one classy motherfucker.

Every Generation’s Got Its Own Disease: Phoenix Returns

About a week and a half ago, we reported on a postcard that Marvel sent to comic book retailers like my local comic store owner, who knows me by name and asks me not to unbuckle my belt and tell him to “check out my back issue”, that simply read: “It’s Coming.” Following the right URL to Marvel’s Website brought you to a page containing a placeholder for their liveblog of Marvel Chief Creative Officer Joe Quesada’s Cup ‘O Joe panel at the New York Comic Con.

Well, that panel took place yesterday. Tell us what’s coming, Marvel blogger UltimateKidNova!

The teaser “It’s Coming” was shown once more before being morphed into what seems to hint heavily at the return of a certain character named for a mythical flaming bird.

“Flaming bird,” huh? Can you be a little more specific? RuPaul? Devine? Beiber?

Yeah, even I’m not that hung over. Marvel’s bringing back Phoenix. Eventually. Marvel’s promo art they showed at the panel is after the jump.

With A Magic Word: REBOOT! I Mean: SHAZAM!

DC’s Justice League panel at the New York Comic Con was held earlier today – well, they called it the “Justice League” panel, but it pretty much had every creator on the New 52 except for Scott Lobdell, who rumor has it was unavilable due to a prior commitment to be in a fetal position, rocking, crying and ignoring the constant ring of the telephone.

There were a ton of revelations in the panel, one of which being that DC didn’t open the panel to questions from the audience until more than halfway through, which is a MAJOR departure from the DC panels we’ve see at SDCC since 2006, where Dan DiDio has historically said, “This is a panel about INSERT SUBJECT HERE! Let’s take questions!” Thanks again, San Diego Batgirl!

But one of the other bigger revelations was that DC is rebooting and relaunching Captain Marvel.

More Justice of Fisting

DC Comics’ New York Comic Con panel on their Edge / Dark line of New 52 books happened today, and while we haven’t come across any specific coverage of the panel yet that we can cannibalize, regurgitate and spit back at it in lieu of actual journalism Rob: edit this shit out now. We can at least act like we know what the fuck we’re doing -Amanda

Whoops! Sorry, technical difficulties, folks! Sorry about that. As I was clearly saying, while we haven’t been able to diligently ferret out any details about what happened in the panel, DC’s Source blog helpfully published the covers to the upcoming Frankenstein: Agent of S.H.A.D.E. #5 and OMAC #5, by J.J. Jones and Keith Giffen respectively, which you can see after the jump: