I have decided that when I die, I want someone at Marvel to write my obituary. Because that will mean that I won’t be dead for very fucking long.

Yeah, The Human Torch is alive again, but we’ll get to that in a minute.

I haven’t reviewed any of the issues in Jonathan Hickman’s run of Fantastic Four before because honestly? It just hasn’t hooked me in. I’ve given it a try because the book has been part of my pulls since Mark Waid’s and Mike Wieringo’s run, so I’ve sort of been getting it by default. And I read it every month, but there’s something about ir that just doesn’t stick to my brain. I’ll grant that alcohol might be a factor, but considering not ten seconds ago I was asked, and able, to recall the Libby’s jingle from the 1970’s, I doubt booze is just attacking my memories of Hickman on FF. Hopefully.

I’ve certainly given Hickman’s writing an honest chance. On top of Fantastic Four, I’ve been reading his book Red Wing by Image, and I’ve picked up trades of his miniseries Red Mass for Mars and Pax Humana. All of which are big idea comics, with intricate clockwork plots that pull together seamlessly… and to a one populated with characters that feel to me like ciphers that exist purely to further those plots. They are impeccable works of engineering, yet oddly bloodless, like a high-end silicone fuck doll: there are people who swear by them, but I was born a blow-up doll man, and I’ll die a blow-up doll man. And lonely. But I digress.

It is Wednesday evening, and as you regular readers of Crisis On Infinite Midlives know…

…New Comics Day means that this is the end of our broadcast day.

Still and all, that’s a damn good take for the Wednesday before a long American holiday weekend! There’s a new Kick-Ass by Mark Millar, a new Warren Ellis Secret Avengers, a book from Image’s Pilot Season, a new Justice League Dark (Which had better have some fucking Shade: The Changing Man in it! You hear me, Milligan!?), and a new Hawkman, which I only bought to support an American Thanksgiving “We have a bird” joke!

Speaking of Thanksgiving, due to the holiday weekend, posting for the next four days may be a bit more sporadic than usual. But please stick with us; we will do our best to post new news items and reviews… but to do that, we need tonight to start reading the new books.

See you somewhere during or after the tryptophan coma, suckers!

I thought I was free of that Goddamned channel.

First they let Battlestar Galactica go – and end on a “Be nice to robots” note. Fuck you. If my Aibo won’t learn to fetch me beers on command, he gets a kicking, just like any other real dog or child.

Then they made have to watch Stan Lee bestow the title of “superhero” on some sasquatch calling herself “Fat Momma” (Well, she was still better than Fin Fang Foom… actually, looking again, she might have been Fin Fang Foom, or at least have shopped in the same Lane Bryant), they cancelled Eureka, and stole two hours worth of my pink, blank neurons and replaced them with something called Mansquito.

I was shut of you, SyFy Channel… and then you had to go and do this:

Syfy is looking to bring Booster Gold to life on the small screen.

Okay… don’t make eye contact with the empty SyFy development suit and give away that Booster Gold isn’t a WWE wrestler and let’s see what’s up.

Catwoman #3 is better than the first issue, but don’t get too excited about it, at least not yet. Better is, after all, a relative word; losing your job is better than, say, losing your foot, but that doesn’t make it good.

I’m gonna start with the positive things I found in this issue, because unfortunately there’s still plenty that’s disappointing, but we’re 48 hours from a long weekend in the United States, and only 24 hours from the biggest bar night of the year, so I’m feeling charitable.

As opposed to the first issue, which felt like a bunch of plot points strung together to fill enough pages to justify Catwoman fucking Batman, there is an actual story going on here, and it’s reasonable compelling. This comic is a revenge story, plain and simple, and although it is part of a larger story arc that started in the abysmal first issue, it has the feel of a one-and-done that’s refreshing.

We open with Catwoman captured and one of her closest confidants killed,and proceed at a rapid and exciting pace through her escape, hunting of the killer and taking revenge upon him, all in 20-something pages. It feels complete, which is all-too-rare in the New 52 books so far, and it ends with a cliffhanger vastly more satisfying than the first issue, where the only thing we were left wondering was how you get semen out of kevlar.

Last week, DC Comics announced their solicitations for their upcoming releases for February, and there was a… disturbing trend of books with covers that made the heroes’ thighs look like something that would make Johnny Wadd Holmes weep with bitter, envious frustration.

But surely the repeating nature of DC’s offerings was just a coincidence. One would think that Marvel, who just released their own February solicitations, would never fall into the trap of repeating themselves in the space of a single month!

So let’s take a look at what is sure to be the widely varied and diverse offerings that Marvel has for us in February! (Rob: Tone down the pissy sarcasm and show the nice people the books. -Amanda)

A few weeks ago I reviewed a comic book about a video game that was actually a damn good Green Lantern story. By contrast, the latest issue of Green Lantern Corps is a Green Lantern comic that is, for all intents and purposes, a video game.

This book is what Green Lantern would be if it was a first person shooter in Hoard Mode.

You think I’m kidding? The whole video game vibe frankly bakes off of this book. For starters, look at that Alex Garner cover and tell me it doesn’t look like concept art from some FPS. The first person point of view, “your” hand coming into frame at right to shoot plasma beams at anonymous bad guys in armor with lightsabers… just replace the DC Comics slug with a health meter and the New 52 bullet with an ammo indicator and boom! You’ve got a shooter! A shooter designed by a focus group loaded with Asperger’s patients (“So how about we give stormtroopers lightsabers and have them fight Green Lanterns? Jesus, Bob; they’re all peeing!”), but a shooter nonetheless.

The whole video game vibe continues right into the story proper and doesn’t stop, from the weird aliens coming in multiple waves, to the Green Lanterns using their rings – weapons that can turn whatever you imagine into reality – to do nothing more than create a plethora of BFG9000’s to mow the aliens down. Part of me thinks that writer Peter J. Tomasi took a screen grab of an epic Red Bull-and-Stoli-fueled Gears of War session, emailed it to artist Geraldo Borges, and said, “Lightbox this, but make everything, y’know, green. But don’t trace the chainsaws on the ends of the guns; I don’t want to get sued.”

EDITOR’S NOTE: This review contains spoilers. But considering the comic this review is about wipes away just about the last persisting effects of the entire Fear Itself event storyline, it’s not like it fucking matters. However, you have been warned.

You want to talk to God? Let’s go see him together. I’ve got nothing better to do.”

Indiana Jones

The story in this comic book is horrible. It steals shamelessly from better comic stories by better writers, attempts to simulate depth by rehashing a philosophical point conveyed better in an 80’s teen sex comedy, and blows away any lasting effect of the Fear Itself event with a storytelling device that every writer since the ancient fucking Greeks – even the lowliest and worst hack –  has said, “Yeesh, I’d better not end it that way. The audience would kill me.”

EDITOR’S NOTE: This article is part 2 in a short series about downloading a digital comic book from Marvel’s online store. Actually, it’s a very short series considering this is the last part. You can find part 1 here. And if that doesn’t sound interesting, you can find cats talking to each other here.

After I muddled through figuring out how to give Marvel enough personal information to be able to read the digital copy of Avenging Spider-Man they’d offered to give me for free with my purchase of the print edition, and I finally was looking at the book in Marvel’s computer comic reader, it occurred to me that nothing in any of the Web pages I came through told me how to find the book again later. Lemme look at the app… aha! There’s something about subscriptions! Let’s click that!

Okay, so: digital comics! I think I’ve established that I’m not really a fan of the concept of digital comics. I like my weekly Wednesday trip to my local comics store, where my local comic store owner, who knows me by name and asks me if I’ve ever been told that pants are an always choice, hands me my books and recommends new ones for me.

However, Marvel was good enough to give those of us who bought Avenging Spider-Man #1 last week a code we could use to redeem for a free digital copy of the book. And as much as I like my stack of books every week, if I’m honest with myself, I’ve always considered myself an early adopter. And while I might be lurching into middle age, I like to believe it’s not so far in that I’m unwilling to try new things. Because if I am, it’s time to scratch “threesome” off my list and tag the list’s title with “bucket.”

So let’s download us a comic!

It’s Wednesday, and it’s several hours past whiskey o’clock, and you know what that means:

That’s right, it is the end of our broadcast day.

But with a weekly take that includes the new Justice League, Batman, X-Factor (Which we routinely love but have never yet reviewed), Atomic Robo, DC Universe Online Legends (Which pleasantly surprised us last month), and… Jesus Fuck; is that another fucking Fear Itself book? Oh, Fraction…

Well, either way, it’s a lot of books, and we need time to read them before we tell you if you should.

See you tomorrow, suckers!